
oozey mess

Product Placement
sheepfilms
dirt enthusiast

❣ Chile in a Photography ❣
YOU ARE THE REASON
d e v o n

Andulka
Sade Olutola
Misplaced Lens Cap
Not today Justin

blake kathryn
Show & Tell

izzy's playlists!
Lint Roller? I Barely Know Her
Three Goblin Art
Claire Keane

if i look back, i am lost

@theartofmadeline
hello vonnie
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@birdcafe
During her studies, she came across the single, “Once in a Lifetime,” an Afrobeat-inspired tune from Talking Heads. Encouraged by the African sound of the record, Angelique Kidjo told her fellow students about the rhythms she heard. They insisted — incorrectly — that it was rock. “I said, ‘That’s not rock and roll,” she told the L.A. Times. “It’s African music.”
Perhaps fueled by that experience, Kidjo’s Remain in Light recreates the 1980 LP as an authentic Afrobeat record that dives head-on into the Fela Kuti-inspired aesthetic of the Talking Heads original. Though a widely heralded classic, the group’s album only scratched the surface of West African funk. They synthesized the sound, blending it with pop and rock to make it more palatable for mostly white American listeners. Conversely, Kidjo’s interpretation feels more legitimate and offers an unfiltered representation of the Motherland’s polyrhythmic dance.
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the crazy detail that we should consider is that she was friends with david byrne throughout this process. like one day she heard her buddy david’s classic album remain in light and was like “hm. i see what u did here, let me up the ante in a way that u literally never could as a white scottish-american man” and she gave us this absolute masterpiece. her mind!
Sadamasa Motonaga
Silver Jews - People (1998)
“The drums march along at the clip of an IV drip, like sparks from a muffler dragged down the strip.”
Lily van der Stokker, Nothing really, 1992-2016
Salman Toor (Pakistani, b. 1983), The Confession, 2019. Oil on panel, 20 x 24 in.
𝓼𝓾𝓷𝓼𝓮𝓽 𝓼𝓽𝓻𝓸𝓵𝓵
2020-02-24
Forest doors
Nintendo DS BIOS