Happy pride month from me and the deranged state Witch Hat Atelier has left me in đż

tannertan36

PR's Tumblrdome
The Bowery Presents
we're not kids anymore.

bliss lane

blake kathryn
Jules of Nature
Claire Keane

pixel skylines
ojovivo
Game of Thrones Daily
Noah Kahan
RMH
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#extradirty
One Nice Bug Per Day

Discoholic đŞŠ
KIROKAZE
taylor price
I'd rather be in outer space đ¸

seen from Australia
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@brokenselfiestick
Happy pride month from me and the deranged state Witch Hat Atelier has left me in đż
(Edit for clarification: This audio post is the original version of the song that was released for a short period of time before being made unavailable. It's the version that's used in the Tiktok edits. Not to be confused with the music video/new version. I will continue to keep this archive up, as the original version, in full, is still not easily accessible to the public.)
painting of my cat
togatomi⌠what if i devoted my entire being to keep you smiling. what if i was ugly and rotten and uncaring to shield you from losing your light. what if we misunderstood each other so fundamentally and i never knew why you were slipping and you never saw me trying to take the fall, but it didnât matter in the end as long as you kept shining. what if we finally realised the pain we were in and worked through the problems we caused together. what if you start to heal and i start to smile again and we start to shine together. what if you were the embodiment of our devotion and i spend my days looking towards the sun and thinking of you. WHAT IF!!!!!
When a character is pretending to be someone theyâre not
Pretending isnât just lying, no, itâs becoming a version of yourself that feels easier to manage (easier to love, or control, or survive inside.) Itâs a mask that starts out as protection and slowly becomes a second skin. One thatâs hard to take off, even when you want to.
âŚÂ They mirror the people around them without meaning to. Their laugh, their phrasing, the way they sit, it all shifts depending on who theyâre with. Like theyâre constantly adjusting, matching the energy in the room, trying to be what they think people want.
âŚÂ Theyâre vague when things get personal, and not because theyâre secretive, but because they donât know anymore. Ask them their favorite song, and theyâll pause too long. Ask about their past, and their answers are half-finished, polished at the edges, like theyâve been told too many times to keep it clean.
âŚÂ  They over-prepare for conversations. They run through the dialogue in their head ahead of time. Rehearse their jokes, their exits, their answers. Everything feels a little scripted, like theyâre playing the role of âthemselvesâ instead of just⌠being.
âŚÂ They always look put-together, maybe almost too much. Their clothes, their hair, their whole vibe is carefully chosen. But thereâs a difference between style and armor, and this is armor. A version of themselves theyâve curated, down to the last thread.
âŚÂ They panic when the script slips. Catch them off guard, and it shows... like, they freeze and fumble. The real stuff, feels dangerous. Being authentic means being vulnerable, and theyâve learned the hard way how risky that is.
âŚÂ They shift depending on the room. One version of them at home, another at school, another with friends, like flipping channels. Itâs not manipulation, no guys, itâs muscle memory, and theyâve learned to survive by adapting, and now they canât stop.
âŚÂ They touch their face or hair when theyâre uncomfortable, like theyâre checking to make sure the mask is still in place. A nervous habit thatâs half-grounding, half-ritual, as if letting their guard down even physically would let everything else fall apart, too.
âŚÂ Their smile is always photo-ready. Perfect, pretty, practiced...But thereâs something in the eyes that doesnât match, like theyâre smiling at you, not with you. Like theyâve learned what people want to see, and theyâve gotten very good at giving it.
âŚÂ  If someone tells them, âI like the real you,â they go quiet. Not because theyâre shy, but because deep down, they donât know who the ârealâ version even is anymore. They want to believe thereâs someone underneath it all, they just donât know how to find them.
Black Cowboys by Artist Kwasi Seitu Asantey
(L-R)Â Isom Dart, Nat Love/Deadwood Dick, Bill Picket.
[click image to enlarge]
Before he slaughters the suitors... he needs to...apologize to his dear friend first. And he will tie the headband where it won't get tainted by blood âşď¸
Athena and her two gens of fav mortals
Ody's inventory cloak, iykyk
(click on image for better quality)
some more sims shenanigans
hdhahdhajfbajdnaudb Okay having Thoughtsâ˘ď¸ about some of these âOdysseus raises Astyanaxâ fics. Because. Because if weâre talking about the full odyssey experience. If Astyanax were to survive. He would have spent 11 years of his life growing up with Odysseus as his father. Now, to the main area of thought - Telemachus. Imagine. Imagine being a child, hearing of your father only in stories. From your mother, the servants, your grandparents. Seeing your grandmother succumb to her grief, seeing your mother grow sadder by the day, more sullen, seeing your grandfather withdraw into himself, all because of your father.
The man you are told you look like, the man who left for war, six, eight, eleven, fifteen, TWENTY years ago, left your home in disrepair, left your mother and you to deal with suitors disrespecting your house and name, the man who you are so angry at, yet Also worship as a god, because you donât have a CHOICE. You canât love him, you donât KNOW him, but you love him in the way you love your gods - distant, unknowable, unreachable, and yet you have his face, your mother sometimes gates at you with these sad, sad eyes and you know sheâs not really seeing you when she tells you she loves you.
