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KIROKAZE
let's talk about Bridgerton tea, my ask is open
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@bomakesmovies
Drew this lil guy last night heās got a good vibes.
A Brief Account of Why Vampires Are Romanian (or Rather A Not-At-All Brief Account of How They Actually Arenāt)
So, in the 1720s-30s, some villagers in Vojvodina (which is now a part ofĀ Serbia but was then a part of the Hapsburg Empireās Kingdom of Hungary) had what they perceived to be some vampire-related problems and some Austrian military doctors came by and documented their decisions to solve these vampire-related problems by digging up dead bodies and attempting to violently de-vampirize them via beheadings and stakings and other sundry forms of mutilation. Some of this documentationĀ came to be published in newspapers and periodicals across the rest of Europe, and suddenly the rest of Europe was all like āWhoa! Vampires are a thing!ā and they found said vampires terribly interesting and promptly wrote political satire about the parasitic upper classes metaphorically sucking the blood of their underlings.Ā As one does.
Eventually, in 1746, a French priest named Augustin Calmet wrote a big treatise on demons and ghosts and all manner of other spooky stuff, in which he included a lengthy discussion of vampires. He called it Treatise on the Apparitions of Spirits and on Vampires or Revenants of Hungary, Moravia, et al., which you will probably observe as not containing any reference to Vojvodina or Serbia at all. Like pretty much everyone else writing about these events, Calmet just categorized the experiences of the Serbian villagers as being a thing that happened in Hungary because technically they did happen in what was Hungary at the time even if they didnāt involve any Hungarian folk beliefs.
And so for the next century and a half, vampires were Hungarian. While Lord Ruthven (āThe Vampyre,ā 1819) is something of a fluke, given that heās just Lord Byron if he were an immortal hemophage, a very sizable chunk of the vampires that you actually see throughout the nineteenth centuryās literary vampire tradition are debauched Hungarian nobles. You might not recognize names like Alinska (La Vampire ou la Vierge de Hongrie, 1825), Marfa Sergeyevna (āThe Vampire,ā 1841), Marian Gregoryi (La Vampire, 1875), or Count Vardalek (āThe True Story of a Vampire,ā 1894), but they are all Hungarian vampires, and they probably all irritated the actual Hungarians of the day who tried very hard to explain that -no- they didnāt actually have any vampire myths (apparently Arnold Ipolyi was cheesed off about this as early as 1854).
Now, while you might not have read any of those obscure vampire texts I rattled off, you probably do recognize names like āCarmillaā and āDracula.ā But wait, whatās that you say? Dracula!? Isnāt Dracula supposed to be Romanian? Isnāt he Vlad the Impaler, vovoide of Wallachia (AKA old school Romania)? Doesnāt he live in Transylvania, which is in Romania?
Well, hereās where things get interesting.1 First off, back in 1897, when Dracula was published, Transylvania was -you guessed it- in the Hungarian part of Austria-Hungary, and like Vojvodina, people just tended to round Transylvania up to being āsome part of Hungaryā even if the vast majority of people living there were Romanian. Romania existed, but at the time Dracula was published, it had only been an independent state for fifteen years and Transylvania most decidedly was not in it. Bram Stoker, who never went to Transylvania in the first place and did most of his research via really condescending/racist travelogues, constructed the fictional Transylvania within Dracula by copy-pasting in bits and pieces of books that were not only about Transylvania, but about Hungary and the area near the Carpathians in general, nabbing whatever he could find that sounded cool so long as it was nebulously in the region he was describing.
And one cool thing he found? From one book, titled An Account of the Principalities of Wallachia and Moldavia, we know that he took notes about a historical Wallachian voivode whose name was given as āDracula.ā This book doesnāt, however, mention much else; it certainly doesnāt mention any of those completely metal stories about a guy impaling people or nailing turbans to emissariesā heads; it doesnāt even use the words āVladā or āImpaleā anywhere near this Draculaās name; and the whole story of this Dracula (and his father, also a Dracula) takes up all of three pages. Donāt believe me? Go check. Right here. Through the miracle of GoogleBooks, you can experience the entirety of Bram Stokerās known sources on Vlad III in the next minute or so.
So yeah⦠thereās not much there. It is seriously not outside the realm of possibility that Dracula is called āDraculaā because Bram thought it was a pretty cool name that he erroneously thought to mean ādevil.ā As for the tiny snippet of historical context that got shoved into the book (that part where the Count mentions somebody who ācrossed the Danube and beat the Turk on his own groundā and had an āunworthy brotherā) this definitely does refer to the itsy bitsy, super small blurb on Vlad III thatās in Wilkinson, but itās not in any way clear that Dracula is actually meant to be identified with this personage. I could go into more as to why this is so murky, but itās something that has already been hashed out in sort of awkwardly excruciating detail here by Hans de Roos.2 The short version is that thereās a historical āDraculaā mentioned in the text who clearly isnāt Vlad, who doesnāt seem to have a real world equivalent, and who makes an awful lot of sense to read as being the Count.
