Bugs when you lift up a rock:
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Bugs when you lift up a rock:
i want to preface this with this is all courtesy of @dykensteinery's genius and not my own, i am merely putting his ideas into words for her!!!
so charlie brought to my attention that this quote from frankenstein, where victor refers to clerval as essentially his "other half":
“I agree with you,” replied the stranger; “we are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves—such a friend ought to be—do not lend his aid to perfectionate our weak and faulty natures. I once had a friend, the most noble of human creatures, and am entitled, therefore, to judge respecting friendship."
was an allusion to plato's symposium. in the symposium, aristophanes presents a mythological account of human origins: that humans were once spherical beings—complete wholes—until they were split in two by zeus. ever since, each human being has wandered the world searching for their missing "other half." this myth explains not only the drive for romantic love but the deeper longing for union, for completion, for the return to an original state of wholeness. specifically, it was an allusion to this line (any quotes pulled from the symposium are from percy shelley's translation):
"From this period, mutual Love has naturally existed in human beings; that reconciler and bond of union of their original nature, which seeks to make two, one, and to heal the divided nature of man. Every one of us is thus the half of what may be properly termed a man…the imperfect portion of an entire whole, perpetually necessitated to seek the half belonging to him.”
considering this line is present in the 1831 edition but not the 1818 edition, after percy's death, during a time where his works were being edited and published by mary posthumously in 1826 and forward, it feels like a much more deliberate allusion. furthermore, i don’t think it’s reaching to say this revision, this framing of love as something that completes a person, was colored by that loss.
it's crucial, also, that aristophanes’ speech does not limit this yearning for your "other half" to heterosexual couples but rather includes and legitimizes same-sex love, particularly between men, as a natural expression of a desire for one’s “own kind":
“Those who are a section of what in the beginning was entirely male seek the society of males…When they arrive at manhood they still only associate with those of their own sex; and they never engage in marriage and the propagation of the species from sensual desire but only in obedience to the laws…Such as I have described is ever an affectionate lover and a faithful friend, delighting in that which is in conformity with his own nature…Whenever, therefore, any such as I have described are impetuously struck, through the sentiment of their former union, with love and desire and the want of community, they are ever unwilling to be divided even for a moment.”
looking at this within the context of frankenstein, to me, this invites further reflection on a queer reading of the novel. the language of this passage—and others like it—have homoromantic subtext, especially when looking at it through this context. aristophanes describes those descended from the original male-male whole who pursue other men as “affectionate lover[s] and faithful friend[s]," which finds obvious parallels in the language mary uses to describe victor's idealization of clerval: victor constantly refers to him as noble, pure, good, better than himself. the language of friendship in the 18th and 19th century was often emotionally demonstrative in ways we don't see now, yes—but here, in light of the aristophanic frame, it rings a little different.
so basically? clervalstein real
more placibasi..... woah
trembling twin and teething twin 😛😛😛(on island before simon dies)
Panitikan Havoc: Writer's Revenge
An Archive of Our Own, a project of the Organization for Transformative Works
GUYS!!! I urge ya'll to check out this fic by Ireneheartslaura!
It's a Danganronpa killing game, but with the main characters from each classic Filipino literature you learn in junior high school. Currently, this fic is in the prologue (or second chapter)—so you aren't missing anything big right now!
And if you guys are familiar with Makaraig's Abode; Deceitful Harmony...this fanfic is inspired by that!
Hey sorry if this bothers you i rly love STAT is it okay if you could you spare some (or even one) facts about her if that's alright? ^^'
YES I WILL GIVE YOU A FACT ABOUT STAT!
Stats hair is nottt technically pink, its salmon.
Additionally, we actually have an album-exclusive track on spotify named after STAT called 'Alicia Marise.' It was made with the intention of sounding like a visual novel backing track!
Stat also had a goldfish as a pet (her family was allergic to cats)
@breezibowsdisastrousdiaryentries lookie
Simon’s family (Part 3)
JACK MERRIDEW x RETSUKO
part 3 of LOTF x sanrio yay!!!
this is how piggy felt on the island
woah.. dump
What panitikan character would you like to be reborn as? Or at least if you have a short list..
this is a very good question, especially since there's many possible choices with unique consequences, but I feel like my choice wouldn't make sense to some people at first so hear me out: Padre. Damaso. YESYES I know I know, the outrage! The terror! what sort of person do you have to be to choose damaso?? however just let me hold your hand for this ok. damaso is the driving point as to why most of the conflict and event happen in the first place is it not? he's not responsible for every single happening but the ones he's responsible for are... pretty major factors of the story if you ask me so being reborn as damaso, knowing all the information, i'd change my decisions! and as a result, most of Noli Me Tangere will probably never happen! No Maria Clara means Crisostomo would've either been engaged to another mestiza or he would've found his own love while in Europe. No going against Don Rafael would mean Ibarra would've been able to meet his dad again even after studying in Europe for 7 years. Very, very, simple decisions.
MY AWESOME INTRO (excuse the eyestrain)
This is a little forum where I'll be posting progress about my music and I'd just like to introduce myself so that you guys know me better!!
Anyways here is my music, my Bandlab is very dead though!! (Ripped straight from my TT)
More on here
here is my humble collection of accounts you can support!!
omg 😳😳😳😳😳 so 😳😳😳 cool 😳😳😳😳😳😳😳😳😳😳😳😳😳 follow them now
Made Tybalt themed laptop backgrounds, Feel free to use. Also pls credit me :3
Locked in too hard on Romeo and Juliet again with my current reread of the play. Romeo has no agency within the text unless it's related to love and Juliet has agency no matter what. They're subverting gender roles within the play your honor.
Romeo, who's depicted as a bleeding heart and a deep soul, only actively pursues ideas of love through the play. Violence isn't something he chooses, it's something that happens to him.
He tries to separate Tybalt and Mercutio, and only resorts to killing Tybalt in his grief and love for Mercutio. Despite not loving Leonardo DiCaprio, his acting in this scene during the 1996 version is a perfect example of this. It's the same with his murder of Paris, he doesn't actively want death and violence here (dare I say this is why it's such a footnote within the story itself).
Juliet, on the other hand, has more agency throughout the majority of the play. Her father gives her the option to choose whether or not to marry Paris, at least before this is revoked later, and this seems to be reflected in her nature. While she has less text overall (and is a little harder to understand because of it, imho), she's more levelheaded than Romeo, and takes far more action than he does.
Juliet is the one to send her nurse to find out more about their wedding. Juliet is the one who decides to defy her father and refuse to marry Paris. Juliet is the one who chooses to go to Friar Lawrence to solve her problems.
All of this even gets boiled down to base gender roles in their deaths. Romeo chooses poison, considered feminine within Shakespeare's work due to its indirect nature, but also continues this characterization of Romeo as almost love incarnate. Juliet, however, has death by blade, which is more masculine in Shakespeare in comparison, due to it being more directly involved in violence. There is such a fascinating juxtaposition in their final scene as a whole between the two of them (that really boils down to my prior statement, though).
Anyway enough analysis, I'm horrifically tired and love r&j and all this to say that Juliet is a boy and Romeo is a girl and they're kissing nasty and it's awesome and I love them.
Popjuli and Pipilita
Hii I hope it's not much, but can you do Makaraig 👀
Makaraig for you anon!!
Ur designs are so peak like they look so human like they could fit in their time period UGH 😭 so good lick lick lick
TYY!! i try my utmost best when designing the characters, i really do not want to end up with a whole bunch of same face syndrome 😭
Kaya pala napaka-unique yung mga designs mo! I eat that shit up everyday its so good
Hi first post