Evening Dress
Mainbocher
1955
Goldstein Museum of Design

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

❣ Chile in a Photography ❣
NASA

Origami Around

Discoholic 🪩
Cosimo Galluzzi

#extradirty

Jar Jar Binks Fan Club
Fai_Ryy
Keni

Love Begins

ellievsbear

PR's Tumblrdome
d e v o n
𓃗
hello vonnie
PUT YOUR BEARD IN MY MOUTH
taylor price

seen from Mexico

seen from Malaysia
seen from Brazil
seen from United States
seen from Ukraine
seen from United Kingdom
seen from Türkiye

seen from United States
seen from United States
seen from Sweden
seen from Brunei

seen from United States

seen from United States
seen from Kenya

seen from United States
seen from Canada
seen from United States
seen from United States
seen from Pakistan

seen from Türkiye
@bygone-beauty
Evening Dress
Mainbocher
1955
Goldstein Museum of Design
Evening Dress
1928-1930
Goldstein Museum of Design
Kimono by Liza Dalby
“In the sixteenth century, the nobility ceased to be the sole source of fashion inspiration. Playgirls (asobime) – multitalented, trendy ladies who led rather public lives (sometimes glossed as ‘courtesans’) – wore their kosode belted with long tasseled silk cords. The cords, called Nogoya obi, were woven according to a style then popular in China, roped about the hips six or seven times, and tied in a looping bow.” (Dalby 37)
“Playgirls also did their hair into Chinese chignons, initiating a fashion for women to put up their hair. In previous ages, men had been the ones to oil and arrange their tresses. Women had favored long straight locks, or perhaps a simple ponytail.” (Dalby 37)
“Late Edo fashion for women was undeniably restrictive. […] Hairstyles for women had developed into the elaborate comb-studded coiffures familiar from woodblock prints. With such a coiled oiled structure on her head, a woman couldn’t even sleep freely. Finally, the practice of applying lead- and mercury-based whitening cosmetics, originally a custom limited to the noblility, had now spread into common popularity. By the nineteenth century, being fashionable was truly hazardous to a Japanese woman’s health.” (Dalby 50)
A large group of ladies shoes, mostly 1940s
I feel like we need some clarification
This is a Kimono (Japanese):
This is a Hanfu (Chinese):
This is a Cheongsam (Chinese):
This is a Hanbok (Korean):
Any questions?
ao dai (vietnamese)
THIS POST IS IMPORTANT.
It’s interesting to note that that the garments that have a cross over style when worn correctly are all worn with the left breast over the right.
That’s because right over left is used for corpses
Sweater
1927
Musée Galliera de la Mode de la Ville de Paris
Blazer
1928
The Museum at FIT
Antique Sewing Kit
Ok, so I am watching Twin Peaks for the first time and someone NEEDS to explain to me why the two deputies in this town wear Official Law Enforcement gear and the actual sheriff wears an oversized beige sack with a gun belt. Why is the sheriff wearing a khaki button up instead of a matching law enforcement shirt? Why is the sheriff the only one without a badge? Why did you pick pants that are almost the exact same color as the shirt but not quite?If he's just wearing a khaki button up why didn't you buy one that fits? Why is he wearing his gun belt over a regular belt? This isn't the wild west, you can buy gun belts that also hold up your damn pants. Is he supposed to be in plain clothes?! Why do his plain clothes look like he's trying to wear a uniform? Are all of his shirts beige? Did he lose a lot of weight and possibly arm length recently? This show is full of demonic possessions and visions and giants and they keep coming up with weirder shit and the part i can't get on board with is how anyone in town can take this beige blob of a man seriously. 0/10 unrealistic
Couture/Sculpture: Azzedine Alaïa in the History of Fashion
Part 1
Satin Circle Skirt Dress, ca. 1950s
Ceil Chapman
via Pickled Vintage
Gingham Silk Cocktail Dress, ca. 1955
Norman Norell
via The Met
1920s
Shoes by goodbyefolk on Etsy
• So Super Awesome is also on Facebook, Twitter and Pinterest •
Qipao/Cheongsam
late 1930s
China
V&A Museum
Woven self-patterned silk damask, lined with cream fur
Qipao/Cheongsam
1950s
Hong Kong, China
Brocaded silk
Portrait of Mrs. E. Bradbury, Junction City, Kansas, 1919