Tor im Garten (Gate in the Garden)
Paul Klee
Oil paint on cardboard nailed on a stretcher, 1926
Not today Justin
occasionally subtle

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Monterey Bay Aquarium
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@busybeingblack
Tor im Garten (Gate in the Garden)
Paul Klee
Oil paint on cardboard nailed on a stretcher, 1926
Frantz ZĆ©phirin ā Spirit World Capture (acrylic on canvas, 1995)
āAgainst all sorts of odds, you rise. You win. What victory will you claim next?ā ā Essex Hemphill
Anchored in and held by the love of Black poets and Sufi mystics, a new episode of Busy Being Black surfaces to make the case that the pursuit of our joy is not optional. And in those moments when we feel hopeless and joyless (and we will), Essex Hemphill has gifted us timeless reminders that our reverence for what we love is precisely what keeps itāand usāalive.
Podcast Episode Ā· Busy Being Black with Joshua Rivers Ā· 10 March Ā· 55m
I was today years old when I was introduced to the work of Frantz ZƩphirin. I am rabid with delight, dizzy with enchantment. I could just combust into a million glittery fucking pieces. Of all the art movements, Afro Surrealism burrows into me so fucking deeply. I feel possessed. It is magic, it is incantation, it is me.
destined to chase sunsets in different skies.
Ferdinand Hodler, A Noite (1891)
Hanif Willis-Abdurraqib, fromĀ āAnd What Good Will Your Vanity Be When The Rapture Comesā
Victoria Chang, from "Untitled #5, 1998", With My Back to the World
Joy Sullivan, āIn This New Lifeā,Ā Instructions for Traveling West
Harakiri, 2013 - by Seyo Cizmic (1958), Bosnian & Herzegovinian / American
I reached out to a priest-friend to ask for guidance on how I develop a spiritual practice: āPray as you can, not as you feel you ought to.ā
Leonidas at Thermopylae
Jacques-Louis David, 1814
Oil on canvas, 395Ā ĆĀ 531Ā cm, Louvre, Paris, France
Hieronymus Bosch. Detail of "Ascent of the Blessed," late 15th century or early 16th century.
* * * *
"We now know that human transformation does not happen through didacticism or through excessive certitude, but through the playful entertainment of another scripting of reality that may subvert the old given text and its interpretation and lead to the embrace of an alternative text and its redescription of reality."
[- Walter Brueggemann - "Cadences of Home"]
[alive on all channels]
Arthur Spear - Sunrise (1921)
'Nighttime Travellers' by Barbara Sobczynska
I jumped up and down when I saw this at tate modern. It is perfect.
How I feel joining tumblr at my big age š
The Fairy Dance
Karl Wilhelm Diefenbach
What I love so much about art is the way my spirit responds āyup!ā when we encounter art that points to something we know to be true. I canāt always explain it, but as we learn from Hollis and Hillman after Jung, explanation is rarely the point š§š¾