You know he is a man, logically, how could he not be when your mother still remembers every calous on his hands and your grandfather tells you of how he almost set his room on fire one day, but he is only a legend to you. You hear other Kings, Kings from the same war your father left for (they came back, they are already back and he is still gone) discussing him, you hear how he helped end the war with your and your motherâs name on his lips and YET! Heâs not here, heâs not here but he canât be dead, because everyone agrees that he is too stubborn to die.
And then. He is back. And he has a boy with him. A boy who is younger than you, still just a child. And he regards the boy as his own, introduces him to you as âyour brotherâ. He hasnât dishonoured your mother, he took the child from the burning city of Troy because he is merciful and kind and you see it in the way the boy hugs him and calls him papa. And you should be happy, your father is back, you have a sibling now, your mother finally smiles properly again, your grandfather no longer cries when he sees you.
But. This boy. The boy your father brought from Troy. He got all that you have ever wanted: he got your father, from the moment he was Born he got your father, he was there for his first steps, his first words, he taught him how to sail, fight, read, count, he has been there with him through it all and you have never wanted anything more. âThis child is not his sonâ says that hateful, angry voice in your head.
You spend time with your father. He weeps, hugs you. Tells you heâs proud of the man you are now. Teaches you how to rule, it is your birthright, he says. He goes hunting with you and tells you he loves you and that the thought of you and your mother got him through many a peril. You spend time with your brother, you make him laugh, he loves you, clings to you just as much as he clings to your father, you teach him more about Ithaca, the way it is now, because heâs only heard stories. And still, in the back of your mind, you know you hate the child. You despise him with every fiber of your heart even if your mind knows he is not to blame - and that he has dealt with the same thing, just opposite to you.
Whereas you had a home, your mother and the rest of your family, but yearned for more than just the memory of your father, wanted for freedom, the boy had him, in the flesh, soothing his nightmares and teaching him to live, had the open sea and the deck of a ship, the capability to go anywhere, he lacked the stability that you had and despised. He didnât know his grandfathers, would never get to know his grandmother, only had a memory of a mother and a brother, saw them as saints, as a reason to keep pushing forth.
You are opossites. You donât know how it happened, as the child is not hers, but your brother looks like your mother where you are clearly your fatherâs son, yet your personalities seem to have been switched. Youâre calmer, much more subdued, you donât smile easily and are weaker of will. Your brother is loud and boisterous, quick to crack a grin and so, so Brave.
You still get the compulsion to bow to your father whenever he enters a room, to touch him to make sure he is real, at times. He sometimes wakes screaming, seeing horrors that you could not imagine in his sleep and doesnât feel comfortable in a proper bed for years. He sets the curtains on fire and your father laughs in relief and he holds him to his chest. Your own chest cleaves in two.
Just. Is this anything?
Over 6 months in the making (mostly bc procrastination) but I finally compiled my Kanto Gym Leader Magazine series. I love the idea of an in-universe style fashion publication where they all do interviews about their hobbies and stuff
Want something like this for your own OC? My commissions are open!!
I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw, a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
Some types of unreliable narrator:
The Watson: is present for the event but does not have the same level of perception as protagonist
The Lemony Snicket: isn't present for the event, reconstructs the facts based on later research, can get things wrong or incomplete
The Ted Moseby: is present for the event but has romanticised and embellished their memory of it through nostalgia to an extent that you cannot fully believe it; is also prone to misremembering or outright forgetting details.
The Katniss Everdeen: is present for the event, is the protagonist, but is completely foreign to the world and out of their depth so they don't quite understand a lot of what is going on.
The Rose Quartz: is present for the event, but due to their personal agenda or feelings of shame hides and embellishes what actually happened in favour of a version that paints them in a better light.
The Big Brother: overwrites what actually happened in favour of propaganda.
The Jonathan Harker: is absolutely clueless about what is going on around them and the genre they're in so their perception of events is tinted by their own naivety.
The Goob: the narrator's own emotional bias clouds their judgement of what really happened.
The Tyler Durden: the narrator is suffering from hallucinations and doesn't realise it.
The Pi: the narrator has survived a traumatic experience and copes with it by turning it into a wonderful tale.
technobladeâs hierarchy of needs
for the critics: just like cyberbullying children, protecting philza minecraft is an enriching but not strictly essential activity for technoblade. when techno is deprived of the ability to protect philza minecraft his psychological health will suffer, but unlike vast sums of money and blood for the blood god, it is not a basic requirement for his survival
womb tattoo on forehead because mind pregnate with ideas
^^ Zeus 25 minutes before Athena c-sections herself outta the back of his skull spinnin like a beyblade