Fedora, Billy Wilder, 1978
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ojovivo

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Fedora, Billy Wilder, 1978
An instant of diaphanous panic peeking through the lumpen rest.
In Vanda's Room, Pedro Costa, 2000
The discovery of shadows as pliable objects.
Sorrows, Gregory J. Markopoulos, 1969
An inhabitance that persists.
The Fortune, Mike Nichols, 1975
Elegance isn't everything.
The Gong Show Movie, Chuck Barris, 1980
Dumb, smart and innocent.
Cécile est morte!, Maurice Tourneur, 1944
There is apparently a certain blithe and cheerful air that hangs around corpses.
Memphis, Tim Sutton, 2013
Digressions that don't digress far or fast enough.
Mother of George, Andrew Dosonmu, 2013
Actors and colors, at least.
Film itself, the physical commodity, already being superseded by video tape, with increasingly insubstantial substitutes already on the horizon, may actually cease to exist sooner than we think. A couple of hundred years from now man, in search of diversion, may simply settle back in some kind of electronic easy chair, adjust a pair of computerized stimuli to either side of his brain — and conjure up whatever pleasing fantasies occur to him at the moment. These, of course, will be instantaneously and faithfully transformed, by the magic of electronics, into a continuing flow of imagery projected upon a small screen which he will hold in his hand — as we now hold a book. At that point — what price Film Immortality?
Joseph L. Mankiewicz with Gary Carey, More About All About Eve, 1972
A Farewell to Arms, Frank Borzage, 1932
Disembodied limbs and voices.
Hot Pepper, Les Blank, 1973
Snatches of fiery rhetoric.
Sworn to the Drum: A Tribute to Francisco Aguabella, Les Blank, 1995
Musical ubiquity.
Summer Vacation 1999, Kaneko Shûsuke, 1988
The prettiest anomaly.
Finally a distant cleric was lured to Bärhegen with money and promises; when he arrived, he declared that , armed with holy water and holy words, he was eager to set out to battle this evil adversary. But instead of readying himself for this battle with fasting and prayers, he breakfasted along with the knights and lost count of the cups he drained while feasting on venison and bear. Meanwhile he spoke at length of his heroic deeds of the spirit, and the knights spoke of their worldly ones, and the cups they drained went uncounted, and the spider was forgotten. Then in an instant all life was blotted out, hands froze where they were, clutching cup or fork, mouths hung open, and all eyes were riveted on a single point. Only von Stoffeln drained his cup, finishing his story of a heroic deed performed in the land of the heathen. But on his head sat the spider, swollen up huge and glowering at the knights seated there, but the knight did not feel it. But then the fire began to stream through his brain and blood, he gave a dreadful cry and grasped at his head, but the spider was no longer there, with terrible speed it had raced across the faces of all the knights, no one could stop it; one after the other they cried out, seared by these flames, and then the spider sat atop the cleric's tonsure, gazing down at the gruesome scene. The cleric wanted to use the cup his hand was still grasping to quench the fire that was blazing from his head down into marrow and bone, but to no avail: The spider stayed where it was, glowering from its throne as it surveyed the carnage until the last knight had uttered his last cry and drawn his last breath.
Jeremias Gotthelf, The Black Spider, 1842
Spend It All, Les Blank, 1972
The encyclopedia of revelry.
Dry Wood, Les Blank, 1973
There's a little room for everything.
Sometimes I find it strange when I change my favorite color from blue to yellow.
Hong Sang-soo, interviewed in Hong Sangsoo, Huh Moonyoung, 2007