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Origami Around
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@bellamynochillblake
sorry but i do feel that all of my ships are just objectively better than their rivals like no one understands the content as deeply as i do im just on another level and factually correct
IN A WORLD WHERE BEAUTY AND ATTRACTIVENESS HAVE BECOME SO COMMONPLACE AND MUNDANE THE EXCEPTIONAL UGLINESS HAS BECOME DIVINE
I SAW AN ADVERTISEMENT FOR A CAR THAT LOOKS LIKE EVERY OTHER CAR AND THEY COMPARED IT TO A UNUSUAL UGLY LITTLE VEHICLE AND ITS STRANGENESS WAS FAR MORE CAPTIVATING THAN THE SLEEK BORING CAR THE AD WAS ACTUALLY FOR
Umberto Eco, On Ugliness
BEAUTY IS FINITE, UGLINESS IS INFINITE LIKE GOD
Reminds me of all those studies that found that averaged faces are consistently rated more attractive than the individual faces combined to generate them.
vogue's 73 questions but with your favorite fictional characters
she literally stops in her tracks when she sees him 😭
jaha after only One day third wheeling with blarke: umm so y'all are hooking up right lol ope my bad
CAN ANYONE EXPLAIN TO ME HOW 'we're gonna drink this mystery liquid together bc we have no other way out of this situation and if i have to die then i want the last thing i see to be you' IS NOT ROMANTIC???
Here we go again…
FROM SCRATCH Episode 1: First Tastes
BELLAMY + CLARKE - 2x05
July 16th, 2019 - Happy 4th Year Bellarke Kiss-Of-Life Anniversary "The head and the heart."
I don’t know if you could tell from the everything about me but I fucking adore when the guy is the emotional heart and the woman is the intellectual heart of a ship.
Like, that shit fucks heavy with me
are they… you know… [trying to die for each other while adamantly refusing to acknowledge their feelings] soulmates?
the feminine urge to burn your life to the ground because you're bored
[George Roy Hill]'s theory was that Etta was probably one of Fannie Porter's prostitutes and just how close a friend she was to Butch as well as Sundance is left to speculation. But he always felt there was something there probably of a three-way relationship that couldn't be shown in the time that we made this picture. And probably had nothing to do with the picture we were doing anyway. (Robert J. Crawford, Documentary Director)
BUTCH CASSIDY AND THE SUNDANCE KID 1969, dir. George Roy Hill