Both readings were very interesting to me and made me think about motion and videos in a different way. Chapter 6, Time and Motion, really taught me a lot about how you can manipulate and use both elements to portray certain illusions or feelings in still life's and motion pictures. When I think of portraying time in things like paintings I think instantly of Masaccio's Renaissance painting, The Tribute Money, where he depicts time by showing three different scenes all in one piece and repeating figures. The chapter opened me up to even more possibilities of representing time as well as motion by manipulating certain aspen of those elements like the speed and tempo of something or actually using physical time and something progressing to make a more dynamic piece. Cubitt's article really made me think about how we view videos and motion pictures and how they really originated. When we think of videos we think of it as a modern technology and even a more modern art form but its origins come from ancient times of light and shadow movements. I like how a unity references the teachings of Melanie Klein and projection and how it affects children's development and how they see the world around them. In the end that's what projection comes down to, how our brain processes shadow, light and movement to create the world around us.