Function: Sub-bass lines, EDM drops, vocal fry textures, sustained low pedals
Story note: He’s the sonic “floor.” Everything builds on him.
Jasper Reed – Baritone (true baritone)
Chord center / rhythm section
Function: Harmonic glue, Rhythm guitar / keyboard patterns, Often locks tightly with Elliot rhythmically
Personality implication: Dependable, stabilizing presence in performances
Noah Harris – Baritenor (lead-flex)
Range: G2 – A4 (C5 in mix/falsetto)
Function: Frequent lead vocals, Guitar or synth lead effects, Smooth transitions between lead and harmony
Why not “tenor”: His tone has body below middle C, he doesn’t rely on pure head voice for highs, sounds expressive, not “choir bright”
Gabriel Barrera – High Baritone / Low Tenor
Range: B2 – G4 (A4 occasionally)
Function: Upper harmony stacks, brass-like textures, pads under female leads
Difference from Noah: Less lead-focused, more blend-oriented, cleaner, steadier tone
Nalani Jordan – Mezzo-Soprano (mezzo-sop with extension)
Range: G3 – A5 (C6 occasionally)
Function: Lead vocals, counter-melodies, violin/synth pad effects
She can reach soprano range, but she lives in mezzo territory—this keeps her from overpowering Tessa.
Tessa Monroe – Mezzo-Soprano (true mezzo)
Blend queen / harmony anchor
Function: Inner harmonies, alto lines, occasionally rhythm textures
She stabilizes the female stack the same way Jasper stabilizes the men.