No, you don't understand, the fact that "Terminals play music to lure machines" is even a theory, in universe, implies that Machines being capable of appreciating music is not just canon, it is a fact known and accepted by the humans who made them in the first place.
Please, listen to me, they put appreciation of art into their blood powered tools of war and it's the only reason why their self expression yet finds appreciation even after humanity's end.
Just, just be with me for this. V1s creator might have been into drum and base. Ultrakill OST might just be as canon as the graphic settings (see: Sentry codex entry).
V1 has a fucking "tunes to listen to at work" playlist, and a dedicated song for throwing hands with V2 on it. But it also has a Gabriel theme, and it's creator couldn't possibly have met him. And the songs are so fitting for the stages in general... omg
V1 has a fucking composer AI. It's creator made their super weapon, the "Supreme Machine" a fucking musician. V1 makes music it commits mass murder to. It made a music for Gabriel and V2. 2 songs with themes and motifs for each of its rivals.
Wait wait, fuck. Fuck, wait.
Composed the god damn Requiem motif. It took a look at Lust and went "ahh, yes, a gut wrenching violin solo for this place". And then it put that motif into Order. Which means...
Which means V1 understands the tragedy of the Lust layer and King Minos. Which mean the mindles-ness of its carnage across Hell isn't total. It understands how sad it is enough to make art about it.
theartofmadeline
s-u-f-j-a-n-s-t-e-v-e-n-s
discoholicmusic
turnnoffyourmind
sugurugetos
origamiaround
