tozozozo
Alisa U Zemlji Chuda
Mike Driver

izzy's playlists!
occasionally subtle

PR's Tumblrdome
i don't do bad sauce passes

Andulka
AnasAbdin
$LAYYYTER

Love Begins
Monterey Bay Aquarium
One Nice Bug Per Day
KIROKAZE

blake kathryn

#extradirty

No title available

roma★
sheepfilms
d e v o n

No title available
seen from United States
seen from Germany

seen from Türkiye

seen from United Kingdom
seen from United States

seen from Netherlands

seen from Ireland

seen from Netherlands

seen from Singapore
seen from United States
seen from Germany

seen from Maldives
seen from Brazil

seen from Canada

seen from United States
seen from United States
seen from United States

seen from Canada

seen from Germany

seen from United States
@biscottea
tozozozo
i hate that every time i look for color studies and tips to improve my art and make it more dynamic and interesting all that comes up are rudimentary explanations of the color wheel that explain it to me like im in 1st grade and just now discovering my primary colors
“red and green are opposites 🥰” cool now how do i paint a tree with pinks and blues without it looking like a child’s finger painting or incongruous blobs of rainbow vomit
ok i can’t explain it very well but im looking for tips and techniques for rendering art like
with specifically the highlights and colors being hues that compliment each other, don’t distract from the scene, and make it more interesting/visually appealing
is it too much to ask
gonna drop some sources I have saved on Pinterest! I don't know if these all link back to the original sources so apologies for that
cohesive but still contrasting
This kind of talks about color and composition
This is a bit about landscape specifically
Values & composition
Contrast in composition
Balance in colors & values
This one's more for palette building but I think it's useful and can be applied to the other ones
Cohesion within compositions/lighting
"Chromatic fringe" - I also see people using this with shading, they bring in a transition color that is a different hue than the base color or shadow, it makes it so that less vibrancy is lost and it doesn't get muddy!
This one specifically has a lot of process behind the style of painting you're looking for!
Also one of my favorite artists who makes bright and colorful art like this is Not Sorry Art on TikTok & YouTube, her website is here and it's<3 my fav. She has some videos where you can see her process
With the oranges painting you put as an example, I noticed they painted the lighter values more toward yellow - they also exaggerated the hues of the undertones of the photo, so I'm guessing they either did it in their head or bumped the saturation up to get a closer look! I really love these paintings you shared and I definitely share your desire to paint/draw like that :)
Do u have any advice for artists who draw ridiculously slow???
draw faster
jk haha. here's some tips:
1. identify what's making you draw so slow. can't figure out pose/anatomy? too perfectionist about inking? getting caught up in details? indecisive coloring?
2. timed gesture studies. draw a loose figure w photo reference in 10 minutes. do that a bunch of times. then 5 minutes, 3 minutes, 1 minute. train yourself to omit as much detail as possible while keeping the figure recognizable.
3. the dot/line exercise, sometimes called the "target practice" warmup. draw two dots, then a line connecting them. keep moving the dots farther apart while drawing the line as fast as you can while keeping it STRAIGHT (not wobbly!) and hitting the second dot. the line is ONE stroke. it's harder than it sounds. this should help you get an idea of how fast you can make a controlled stroke
4. look up tutorials on coloring more quickly in whatever art program you're using if you do digital art. chances are there's a tool or setting that can make it easier to fill in shapes. i almost never color by hand, i fill bucket everything
5. free yourself of "clean line art"... 9 times outta 10 people think sketchy lines are more visually appealing anyway. it's faster and they have more life. in my opinion at least
6. use lots of references. spending hours on a complicated pose from memory instead of just looking at photo/3D model reference isn't impressive it's just stupid and unnecessary
7. study with intent. if you struggle with leg anatomy for example, do lots of studies from photos (eyeballing and tracing), then try it freehand/from memory, rinse and repeat 9000 times until it's not something you get stuck on when it comes time to do an illustration/comic page
8. less detail. simplify. you can have ultra detailed art or you can draw fast. pick which is more important to you
9. bullshit it... draw ugly and bad but do it fast. done is always better than perfect
10. thumbnail. it's not just for comics. do a teeny tiny sketch of your drawing beforehand with colors. then use it as reference. helps to finish the actual piece faster when it's planned out
bonus: be impatient and easily bored. i rarely spend more than 2-3 hrs on any one drawing, including comic pages. i got other shit to do!!!! like nap
3 and 5 are honestly huge. I feel like so many digital artists, even long-time artists, struggle with digital lineart because they're so used to having Undo that they get into this habit of carelessly throwing out lines and undoing until they get the "perfect" one. I hate that it's become a "relatable" struggle that so many digital artists accept as some unchangeable truth. There's a better life out there, you just have to stop hovering your hand over the undo shortcut and find it!
Spend time practicing the act of making lines, building confidence, and getting them right the first time (3). Very good advice for more than just lineart is "Look where you're going, not where you are." The point is to have a destination for your pen in mind and know where you're planning on going, rather than just throwing the pen and hoping it lands in a good spot. The important part is that you have to be deliberate with your intentions or else not even your muscle memory will know what exactly you're trying to practice.
Once you're actually drawing, just worry less straight up (5). Trust the practice you've been putting in and focus on making art rather than making perfect art. If you want your lineart to be neater (or your colors to be more eye catching, or your shapes to be more energetic, etc) well don't worry, this is just practice. Everything is practice. Follow your gut and assess the damage later, when you're done. I believe you learn better that way, instead of burning yourself out trying to make every piece perfect.
i heard the people like .adventure time or something
July BirdWhisperer!..... and June because I forgot about it at the time lol
refs: great black-backed gulls by cocoparisienne verditer flycatcher by frank ebertus
some oranges for thai of the dye variety <3
I've been really into drawing clovers lately ☘️
you make me want to draw again
here you go! this is also for my future self.
HII my character & shape design tips PDF is now available! ^_^ hope you enjoy !!
BUY HERE or HERE
My brush pack is finally done!
Download it via dropbox: Link
Download it via Clip studio assets: Link!
🎡⚠️🐟
Planetarium Snack Trinket Dishes - with Custom Planets - 3D Printed and Hand Painted by MIMA Workshop on Etsy
More like this
A new New York City social club made just for women, designed by an all-female team from Pentagram.
Up your origami art with these laser-cut designs, from Cotora Monora
Sleeping Grizzly Bear Beanbags by Chic Sin Design on Etsy
More like this
I can’t believe I don’t own this
StrawBeary, Bear and Panda Bear Coasters by dandyrions on Etsy
More like this