mal ejemplo

[brainbraingoaway]

[brainbraingoaway]

LOADING INFRASTRUCTURE GIF Series, 2015. Objects/subjects of transmission

[hyperallergic]

For decades, Lucas Abela played turntables hooked up to all sorts of objects, from swords to meat skewers to amplified trampolines. Since 2003, however, the Australian experimental sound artist’s instrument of choice has been a large shard of glass. Pressing his face against the broken pane, Abela hums and blows into it during his performances, with a contact microphone amplifying the sounds, warped by a series of effects pedals. The resulting noise resembles the high-pitched, grating yowl of a circular saw or of a high-speed drill boring into your jaw courtesy of your dentist; still, the layered screams that the mundane glassware emits are as alluring as they are jarring. This tension is what drew Abela to the material in the first place.

The Artist Who Turns Glass Shards and IV Drips into Instruments

[tzb-celestial-deactivated201505]

The joy of situationist graffiti

[nprmusic]

Sometimes great things are born from happy accidents. Fifty years ago today in San Francisco, composer Steve Reich premiered It’s Gonna Rain, his first official piece. The music, made by manipulating a recording of a Pentecostal preacher, opened a door to a new way of composing for Reich and helped launch his career. 

[brainbraingoaway]

Cool guitar, cool movie. The Unbelievable Truth (1989)

[brainbraingoaway]

Hiroshi Sugimoto - Hall of 33 Bays

[coldheartsandhotnights]

[zombiesenelghetto]

Wire, Rapid Eye Movement Zine #3-4, Summer 1980

[atthellolab]

THE FUTURE IS NOW: Computers & Communications 

[deaths-praises]

Crass Digbeth Hall, Birmingham, 1983

[jennpelly]

[xo-skeleton]

Angelika Festa, You Are Obsessive, Eat Something, 1984

“[W]earing a mirror mask, a black, vaguely antiquarian dress, with hands and feet painted white, she holds a white bowl of fruit and stands on the side of a country road. The more dramatic the appearance, the more disturbing the disappearance. As performances which are contingent upon disappearance, Festa’s work traces the passing of the woman’s body from visibility to invisibility, and back again. What becomes apparent in these performances is the labor and pain of this endless and liminal passing.” - Peggy Phelan

[moviesinframes]

Nowhere, 1997 (dir. Gregg Araki)

By doublec

[arcaneimages]

[thinkillustration]

[i-am-infp]

I know a lot of INFPs (including myself) have trouble picking a career, so I though you guys might find this funny.

[sunlightinthemorning-deactivate]

I will do all these things.

[thinkillustration]

I don’t understand why this comic has so many notes? I think it’s not my best piece of work or represents my style very well. I guess I just don’t understand the world of tumblr…even though I’ve had a tumblr for 3 years. 

[girlmountain]

(unused “endpapery” page from hechizo total / maximal spleen)