i have nothing clever to say i just immediately had to make this after seeing this tweet
lovely complex dub you have become so dear to meâŚ
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i have nothing clever to say i just immediately had to make this after seeing this tweet
lovely complex dub you have become so dear to meâŚ
COOPER HOFFMAN and DAVID JONSSON photographed by Marie Tomanova for GQ
Who ever decided to let Charlie use his camera as apart of barkovitch's character THANK YOU
These literally look like if barkovitch took pictures in the long walk it's great I love it so much
just a single slow desire fermenting
guys..... I'm re-entering my klance era...... and I redrew this old comic to start us off <3
more thoughts under the cut âŹď¸
[book: the darkness outside us]
when you're in the mirror you're just looking at me
âIntimacy is the only shield against insanity. Intimacy, not knowledge. Intimacy, not power.â
â Eliot Schrefer, The Darkness Outside Us
live-action feature coming soon we are SOOOOOOO BACK
"No one can love you until you love yourself" is like the worst possible way of articulating "if you don't respect and value yourself, it's very easy to become attracted to people who don't treat you right and then justify their mistreatment, so be careful."
so THAT'S what it's supposed to mean. that actually makes sense.
Really fucked up that, when theyâre young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.
Then in the present, theyâve been so far out of each otherâs orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrickâs close proximity! Itâs so painful to watch because even as Patrickâs goading him, itâs so obvious he wants to be able to get back into Artâs space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesnât know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isnât comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesnât need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, itâs made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
round6
The Guy She Was Interested in Wasnât a Guy At All by Arai Sumiko
The Guy She Was Interested in Wasn't a Guy At All | Â Ki ni Natteru Hito ga Otoko Janakatta by Sumiko Arai â Chapter 46, Bonus Chapter
Let it be summer!!! NOW!! (Ft lance in his natural element)
Iâm never gonna stop drawing the one sided* pining. Itâs all I have plz and thank you
Iâm not drawing sand imagine that they are in a beach
âď¸ Golden Star âď¸
girl dinner is just reading the same fics on repeat over and over words are my sustenance
âYes, that should work.â
have you ever seen a tweet that just knocks you the fuck out