if i were attracted to someone i would ignore them and if someone were interested in me i would ignore them and if someone cute asked me out i would say no #myimpenetrablefortress

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@bullbelievr
if i were attracted to someone i would ignore them and if someone were interested in me i would ignore them and if someone cute asked me out i would say no #myimpenetrablefortress
I am not looking respectfully or otherwise. I amm dissociating you are in the way
ever since i learned about ghost buildings i haven't been able to stop thinking about them
this is body horror
one of the big fears is "having to choose". the worst part is it's kind of real
the most fearsome end state is everything compressing into a line, more and more doors closing, you have to pick one gender and one career and one hobby and everything you could ever do trades off against everything else and there's only so much time in a day and only so many people you can see regularly and the more time passes the more the wall between you and fluidity thickens. you will freeze like that and never be like water again
"anybody"
You may buy a copy of this comic here !
In 2019, a strange little pink house appeared right on the top of the historical plant of the Canada Malting Silos, built in 1905 and abandoned in 1986. The unknown authors brought the material to an height of about 35 meters to build this absolutely unique thing and added later other pieces to their creation, like a Christmas three, a gift and other decorations.
I think I have never seen anything like this in hundreds of explorations in abandoned places!
Montréal, Québec - Canada.
© Roberto Conte (2022)
light in august ii
Baixuan Chen.
“Miracle on the Mountain” by Clarence Schmidt. Clarence Schmidt was locally and nationally renowned outsider artist - an iconic pioneer of monumental environmental sculpture. His ongoing life’s work, the “Miracle on the Mountain,” was constructed of found objects and recycled materials between the years 1940-1972, which evolved on the back slope of Ohayo Mountain, in Woodstock NY.
(via)
various works by Norman Ackroyd
Wallace Polsom, Half in Love with Easeful Death (2021), paper collage, 22.8 x 28.9 cm.
taken by me
Franklin Booth.
They Have Slept in the Forest Too Long (1926) Max Ernst, oil on canvas