Trent Reznor and Vernon Reid at Lollapalooza (1991)

blake kathryn

shark vs the universe
$LAYYYTER
One Nice Bug Per Day

Janaina Medeiros
Monterey Bay Aquarium
i don't do bad sauce passes
AnasAbdin
hello vonnie

Product Placement
wallacepolsom
Alisa U Zemlji Chuda
Keni
Not today Justin
art blog(derogatory)
Peter Solarz
KIROKAZE

Kaledo Art
Cosmic Funnies

Origami Around
seen from Mexico

seen from United Kingdom
seen from United Kingdom

seen from Malaysia
seen from Ireland

seen from United States

seen from Belgium
seen from United States

seen from United States
seen from South Africa
seen from United States

seen from United Kingdom
seen from Spain

seen from United States
seen from United States
seen from Germany

seen from Mexico
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seen from United States
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@bones--mccoy
Trent Reznor and Vernon Reid at Lollapalooza (1991)
OMD Orchestral Manoeuvres in the Dark
Depeche Mode, 101.
A Concert for the Masses.
1988.
Electricity - Orchestral Manoeuvres in the Dark
Enjoy The Silence by Depeche Mode is the ultimate song to play anywhere at anytime without it ever being out of place. In the club at 11pm, in the club at 5 am, on a rainy day, on a day at the beach, to celebrate a young love, to welcome a new life, to mourn a loved one. It’s always comforting.
based on @vierundachzig’s depeche mode post
if you ever want to get into OMD, here’s a quick easy guide (all very biased by my own opinions)
greasewitherspoon:
OMD - Genetic Engineering
greasewitherspoon:
OMD - Genetic Engineering
“So yes, we were consciously trying to ask questions about the world, ourselves, music, the future of music. One of the songs is called ‘The Future Will Be Silent’. We looked at how we had constructed some of our more unusual songs, and a lot of them were made from concrete music, found sounds, and we looked at what we had explored in the past and we were trying not to repeat ourselves, and, well, we’ve done trains; we’ve done machinery. And then I actually said to myself “I realise now that everything that we’ve sampled from the real world – trains, machines, computers, guns, typewriters – they were actually accidental”. The audio that we had sampled was a waste product from the specific design function of whatever it was that we had recorded. Let me clarify that: a typewriter is designed to type things onto a page, not make a clicking noise when you hit the key. A steam engine is not designed to go ‘chuff chuff’. That’s an audio waste product of the inefficiency of its engine. And as the world has modernised, the accidental audio by-products, waste products, of the things that have become concrete music are going to be less and less because the designers have designed out the waste so that the machinery of the modern world has actually become more silent. So ‘The Future Will Be Silent’ is actually a reference to that concept. That’s the sort of thing that OMD should be writing songs about. (LAUGHS)”
— OMD’s Andy McCluskey, The Quietus interview (via rocketsandrayguns)
Orchestral Manoeuvres in the Dark - Walking on the Milky Way
Man, you should’ve seen us On the way to Venus Walking on the Milky Way It was quite a day
Walking on the big stuff Acting like we’re tough Baby, we were on our way So what do you say?
Orchestral Manoeuvres in the Dark - Red Frame/White Light
Peter Saville, artwork for album cover Orchestral Manoeuvres In The Dark, 1979. DinDisc Ltd. Source