Tom Anholt (British, 1987) - The Recluse (2025)
Cosmic Funnies

titsay
i don't do bad sauce passes
Misplaced Lens Cap
Not today Justin
Sade Olutola

shark vs the universe
No title available
DEAR READER
Keni
AnasAbdin
No title available
$LAYYYTER

Janaina Medeiros

roma★

#extradirty
Xuebing Du
Peter Solarz
Jules of Nature
Aqua Utopia|海の底で記憶を紡ぐ
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from India
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from France
seen from Malaysia

seen from United States

seen from United States
seen from Lithuania

seen from United States
@bidiotka
Tom Anholt (British, 1987) - The Recluse (2025)
Sentimental Value (2025) dir. Joachim Trier
Florence Susan Harrison (1877-1955), ''Elfin Song: A Book of Verse and Pictures'', 1912
postmodernism is my shitty ex whos always sending u up texts and despite myself ill often answer that yes i am up and im coming over
Procession of Bush in Polissia region
in absolute tears about the pride module at my work
HOLY SHIT GUYS, I WAS INSPIRED BY THIS POST TO TRY MAKE THE SONG AND YOU WOULD NOT BELIEVE THE SCREAM I SCRUMPT WHEN I DRAGGED THE TRAINING AUDIO OVER THE BACKING TRACK AND IT LINED UP PERFECTLY
Tempted to actually put this on spotify so I can secretly stream it at work...
Tagging @batshit-auspol because as an Australian you're the only big account I know who might share (sorry).
happy first day of pride everyone
Silver Cradle (2011) - Paul Romano
happy pride to the undead 666 bus to Hel
Kazuo Ishiguro | from his Nobel prize (2017) acceptance speech.
Weegee (Arthur Fellig), Woman With Her Crow at the Limelight Cafe, Greenwich Village, NYC, 1950s.
my general opinion on what people should be "allowed" to portray and what topics they should be "allowed" to explore in fiction is that you can make whatever art with whatever themes you want but i'm also allowed to think the way you handled it was tasteless and should've been done differently. my negative opinion on your handling of sensitive topics is the price of admission for publicly showcasing your work. this is not a pro-censorship stance because i am not The Government
this is getting really popular so i’d like to add the important caveat that your criticism of a work is no more unassailable than the work itself. just as one is entitled to be critical of something someone else is entitled to disagree with that criticism. i add this because some of you pretend to give a fuck about thoughtful analysis and then when someone points out flaws in your argument you declare that all criticisms are valid. this is untrue. the status of a hater is no more sacred than that of a liker. get off your high horse and engage in the thoughtful discussion you pretend to believe in or perish by my blade
Antoni Piotrowski (Polish, 1853-1924) - Blue Grotto - Capri (1843)
The Count of Monte Cristo, Alexandre Dumas
cemeteries aren’t creepy they’re actually devoted to memory and rest and love and humanity
is anyone else their father’s female son
'To make metaphysics out of spoken language is to make language convey what it does not normally convey. That is to use it in a new, exceptional and unusual way... to turn against language and its basely utilitarian, one might almost say alimentary, sources, against its origins as a hunted beast, and finally to consider language in the form of Incantation.' Antonin Artaud, The Theatre and its Double (1938)
[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over