In any event, we have a bunch of stuff that points to the Count being yet another Hungarian or Hungarian-coded evil vampire nobleman, and some of this stuff isnāt all that subtle⦠like Dracula literally telling Jonathan Harker that he is a member of a Hungarian ethnic group. The Count also makes a point of mentioning his use of Hungarian linguistic conventionsĀ and, if you look in the novelās original typescript, you can see that the woman with the stolen child was supposed to have referred to her persecutor as āHungarianā rather than āmonsterā at one point in the drafting process. Even with all this rather blatant evidence that Stoker was working within the āHungary=vampiresā paradigm, however, Dracās Hungarianess still isnāt 100% neat and tidy. It canāt be. Stokerās culturally insensitive collage of whatever spiffy-sounding factoids he could find about an ethnically diverse regionĀ with incredibly complex, intertwining Romanian and Hungarian histories just does notĀ result in a well wrought Hungarian character, and weāre left with a confused hodgepodge of Romanian and Hungarian elements. The thing is, though, that said hodgepodge just so happened to become the most famous vampire of all time.
So what happens post-Dracula? Once the stage play and film take off, people start to take elements introduced in Dracula, even ones that didnāt have any precursors in literature or folklore, and decide that these are 100% ironclad things thatĀ real vampires⢠do. Suddenly vampires all lack reflections; they cringe at crosses; they need to be invited into your home; and they all suddenly live in Transylvania. Also, TWO WORLD WARS HAPPEN, and at the end of them, Transylvania is actually in Romania, and as Dracula increasinglyĀ becomes a topic that nerds and academics and academic nerds like to nerd out about, some people examine the sad little dribblings of history Stoker dropped in the text and get the impression that maybe Dracula is supposed to be Vlad III.3 This was a pretty understandable thing to do, given that most people in those days didnāt have access to all the neato primary sources relating to Dracula that I mentioned somewhere above in describing how dinky the Vlad III evidence actually is.4 It makes sense to seize onto tantalizing historical hints within the text and assume that they might be a part of something grander, and eventually Harry Ludhamās completely bibliography- and source-free biography of Stoker lent the claim some additional credence by giving it out as a completely source-free fact.Ā
What really got things going, however, was Raymond McNally and Radu Florescuās 1972Ā In Search of Dracula, which really really really really tried to sell the Dracula is Vlad III angle and succeeded tremendously, all while describing the authorsā investigation into Vlad as it played out in their own visits to historical sites in Romania. The book, in addition to telling everyone very firmly and enthusiastically that Vlad III was totally Dracula, went to the trouble of explaining that its readers could and should totally go to Romania and see all sorts of rad Dracula things there, all while giving some cringey advice on how not to alert the locals as to the fact that they were weird vampire novel enthusiasts who wanted to gawk at historical sitesā relating to one of the countryās cultural heroes because some Irishman ostensibly wrote a book about him biting people. While Iāve come to regard as unnecessarily mean-spirited some of the later scholarship pointing out how crap McNally and Florescuās scholarship was, their scholarship really hasnāt held up well, and by the time other scholars started noticing, the notion that Dracula=Vlad and Romania=vampires had become pretty firmly entrenched. By the late 90s, there were several books, movies, and even very legitimate and influential scholarly articles working from the premise that Stoker had had Vlad III in mind as the Count and wanted him to be a uniquely Romanian character, and owing to Bramās strange, patchwork fiction of Transylvania, there wereĀ -in fact- a lot of Romanian elements within the text to support this idea. Vampires, which used to be Hungarian before Dracula, and who are even Hungarian in Dracula, eventually became Romanian because DraculaĀ became such a landmark vampire text that people began to take Stokerās weird blend of cultural elements as evidence of both Draculaās and vampiresā Romanianess.
So even if all that has since been debunked on paper, this nevertheless sort of brings us to where we are now. Obviously, thereās a lot of changes in the depiction, perception, and reception of vampires that have occurred in the past twenty years, but weāre still at this weird place where most westerners generally think of vampires as belonging to a country that doesnāt actually have a folkloric vampire tradition⦠and the reason that we think that is directly related to the fact that for the better part of two centuries most westerners thought that they belonged to another country that doesnāt actually have a folkloric vampire tradition.5 Itās honestly all pretty zany, and while I sort of thought that Iād have a wise, profound, or otherwise satisfying end to this stupid long ramble about how weird vampiresā shifting geographic location is, I donāt really⦠other than -as always- nobody should really be a tool about vampires. This is not only because one shouldnāt be a tool in general but because thereās a non-zero chance that whatever deep-held truths you hold regarding them have been wrong since before you were born, and it is not impossible that you will live to see the day when somebody totally insists that a supernatural entity youāve never heard of just lives in your place now and your fave historical figure always was one.
