So I posted a silly doodle yesterday on twitter and now people think it was a tutorial. So I got upset and made an actual tutorial so noone says I halfassed the yesterday's one 😡😡😡
Here you go: ~How I draw braids~ 🩷🙏
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sheepfilms

titsay

shark vs the universe

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@theartofmadeline
styofa doing anything
Xuebing Du
trying on a metaphor
dirt enthusiast
YOU ARE THE REASON

roma★

blake kathryn
let's talk about Bridgerton tea, my ask is open
we're not kids anymore.
Stranger Things
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Three Goblin Art

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@blazedoodles
So I posted a silly doodle yesterday on twitter and now people think it was a tutorial. So I got upset and made an actual tutorial so noone says I halfassed the yesterday's one 😡😡😡
Here you go: ~How I draw braids~ 🩷🙏
Smooching notes~!
So the people on Twitter seemed to find my notes very useful, So I am sharing them to you guys as well
have fun!
I don't usually click tumblr ads but that site has a lot of great drawing refs tbh
like look at these
there's gotta be at least one you wanna see your ocs or blorbos in
so glad this is resonating with transmasc tumblr too... men should in fact be able to get a lil slutty outfit as a treat
Here’s a ⭐️ tutorial ⭐️ on my approach to drawing armor!
nothing worse than when the premise of something captivates you but then it sucks ass. bro you put this idea out into the world and you didn’t even do it a shred of justice
I’ve always wanted to write a book dedication “To all the authors whose ideas inspired me to write, and whose execution inspired me to edit”
can i use a calculator on the ap french exam
this mother fucker trying to solve french
My first anatomy tutorial! How I connect arms to the torso. Simplified the muscles for better comprehension
PS. Pectoral is misspelled as “pectorial” in the picture! Don’t make that mistake haha
Some Imodna fluffs to heal the soul. Also having thinking thoughts about Imogen having a physical side effect of embracing the red storm.
I can barely contain myself right now
holy shit
HOLY SHIT
holy CRAP.
Artists, creators, students, and researchers of all types, take note:
Digitized photos and text. 2D and 3D object renders. Music and other sound files. Videos. Research datasets. Collections metadata.
On a Creative Commons Zero license: Take what you want. Use it. No permission or attribution required. Yes, even for commercial use.
There is a lot wrong with the world at the moment, but the Smithsonian… the Smithsonian is right.
The archive includes fashion images!
Fantastic art
Do you have any kind of process for picking colors for the backgrounds? They all seem to have really nice uniformity, and I would love to read up on how colors like that are picked (or if it's more intuition based). I do remember you mentioning that you also had help from another color lead before, so I was wondering how much of that they help out vs the colors you chose?
hey, thanks so much! this might get a lil long (as it always does!!) so bear with me.
firstly i want to say, there’s no right or wrong way to pick colors. every artist has their own palette they prefer and i think it’s super delightful to spend time developing your own special sense of color. so even though i’m explaining things in a “this is how you do it” sort of way, it’s not the only way! just my way. the best method to develop your own sense of color is to look at a LOT of art, look at a LOT of the world around you, and practice practice pratice.
at this point in my life i pick colors intuitively just because i think it’s something i’m naturally tuned into, and i’ve been doing it for a few years, so i don’t actively plan my palettes. but here are some things that i think about as i pick colors.
firstly, i want to go over hue, value, and saturation. i’m sure everyone knows these intuitively but i want to explain them in words. hue, value and saturation are what make up a color, and decide how colors differ from each other.
hue: what color the color actually is. red, purple, green, yellow, and everything in between.
value: how light or dark a color is. if you’re painting traditionally, adding more white or more black to a color lowers or raises its value.
saturation: how “pure” the color is vs how much neutral tone is in it.
here’s an example of all three:
this comes into play because a big mistake i see beginners make is that they pick a “just” color, and by that i mean they pick “just blue” or “just yellow”. imagine buying a set of oil paints and only using paints straight from the tube without ever mixing. it would be impossible! so i try to avoid picking “just” colors, except as for a complementary color (more on that in a bit). here are some variations of a red, for example.
