Let’s make things perfectly queer. @biconspodcast - Tumblr Blog

wlw + forehead touches Lauren & Leyla (New Amsterdam) Casey & Izzie (Atypical) Rue & Jules (Euphoria) Emily & Sue (Dickinson) Sara & Ava (Legends of Tomorrow) Cosima & Delphine (Orphan Black) Waverly & Nicole (Wynonna Earp) Karolina & Nico (Runaways) Shelby & Toni (The Wilds) Maya & Carina (Station 19)

verilybitchie

Feel Good season 2, episode 2

I love this show <3

petra0258

You can barely handle it, but there is a difference. You are handling it.

Feel Good - Season 2 Episode 6

userbarchie-deactivated20220507

HANNANDREWS’ HALLOWEEN WEEK ↳ day 1 → favourite horror film JENNIFER’S BODY (2009)

chloesevigny-deactivated2025042

JENNIFER’S BODY

— 2009, dir. Karyn Kusama

bellamysgriffin

HALLOWEEN WEEK 2021 Day One: Favorite Horror Film

hayaomiyazaki

hey do you have any recs for lgbt period dramas in the vein of like maurice, brideshead etc?

hello anon, that truly is the million dollar question *defeated sigh*! maurice and brideshead — and i do trust you’re referring to the 1981 miniseries, truly the epitome of adaptation cinema — are very much the paragons of those languid uni romances brimming with attractive, hedonistic(, gay) poetry enthusiasts, which is a very specific sub-sub-sub-genre i know a lot of us would like to see consciously expanded 🙃 within that specifically, i’d personally recommend…

another country (1984) dir. marek kanievska

either mädchen in uniform (i prefer the 1958 version but that is only because i saw it first)

les amitiés particulières (1964) dir. jean delannoy

the history boys (2006) dir. nicolas hytner

if… (1968) dir. lindsay anderson

dead poets society (1989) dir. peter weir**

then there are some good lgbt period dramas that, while having somewhat different dynamics or more convoluted plots than the films you’re looking for, do share a lot of their sensibilities, such as…

fingersmith (2005) dir. aisling walsh

tipping the velvet (2002)

the gold rimmed glasses (1987) dir. giuliano montaldo

dorian gray (1970) dir. massimo dallamano

orlando (1992) dir. sally potter

portrait of a marriage (1990)

life in squares (2015)

wilde (1997) dir. brian gilbert

carrington (1995) dir. christopher hampton

regeneration (1997) dir. gillies mackinnon**

the talented mr. ripley (1999) dir. anthony minghella**

and if find maurice and brideshead very indicative of your interests and taste, you might also enjoy these despite their being different sub-genres within lgbt film: carol (2015) dir. todd haynes, mystère à la tour eiffel (2015) dir. léa fazer, farewell, my queen (2012) dir. benoît jacquot, yves saint laurent (2014) dir. jalil lespert, death in venice (1971) dir. luchino visconti, cambridge spies (2003), the line of beauty (2005), man in an orange shirt (2017), jeeves & wooster**; and i haven’t seen these, but they’re on my list: daphne (2007), the secret diaries of miss anne lister (2010), un amour à taire (2005), tell it to the bees (2018), oranges are not the only fruit (1990) and perhaps picnic at hanging rock, the halcyon, and anne with an e**. fingers crossed for gentleman jack and vita & virginia! you might also be interested in spring awakening as well as indecent, but theatre is a beast i won’t even pretend i know how to tackle. and this is extraordinarily random but i’ve always had a soft spot for the slowburn between ted and ralph from the fast show — god bless those who edit gay storylines and upload them to youtube! saints!

**not explicitly lgbt (my ass)

here are some of my other recs in case they interest you & you have a lot of patience for rambling:

italian lgbt film recs

spanish- & portuguese-language lgbt film recs

70s & 80s lgbt film recs

contemporary foreign lgbt recs

trans film recs

my general lgbt films tag

resources for discovering lgbt films

stars-bean

LOKI (2021) - Episode 3

lilnasxdaily

LIL NAS X for L’UOMO VOGUE Jul. 2021 photographed by Ethan James Green

itszonez

Willow Smith for W Magazine (2021); photographed by Lea Winkler

stfudiscoinfernoed-archive

If there’s anything I want anyone to know about bisexual and nonbinary identities, it is that ambiguity is good. We don’t need the exact nuances of our identities to be encapsulated within the label we choose. If you take a hundred nonbinary people or a hundred bi people, they are going to have as many differences as they do similarities and that isnt a flaw: it’s a strength. The diversity within our communities is amazing and it is amazing that a label can remain useful for so many people despite how different we all are.