Sepulveda Unitarian Universalist Society (1964) in Los Angeles, CA, USA, by Frank Ehrenthal
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Sepulveda Unitarian Universalist Society (1964) in Los Angeles, CA, USA, by Frank Ehrenthal
julie greve
Junghae Park ANEMONE, 2020 Acrylic on canvas Courtesy Whistle.
Citrouille
Jacques Carelman (1929 - 2012)
Ann Agee, Circus Madonna, Salt Cellar, 2019, Terra cotta, colored slips, red overglaze enamel, 11 1/8 × 6 × 4 ½ in
Julia Condon, Mobile of the Light among the Shadows.
Aaron Gilbert, ‘Judah’, oil on canvas, 2012-13
Garmet by Ayzit Bostan
Neneh Cherry and her mother Moki at their home in the countryside outside the small town of Hässleholm (Sweden), early Seventies.
not to make any callous remarks but i do think the ever-increasing bans on public religious (read: muslim) displayal (whether in banning mosques for not fitting the landscape or banning hijabs at school or banning burqas and niqabs in public or having police harass women wearing all-coverage outfits at the beach or making laws that state employees have no legal rights for prayer breaks) in european countries, many of which have large and growing right-wing parties, is one of the many outward signs that fascism is politely entering european politics again and europeans are just welcoming fascism with open arms
Hildur Ásgeirsdóttir Jónsson
Ama Elsesser by Brent Mckeever (New York, 2021)
March 8 demonstration, Oslo, 1980
The sign reads “fight against all oppression of women”
Illustration for the New York Times.
Manon Cezaro
Jason Martin | Caligula, oil on panel, 2002