Love Begins
Kaledo Art
dirt enthusiast
"I'm Dorothy Gale from Kansas"
cherry valley forever
h
Andulka
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titsay
styofa doing anything
PUT YOUR BEARD IN MY MOUTH
izzy's playlists!
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Show & Tell
wallacepolsom
taylor price
hello vonnie
Lint Roller? I Barely Know Her
Stranger Things
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@bobadeerstudio
August updates - Very basic keyframes are inserted, still focusing on fleshing out the main world and then making sure each section connects correctly. Need to make it more overtly queer and altering building shapes to look more colonial to represent that part of Australia's history. Cat with a native bird in its mouth. Lots to do!
video version https://youtu.be/mbssz74nBpc
WIP of elective final assignment
Finalised layout for 1/3 of the full width of the scene, working on the next two
28th March Meeting Notes
Possible alternative display option - projection mapping onto hanging silk? Very cool idea!
Need to focus more intently on the actual animation itself and not the framing/installation - the animation is more crucial at least until the midsem.
20th March Meeting Notes
Third year is doing almost the exact same idea as me, just painting instead of projection, recommended by Michael that I change my idea
Frosted perspex sheets instead of rice paper, hanging from the ceiling in separate panels in the zig zag pattern of a screen? Could frame them to look Japanese inspired. Harry said that this would be more difficult to projection map onto and very little time to test it before it'd have to be set up
Budget is really important
Could still build the screen and use perspex instead of rice paper - encouraged by Michael and Tim to avoid rice paper as it's expensive and would need to be stretched.
Using large flatscreen monitors and framing them with wood frames to give the illusion of panels? Most budget friendly option, could even stencil and paint shapes/designs onto the frames this way
Will have to discuss with Stuart soon, not really a fan of having to change my idea so dramatically especially this far in.
Wk5 Feedback Notes
-AGNSW - Labarts? - Make the work more focused, less broad, more specific - maybe a specific location in Sydney, or a restaurant in Orange? (Not big on that last one but worth exploring, maybe exploring *why* I so heavily dislike the idea of depicting Orange in my works?) - Kowloon heavier inspiration - Definitely shove the train all the way to the background, but don't scrap it entirely - Narrative? - I didn't really *want* the artwork to be super personal to me this time but literally everyone said it should be more personal. Why don't I want it to be personal? Finding a middle ground between observation and personal investment. - Definitely stick to the idea of lots of smaller ideas in one giant animation, draw up a giant canvas and separate into squares like the screen would be - Look into rice paper options, might either be too thick or too expensive for my work. Talk to John in print lab
Shinjuku - Tokyo, Japan
Twilight Tokyo
From the veranda.
Small Town Tokyo: Himonya
Afternoon View from the Veranda:
Downtown Tokyo from Himonya, Meguro
very vague layout concepts, maybe instead of having the train closer to the front its further in the back?
Kowloon Walled City, photographs by Greg Girard
Portland Street, Mong Kok, Kowloon, Hong Kong (2005)
Some vague concepts, still trying to decide the layout of the animation - need to do more tests and take some photos of the city to get more reference images
‘Wind-screen and Cherry Tree’, 17th century folding screen, paint on gold leaf (artist unknown).
Suzuki Kiitsu
Wind God and Thunder God. 1930-40
