Rebecca Solnit Field Guide to Getting Lost

Love Begins

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Acquired Stardust
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I'd rather be in outer space đ¸
almost home

@theartofmadeline

romaâ

Andulka
Game of Thrones Daily
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Misplaced Lens Cap
Three Goblin Art
Sade Olutola
Stranger Things
Jules of Nature

if i look back, i am lost
Today's Document
Keni
he wasn't even looking at me and he found me
seen from United States
seen from Azerbaijan
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seen from TĂźrkiye

seen from United States
seen from Germany
seen from Malaysia

seen from TĂźrkiye
seen from United States
seen from Germany
seen from Argentina
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seen from United States
seen from Malaysia
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@bluegilmore
Rebecca Solnit Field Guide to Getting Lost
âWhat I wanted was a cold pillow. What I got was one memory after another, lining up at the front door of my head and asking Do you have time to talk?â
â From Poem Ending With Hands on Handlebars by Clay Matthews (via hush-syrup)
damien maloney
A NEW LOVE IN TOKYO / 1994 / BANMEI TAKAHASHI
Thursday
Photography by moarplease on Flickr
âMedusa lost her beautyâor rather, it was taken from her. Beauty is always something you can lose. Womenâs beauty is seen as something separate from us, something we owe but never own: We are its stewards, not its beneficiaries. We tend it like a garden where we do not live. Oh, but uglinessâugliness is always yours. Almost everyone has some innate kernel of grotesquerie; even fashion models (Iâve heard) tend to look a bit strange and froggish in person, having been gifted with naturally level faces that pool light luminously instead of breaking it into shards. And everyone has the ability to mine their ugliness, to emphasize and magnify it, to distort even those parts of themselves that fall within acceptable bounds. Where beauty is narrow and constrained, ugliness is an entire galaxy, a myriad of sparkling paths that lurch crazily away from the ideal. There are so few ways to look perfect, but there are thousands of ways to look monstrous, surprising, upsetting, outlandish, or odd. Thousands of stories to tell in dozens of languages: the languages of strong features or weak chins, the languages of garish makeup and weird haircuts and startling clothes, fat and bony and hairy languages, the languages of any kind of beauty thatâs not white. Nose languages, eyebrow languages, piercing and tattoo languages, languages of blemish and birthmark and scar. When you give up trying to declare yourself acceptable, there are so many new things to say.â
â What If We Cultivated Our Ugliness? Jess Zimmerman (via kuanios)
Pacific Shoreline, 1937
Itâs emotional and I told you so But you had to know, so I told you
Please, donât look right through me Hurts my heart when you do that to me