Zhou Fan (Chinese, b. 1983), Landscape 01:50, 2015. Acrylic on canvas, 70 × 51 cm
KIROKAZE
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let's talk about Bridgerton tea, my ask is open

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Cookie Run:Kingdom Official!
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Monterey Bay Aquarium
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@bonbon-asesino
Zhou Fan (Chinese, b. 1983), Landscape 01:50, 2015. Acrylic on canvas, 70 × 51 cm
tbh if someone just handed me a pressure washer and set me loose in the streets i would go into a trance and just start hosing shit down indiscriminately. it's not a question of how much i could clean, but how long until i get hit by a car and die
super mario sunshine
miolaceramics_official
An analysis of a Neanderthal’s fossilised hyoid bone - a horseshoe-shaped structure in the neck - suggests the species had the ability to speak.
This has been suspected since the 1989 discovery of a Neanderthal hyoid that looks just like a modern human’s.
But now computer modelling of how it works has shown this bone was also used in a very similar way.
More from the BBC article on the hyoid bone and what the difference is:
The hyoid bone is crucial for speaking as it supports the root of the tongue. In non-human primates, it is not placed in the right position to vocalise like humans.
To be strictly accurate, just having the physical ability to vocalize like humans is neither necessary nor sufficient for having speech like modern humans do: there are animals such as parrots that can produce human-sounding utterances or various primates that can physically make the gestures involved in human sign languages, but they do not produce or understand utterances that are as complex and meaningful as a human speaker or signer.
So this finding shows that Neanderthals could articulate like us, and that language among Neanderthals can’t be excluded for articulatory reasons, but does not show how much whatever they were articulating resembled modern human speech. Unfortunately, since neither speaking nor signing nor brain tissue produce fossils, this type of evidence is still some of the most useful clues that we can get about the early stages of language.
aaaaaaaah fascinatinnnggg
Suzanne Valadon, The Blue Room (La chambre bleue), 1923 (?)
angry flower
underglaze on stoneware, cone 6
Erika Somogyi
Jonas Wood, Kitchen, 2012, oil and acrylic on canvas, 64 x 62 in
Macanudo.
Liniers
mon petit poney
“Maybe we’ll meet again, when we are slightly older and our minds less hectic, and I’ll be right for you and you’ll be right for me. But right now, I am chaos to your thoughts and you are poison to my heart.”
— Unknown
Three Cottages in Saintes-Maries, 1888, Vincent van Gogh
Medium: ink,paper
https://www.wikiart.org/en/vincent-van-gogh/three-cottages-in-saintes-maries-1888
The Baby Marcelle Roulin, 1888, Vincent van Gogh
Medium: oil,canvas
Saturday destroyer