so, the biggest thing for me when i pick colors is that i want them all to be friends. i want them all to have something in common so that they get along. i usually lose control of a painting when my colors feel to different from one another. so, i will usually start a painting with one color i know for sure i want, and “subordinate” other colors to it, meaning every other color i pick has to look good with that color. as to how you figure out what looks good and what doesn’t, that just takes time and lots of observation to build a personal opinion :) here’s an example from one of my paintings. in this case, the main color is the trees.
and here’s another from rick & morty, the main color is the sky this time.
now that that’s out of the way, i’m going to give you the Actual Cheat Sheet for color palettes. in color theory, there are 8 basic color schemes that are generally pleasing to look at. here they are.
i usually use an analogous palette or monochrome palette out of preference. the two examples above more or less fall into those categories. however, i also like to use split complementary because the complimentary color adds a LOT of contrast and visual interest. it’s great to use if you have a specific thing in a painting you want to draw attention to. here’s an example:
it doesn’t always have to be a perfect split complementary, just one color that differs from the “family” of colors that take up a majority of the piece.
now! you might be wondering when’s the right time to subordinate a color, or where to put it, or how much of it to use, etc. and the answer is: CONTRAST. there is always visual interest in things that are different. i was rifling through my school notes and found these great types of contrast when working with color.
value: things that are light vs things that are dark.
hue: two colors that look different. I.E. yellow vs blue.
saturation: things that are saturated vs things that are desaturated.
proportion: note the example above. a majority of the painting is orange, so the green stands out because there is proportionally less of it.
temperature: things that are warm vs things that are cool.
complementary: red vs green, blue vs orange, yellow vs purple. when in doubt, these colors always contrast against each other because they have nothing in common (there is no red in green, etc).
simultaneous: this is a little advanced and i’m bad at explaining it, so please read up on it here.
a super helpful exercise is to look at your favorite illustrations, paintings, photographs, designs, etc and assess which one of the 8 color schemes (linked above) it has, and which types (can be more than one) of contrast it has. we did this in school and it REALLY helped me look at color better. here’s part of the assignment i did, the artist is annette marnat.
so! that’s pretty much how i think about color and how i pick my colors! i hope it was somewhat helpful! there’s so so so so much about color theory i can’t even begin to cover, i highly urge you to watch some videos and read some books and articles to further your study. a great starting place would be this series of videos. these are made by my teacher Richard Keyes, i think he had a dvd or something. everything i’ve talked about so far i learned from him and he is an absolute expert in color. these videos are invaluable. if you take anything away from this post, let it be to watch these videos hahaha.
to answer your question about my color leads, every painting was a collaborative effort between the three of us, and sometimes other painters too. it was a very hands-on crew, so i can’t say any of the r&m bgs i did are 100% “mine”. however, i think my personal color sense is waaaay different than jason or phil’s, which made the process very interesting because we usually had 3 very different opinions hahaa. you can check out their work here and here to see what things they brought to the table in relation to my own contributions.
thank you for the ask! again, i hope this was helpful :)
A glorious fuck-ton of perspective angle references (per request).
[From various sources.]
Sources:
Perspectives Tutorial by DerSketchie
TUTO - male reference pose by the-evil-legacy
tuto - women ref poses by the-evil-legacy
Foreshortening Practice by Bambs79
How to Draw Manga vol. IV - Dressing You Characters in Casual Wear
HUMAN PROPORTION: SIMPLIFYING THE FIGURE USING GEOMETRIC FORM AND GESTURE by The Helpful Art Teacher
Basic comic interpretation - different camera angle by diaemyung
Foreshortening tips by scruffyronin
There’s zero way I’m not reblogging this
godsend
All the torso animated studies.
All the torso animated studies.
This is just fascinating
yesterday i reblogged a drawing resource that included how to draw hijabs - and it honestly wasn’t the best advice i’ve seen out there
now, i’m not an artist. but what i saw was a video that included hijab styles most of us don’t really wear and incorrect terminology surrounding niqabs and burqas (yes, there is a difference between the two)
so, i went searching and found a tutorial that i felt was better! these drawing guides and examples come from @/winchestermeg on twitter, and i think they’re really great 💕
this has more relevant examples and correct terminologies, and is drawn by a muslim woman
enjoy, artists of tumblr!