Bethevogue @bethevogue - Tumblr Blog

covetarts

http://www.adamkremer.net

oddphotos

carl de keyzer

adarchives

Sleazenation, September 2000, Issue 8

akram27-deactivated20211217

Barbershop, 2019

www.akramshah.com

shihlun

Shomei Tomatsu, Taipei, Taiwan, 1982.

東松照明 - 台湾紀行 (カメラ毎日 1982, 12)

timonegingi

fabrizioraschetti

Photographer: Fabrizio Raschetti

miamlsunshine

crystallizations

“Sports Illustrated”: Photographed by Paulo Sutch for Dazed and Confused, May 1997

shikan-ta-za

verluste

“Corinne Day’s early 1997 work, taken from the September Issue 34 of Dazed”

crystallizations

Dresses designed by Issey Miyake for Pleats Please Issey Miyake, Spring/Summer 1997

“These dresses are "Pleats Please Guest Artist Series” (1996-98). Works by a famous Japanese photographer, Nobuyoshi Araki (1940–), are printed on them. On the left is “Iro-shōjo,” and on the right is the “Araki” print. The contrast between the clean and crisp shape and pop coloring of Pleats Please with the images of ennui in Araki’s photographs gives the series an interesting twist. In 1993, Issey Miyake developed a series of his works with pleats into more wearable dresses named “Pleats Please.” They became internationally popular. These dresses are free sized, and when taken off, the fabric returns to its two-dimensional form. They are light, wrinkle-resistant, and reasonably priced. These are the very dresses that busy modern women dreamed of. The manufacturing method of these dresses is unique. Although a pre-pleated fabric is usually sewn up into clothes, Miyake’s approach was to do the sewing first, taking into consideration the reduction by pleating, and then pleat the fabric afterwards. A major target of the fashion industry, striking a good balance between design and mass production efficiency, has been excellently achieved here on the basis of Miyake’s conceptual starting point, “A Piece of Cloth.”“ - Kyoto Costume Institute