Binion & Bey

Artist #McArthurBinion with me the short guy with the hat- Studio Museum of Harlem 26-03-2014

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Binion & Bey turned 3 today!

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Listen/purchase: carry permit by >green_man/

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McArthur Binion

Sketch II (Looking for Grey): For: Three Movements of Sunlight, 2013

Ink, laser print collage, oil paint stick, and Staonal crayon on panel

72 × 48 × 2 in

182.9 × 121.9 × 5.1 cm

Understanding this amount of breath and electricity, its potency and skill---units that measure the blink of day.

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DNA: Black Painting: V, 2015

Oil paint stick, paper, and graphite on board

84 x 84 inches (213.4 x 213.4 cm)

McArthur Binion, Galerie Lelong, NYC, 10 September 2015

 a chant, it seems...always there. somewhere in aether, stereo of the real. something else, an echo, but not. a mirror read in audio. stays. when they come, when they go. we just change clothes.

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Binion & Bey turned 1 today!

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Driving Thru Chicago in Mississippi

2011 oil stick, sepia ink, Staonal crayon, laser image print collage on Masonite board 72" x 24"

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sadiq bey xv by Caprice Crawford, Berlin 2015

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sadiq bey lV by Caprice Crawford, Berlin 2015

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sadiq bey by Caprice Crawford, Berlin 2015

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sadiq bey by Caprice Crawford, Berlin 2015

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>green_man/

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sexploitation by schwartzegeist

schwartzegeist | Other | Berlin, BW, DE

sometimes the old dream stands to gain recognition as it continues to dislocate possibilities of the present. to comprise a list of items bumped off the order of new being, sharing together, we force the square into round. A-S knows this doesn’t work but, deciding on her own, cuts the connection temporarily, because she has a right to see other things that are heavier in the sacred balance.

now, the issue of rights breathes additional chemistry. the open end of free association allows for path. it is plain as day, the instant defection from the tandem proposition, she finds legs in a mother’s need to sooth. she dares the cost to enter her mind. she dares the dying man’s claim of partnership, the trek through the woods on a sunny day. decidedly absent. appropriately single. questionably sober. as apologies go, pubescent cartooning the Mia culpa, famish the masculine surmise. ho hum, the relic echo of famine past. come now, my charming dainty, bitte!

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(via https://soundcloud.com/sadiq/beet-down-kru?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblr)

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‪#‎STRIKEBLACKAMERICAN‬ ‪#‎JUST4ADAYWALKAWAY‬ stop the shop against racism. enough is enough!

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Visit Original Link

a simple melody that binds the two artists over a 40 year range of silent interactions.

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DNA: Black Painting: IV

2015

Ink, laser print collage, oil paint stick, and Staonal crayon on panel

84" x 84"

“We in the Western world suffer from too many categories and classes; we’ve forgotten that we all still have diapers on. We’ve separated music from life.” Ornette Coleman

∞

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DNA: Black Painting: III

2015

ink, laser print collage, oil paint stick and Staonal crayon on panel

84” x 84”

i have been far-reachingly nice. it doesn't pay off with certain types of failing supremacists. they recognize a spectacular ascendancy (in us) and then find as much fault as humanly possible...only to be defeated by the natural force field of real love. it's pitiful actually. i am guilty of the misappropriation of such power. perhaps this is what you are experiencing at home? in another immensely staggering way, of course. supremacy is a program that requires more time and capacity to unlock, than any other form of opposition.