wind in the willows

personal + misc fandom ◖ao3◗ sideblogs↴ poljupci⊹natprirodno

[bozuri]

𝔀𝓲𝓵𝓵𝓸𝔀

〔she/her〕〔23〕〔croatian〕 🎕

↪ writing, blogging, and occasionally playing with graphic design

MAIN FANDOMS: Omniscient Reader's Viewpoint ⋮ Wolf 359 ⋮ Sherlock ⋮ Hannibal ⋮ A Song of Ice and Fire ⋮ House MD ⋮ The Silt Verses ⋮ Yuri!!! On Ice

[nessa007]

Moments where the real Nikki breaks through the wish OBSESSION (2026) Dir. Curry Barker

[werew0lfhours]

Just the fact that the first two times Nikki breaks free, she is so deeply terrified and confused over what is happening. And then, every other time, she is determined to make it as obvious as possible that she is an unwilling party under duress and tries to get people to help her.

This movie is so good.

[erotically-co-dependent]

won’t yap about this a lot, but I don’t like DNIs. I think they’re ridiculously childish. If you want to block me, you have every right and if my content upsets you, I genuinely encourage you to hit that block button. block me, block the tags you don’t like, whatever you need.

but it’s your job to control your experience on the internet, not mine. and I am not taking the time to check your pinned or bio before I like some post that came across my dash. who cares.

[nn-ee-zz]

The first depiction of Mary and Jesus

[dozydawn]

The diamond drops of Kristi Yamaguchi, 1990-1992.

[mossgoblins]

The door's been sticking lately. Give it a good push.

[godsinthemachine]

Yjh: YOU!!!!!!

[ianthewife]

have been thinking about driving as a symbol of personal autonomy and agency and taking control, and it’s really interesting to me how in the first season of the silt verses faulkner is literally doing all of the driving whenever he’s w carpenter or carpenter&paige (well, other than that one time when he’s unconscious cause a giant crab fucked him up real good). which kinda goes nicely together w the whole thing of him starting to carve out his story. the boy is fucking desperate to be behind the wheel of his (and honestly others’) life!!

and then in season 3, he’s often in cars (the drive from the Katabasians’ Council to the Gulch, from the radio station to the ruins of Gulch and from there to his dad’s cabin, and once again from his family home to the Grand Aquifer) but all of these times he’s being driven around. not onceeee is he himself behind the wheel. and that, on one hand, is obviously due to the position of power/authority and thus comfort that he’s now occupying—now he has people to perform these kinds of services for him. butttttt i also think that it shows that the reins aren’t fully in his hands and in actuality he’s really not as in control as he’d like to think he is.

good job, buddy, you’ve made the narrative of your story into a self-perpetuating machine, now it can run along all on its own!:D you’re now stuck in the passenger seat of your life<3

[queenoforeos]

blackout poetry

[hxjiime-art]

A bit old—my daughter jon snow and his big fluffy sentient pillow

[mistyblue-shadowdance]

[ignitingthesky]

"What am I seeing?" cried her mother. "I do believe that I saw pearls and diamonds dropping out of your mouth? What have you been doing, my daughter?" (This was the first time she had ever called her her daughter.)

—Les Fées, Charles Perrault

Artwork submission for @zineoftideandflesh, comparing VAL's different selves through the two sisters in the fairytale Les Fées to explore speech, value, and her relationship with her mother.

Some details about the fairytale allusion:

The cursed daughter, who was supposedly favoured by her mother, had been forced to visit the fairy at the well in hopes of attaining the blessing of speaking in jewels, and was later abandoned for her curse. I cast her as VAL who is birthed of her former self's decision to join the military to become someone who would gain her mother's favour, and to highlight the abandonment she experienced during her transformation. Her speech comes to life in indiscriminate violence, lashing out as wild animals, ultimately robbing her own voice.

The mistreated daughter on the other hand was awarded with the 'blessing' of producing jewels — but within the fairytale, she was never able to use the ability for herself. Instead, her reward amounts to gaining the favour of others (her mother, the prince) through her ability to produce value for them, at great discomfort for herself, choking out sharp edged jewels whenever she tries to communicate. I cast her as the former self of VAL, as the daughter who yielded to her mother out of a desire for validation that never came, who signed away her body to create and become value, in various respects.

The false dichotomy of the blessing and the curse (which both rob them of speech), the favoured and mistreated daughter (both abandoned), the false competition that these characters are placed in as fairytale archetypes represent also VAL's divided, antagonising sense of self.

[santa-ana-winds]

[5280ft]

[calleido]

cross river, british columbia, canada

[feel-like-expl0sions]

chasing cars by snow patrol really hits harder everytime i listen to it like,, what if i DID just lay here???? would u lie with me and just forget the world??????? please???????????

[icogeum]

The Green Pool in Bullock Creek gorge, Paparoa National Park, New Zealand. 

Photos by Steve Reekie