ONE by ONE

I'm BENJAMIN HILTS ONE by ONE is my attempt to curate a collection of photography, art, science, literature, music etc.

[benjaminhilts]

Current mood #blackandwhite #painting #artist #contemporaryart #benjaminhilts

[benjaminhilts]

Yes. I was painting barefoot tonight. Didn't see this till I was headed for bed. #painting #gouache #gouacheisgoodfortheskin #artist

[benjaminhilts]

Untitled (Moon) #painting #blackandwhite #moon#contemporaryart #benjaminhilts #feetlove

[benjaminhilts]

ideas #drawing #painting #contemporaryart #blackandwhite #benjaminhilts

[benjaminhilts]

Gotta start somewhere. #painting #artist #beginnings #blackandwhite

[benjaminhilts]

MEDUSA-ISH #artoninstagram #drawing

[benjaminhilts]

SNAKES HATE US FOR DESTROYING THEIR PLANET

- by Benjaminhilts

I’m back! It’s only been a few years...

I’ve been doing a lot of new work and wanted a place to put WIP and sketches etc, so anything you see on here from now on will be original art by me or related. Yay! 

[humanoidhistory]

Zardoz, 1974, directed by John Boorman.

[benjaminhilts]

Onset sunset. Happy 4th

[benjaminhilts]

another pic from Ireland... Jesus it's windy up here!

[bbook]

Attention film nerds: you’re going to want to watch this. If you’re a fan of Paul Thomas Anderson—which if you aren’t, what is wrong with you?—you understand that the 42-year-old genius has the most incredible gift for storytelling that’s as rich as reading any novel while remaining visually and technically skilled. It’s pretty incredible to think that with only six feature films under his belt, Anderson has become one of the most prolific directors of our time, not only awakening our love of cinema but showing us the ways in which a filmmaker can evolve with each movie he makes.

Enjoy a 10 Minute Study of Paul Thomas Anderson’s Use of Steadicam and Some of His Best Scenes

[futurewitchdoctor]

i love you so much, p.t.

[venusmilk]

Edvard Munch Harpy 1894

(source)

[on-advertising]

Maria Popova is a Forbes 30 under 30 honoree, regular author for The Atlantic, and was named to the Fast Company 100 Most Creative in Business list. I let her know I was a regular reader of her site when I sent her an email a few months ago after she wrote an article about...

[sonofthedesert]

George Clausen (British, 1852-1944), The Village at Night, 1903. Oil on canvas, 50.8 x 60.9 cm. Lotherton Hall, Leeds Museums and Galleries.

[staceyphalange]

[i12bent]

John Lennon, Beatle, singer/songwriter, man of peace, good ol’ boy - murdered on this day in 1980, aged 40…

(via samirastacei)

[blastedheath]

Otto Hesselbom (Swedish, 1848-1913), Nattens helgedom [Night sanctuary]. Oil on canvas, 48 x 37 cm.

[cavetocanvas]

Tracey Emin, Sad Shower in New York, 1995

From the Tate Gallery:

Emin’s monoprints have a diaristic aspect and frequently depict events from the past. Often they incorporate text as well as image, although some bear only text and others only image. The text appears as the artist’s stream of consciousness voice. The rapid, one-off technique involved in making monoprints is perfectly suited to (apparently) immediate expression, as is Emin’s scratchy and informal drawing style. Rarely displayed alone, the monoprints are particularly effective as collective fragments of intense emotional confrontation. Emin has made several works documenting painful moments of sadness and loneliness experienced when travelling to foreign cities for various exhibitions. Sad Shower in New York was made after a trip to New York when Emin has said that she was feeling ‘pathetic and despondent.’