1. Ugolino and His Sons, 1865–67, by Jean-Baptiste Carpeaux. | 2. Ercole e il centauro nesso • Maxcuo1975 on Flickr

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1. Ugolino and His Sons, 1865–67, by Jean-Baptiste Carpeaux. | 2. Ercole e il centauro nesso • Maxcuo1975 on Flickr
This marble was loved enough to make mortals shiver when they brush the cold hands with their warm ones, hesitating an instant to call it alive and subject. •
Angels, part II, in the Monumental Cemetery in Milan, Italy, known for its abundance of artistic tombs and monuments.
1. unknown ; 2. Il sacrificio (Sacrifice) by Leonardo Bistolfi, created for the Altare della Patria (National Monument to Victor Emmanuel II), Rome, Italy.
Details. L'Aurore, 1881, by William-Adolphe Bouguereau. Two studies of hawthorn blossom, Capri, by Sophie Anderson (1823-1903).
| brussels, belgium |
Goth in oil paintings.
David by qwazwak
illustrations of Raffles by John H. Bacon and F. C. Yohn (details)
Study of a Reclining Nude, Isidore Pils , c. 1841, Cleveland Museum of Art: Modern European Painting and Sculpture
The languorous, sensuous pose of this woman is strongly reminiscent of Jean Auguste Dominique Ingres’s popular paintings of odalisques, female slaves, and concubines in Turkish harems. Much of this canvas has been left thinly painted or entirely blank, suggesting that it was a figural study rather than a finished work of art. The French Academy in the 1800s viewed the depiction of the nude as the ultimate measure of an artist’s skill. Because models changed poses frequently, students had to work quickly and without embellishment. Here the artist completed only those areas needed to emphasize the contours of the model’s body. Size: Unframed: 72.5 x 92 cm (28 9/16 x 36 ¼ in.) Medium: oil on fabric
https://clevelandart.org/art/1939.63
the parthenon sculptures / british museum, london
Venus and Cupid by a Follower of Giovanni Bologna (1575-80)
Mossy woods