1. Or where they get interesting if you havenāt heard me give this spiel before. Itās that time of year, kids. | 2. Hans is a really nice/chill guy even if I donāt agree with all of his analyses in that document. You might recognize him as the individual who recently brought us the majestic pinnacle of high weirdness that is the recent translation of Powers of Darkness. | 3. Interestingly enough, it might be that the first person to do much with this was Draculaās first Turkish adapter, who re-imagined Dracula in 1928 as a story about a marauding occidental foreigner from the West coming to get the decent, upstanding citizens of Istanbul⦠but thatās another story. | 4. They also didnāt have GoogleBooks and thinking of that reality makes me very very sad. :( | 5. Romanian folklore has strigoi, which sometimes are dead and sometimes drink blood, but are really more akin to evil ghost-wizards than vampires from what Iāve heard. Hungarian folklore hasĀ the lidĆ©rc, which also goes blood-drinking sometimes, but is apparently sort of more like a succubus that is also a chicken⦠I think. I do know that pretty much every article Iāve read (Florescu excepted) and account Iāve heard from Romanians and Hungarians on the topic of what people typically conceive of as vampires has been roughly "No, we donāt actually have those. Plz stop.ā Iām of neither Romanian, Hungarian, nor Slavic extraction, however, so Iām more than willing to be corrected.
this fetish stuff is getting out of hand what the fuck is word play
Beelieve it or not, this blue bee is the real deal! š Meet the blue carpenter bee (Xylocopa caerulea). This large bee can reach lengths of up to 1.1 in (2.8 cm); compare that to a European honey bee which typically grows up to 0.7 in (1.8 cm) long! Unlike honeybees, this critter doesnāt live in large hives, but instead spends most of its time alone. This insect can be found in parts of India, China, and Southeast Asia where it plays an important role in pollinating its habitat.Ā
Photo: Cheongweei Gan, CC BY-NC 4.0, iNaturalist
Is it just me or is this lil guy giving tiny Skitch
I consider myself a nonbinary man.
I am to man as cucumber is to fruit
Botanically yes
Culinarily no
My film is out NOW!!!
I made this about my first year on t⦠peep the earring⦠š
My Art Is Political Protest Against Fascism! Creating Art Is The Only Way I Can Hope To Make The World A Safer Place For Human Differences.
Hey new friends! Wouldnāt it be cool if a trans person won the peopleās artist competition!?
Iāve made it 4 weeks into this competition but now I need more votes to keep going. Please vote if you are able and help me become the peopleās Artist!
Please vote for me. Voting is everyday. Thank you!
so truly genuinely we need to get more funding towards freaks and perverts to make weird horny movies and tv and art i would rather watch someoneās barely disguised fetish with an interesting point of view than another soulless corporate shell with boring beautiful actors and nothing to say
Iām both a freak and a pervert and I made a short film! Mine films not exactly horny but it is antifascist, and tentacle henti is the main inspiration (Etsuraku no Tane 1 specifically).
THE HUNGER
Please enjoy this short film about a wolf's revenge against a imperialist hunter. This is my final project for my Principles of Animation course at MICA. I have only been animation for a few months now, but I love it. While I used some editing transition and color grading from DaVinci Resolve all images are hand drawn animation.
If you like my work please vote for me on the People's Artist! Link: https://peoplesartist.org/2026/b-szabo-marshall
THE HUNGER
Please enjoy this short film about a wolf's revenge against a imperialist hunter. This is my final project for my Principles of Animation course at MICA. I have only been animation for a few months now, but I love it. While I used some editing transition and color grading from DaVinci Resolve all images are hand drawn animation.
If you like my work please vote for me on the People's Artist! Link: https://peoplesartist.org/2026/b-szabo-marshall
Please enjoy this trailer for my short film Blood Spatter on Pavement. In this tboi tentacle thriller, a trans masc protagonist experiences life saving bottom growth! This is a dark comedy that utilizes queer horror tropes.
Premieres JUNE 9th 2026 8PM EST on YouTube.
Please enjoy this trailer for my short film Blood Spatter on Pavement. In this tboi tentacle thriller, a trans masc protagonist experiences life saving bottom growth! This is a dark comedy that utilizes queer horror tropes.
Premieres JUNE 9th 2026 8PM EST on YouTube.
THE HUNGER
Please enjoy this short film about a wolf's revenge against a imperialist hunter. This is my final project for my Principles of Animation course at MICA. I have only been animation for a few months now, but I love it. While I used some editing transition and color grading from DaVinci Resolve all images are hand drawn animation.
If you like my work please vote for me on the People's Artist! Link: https://peoplesartist.org/2026/b-szabo-marshall
Leather and Steel š”ļøš¤
(available as stickers via patreon through september 2025)
[ID: Digital illustration of a nude trans masculine person, cropped from thigh to neck. They are posed head on, one hand resting on the strap of a black leather strap-on harness. The other hand is holding the hilt of a sword, pointing down. They have top surgery scars, body hair, and a bandaid on their thigh for their T-shot. They are framed in thorny vines, with some 6 pointed stars around them. The background and figure are both a ochre yellow, with black lineart offset by red. /. End ID]
@matzahball
For a second I didnāt realize it meantĀ āhighā as in a stoner--I thoughtĀ āHigh Geologistā was like a rank of geologist or something and he was insulted you would challenge him to naming stones
great poast every oneš
I have drawn him.... The High Geologist
Canāt believe heās ace
He is now And hereās the photo evidence:
@hellsite-hall-of-fame