楽しい

Pretty random. Lots of cute, lots of idols, lots of stupid fandom shit. Occasionally butts.

[bluesblacksandreds]

I’m a skinny legend

[wcwit]

Miu is so cool and I love that Gentaro respects her ambitions once he gets to know her

A fantastic subversion of the typical “Mean Girl” archetype

[ivanthemild]

Day 29: SHOE’S HEEERE!!

Wait…

Day 29 is [SHOES]

Tried to do a pun here…I think it works better in Japanese…

[kolanich]

super-1 and Fourze

by エコ

[norihisahyuga-archived]

↳ “There’s this gut feeling I got… Like there ain’t a thing in the universe we can’t befriend.” 

[cipi127]

The Amanogawa High Dating Guide

[llovinghome]

[planet-motherfucker]

[midiport]

literally ahead of its time

[typhlonectes]

[chibi-masshuu-deactivated202508]

Step up your game. Grant is like a 6 foot 7 sub and he’s a dick sucking machine.

[bluesblacksandreds]

Grant O’Brien is a little pig boy and I cannot believe they had TWO Breaking News episodes dedicated to his kink of public humiliation.

[writing-prompt-s]

You are a supervillain who has just captured your rival’s child. Rather than being afraid, they’re begging you to let them stay.

[wingedcat13]

Frankly, you’d known those idiots had had a kid for years now. You’d pretended not to, because while you’d committed a lot of atrocities in your life, you weren’t willing to face the moral quandary of whether you would knowingly kill a child just to spite its parents.

They probably thought they were being clever though, what with the blaming you for an injury you knew damn well you’d never given keeping one of them out of commission for a few months, then references to what they would ‘leave behind’ or ‘could not follow’ when in the latest death trap. One of them had accidentally pulled a pacifier out of their utility belt once, and tried to pass it off as being prepared for any young children they came across while rescuing.

Idiots.

Still, you had standards. Standards that fell somewhere past war crimes and before common decency, but they were standards.

Keep reading

[movedagaincappy]

He’s picking a Bowquet 🔥

[my-commc]

[anna--ahha]

[lagomorpheme]

🙂

????

[ek-vitki-pixels]

Chandeliers in the Sky

[bluesblacksandreds]

oh

hi

[itsv-deactivated20201009]

me when my ears dont work n im also a white man

[an-apocalypse-of-magpies]

I say this as someone who loves orchestral film scores, but The Leap of Faith scene in Spider-verse is so iconic for several reasons, one of which is the music. If it was an orchestral score, it would have sounded like any other film ever, especially with the recent trend of film scores relentlessly aping each other into increasingly vague homogeneity. ‘What’s Up Danger’ gives the scene something new, something bold, something striking … and something Miles Morales. This is the story of an urban black kid finding his own identity of Spider-Man rather than failing to fill the shoes left before him. This isn’t just a Spider-Man story, it’s a Miles Morales story, with all the aesthetic choices that entails. The aesthetic of the film oozes the concept of black urban youth, from the music to the street art-inspired visuals. Removing these elements would divorce it from what makes this Miles’ story. Also, ‘What’s Up Danger’ is a banger, so jot that down