2020. #ctk #ctkcave #illustration
NASA

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hello vonnie
Jules of Nature
Cosimo Galluzzi
Misplaced Lens Cap
dirt enthusiast
Stranger Things
noise dept.
wallacepolsom

izzy's playlists!
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ojovivo
trying on a metaphor

oozey mess
Three Goblin Art
we're not kids anymore.
Today's Document

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@cango43
2020. #ctk #ctkcave #illustration
butterfly
BE YOURSELF 内ンそ
part.1
Hi! This is a peak into my illustration process, based on my last post. I have divided the whole step x step into 6 parts : I - CONCEPT II - COMPOSITION III - COLOR SCHEME IV - DIGITAL PAINTING V - ADDING DETAILS VI - TEXTURE & ADJUSTMENT LAYERS
Found some hands tutorial by me
Not in English but hope it will help???????
THIS IS SUPER HELPFUL. especially the hand one.
I’ve translated the ones that aren’t in English! (at least the ones in the main photoset, my Chinese isn’t good and I’m too tired from doing those translations to sit and decipher some of the characters that are blurry haha sorry)
under the cut because it got really long:
Keep reading
Chinese illustrator 呼葱觅蒜
10 pixel art tutorials by Pedro Medeiros
More on his Patreon page
9Jedit aka 제딧 (Korean, South Korea) - 133/365 from 365 Days of Daydream, 2017 Digital Arts: Paintings
Wow, this is amazing
Some 2d Effect excersizes
How to draw FOREGROUND MIDGROUND BACKGROUND by STUDIOBLINKTWICE
requested!! its just some stuff ive learned idk dont trust me too much, i had the parts for this laying around for days and was too lazy to put text on it i also added a collage of some chests ive done last minute
Da, da, da, daaaaaaaa…… that’s a little more dramatic than I had intended. I love all these wonderful Sai tutorials that get posted on here but I haven’t seen much attention payed to Sai’s Lineart tool which I can’t get enough of. I’m sure there probably are Lineart Layer tutorials out there - I just haven’t come across one so I’m just adding to the pile. The Lineart tool is so awesome it deserves any number of tutorials anyway. It’s so easy to use, it saves me so much time, and it offers so much control which I really love. Honestly, the tool is so easy to use that this is less of a tutorial and more of just a general encouragement to just whip it out and start playing with it. Yeah. So say we start with a simple line like this swirly-wirly thingy that I drew with the marker tool. Well, the first step would be to create a linework layer by clicking the linework layer button.
There we go. Now, a lineart layer in Sai is different from any other regular layer in Sai and it will bring up a completely new range of tools. I’m gonna briefly go through them but the best way to understand exactly what each does is to just try them out for yourself. There’s no substitute for experience or however the saying goes.
Pen - This is your freehand lineart tool and to best honest I don’t really use it that often. That’s just me personally. I have an expensive gaming rig that has all sorts of magic running under the hood but we all know that Sai’s memory management is pretty crappy and I don’t need the lag or crashes that come with this tool when working at a high DPI. You may have a different, entirely pleasant experience with this particular tool but for me, if I’m doing freehand inking, I’d much rather just use the regular Pencil tool.
Eraser - Kinda speaks for itself.
Weight - This one I do love. Say you’ve drawn a line - or a path as Sai calls it. With this tool you can adjust the thickness of the particular line by simply selecting the brush size and then clicking on the line.
Color - Same as Weight. Simply select your desired colour and then select the desired line you’d like to change. Very useful. For the aesthetic.
Edit - This one comes with its own subset of mini-tools that I’ll get into in a moment. But this is definitely a useful tool - for me it’s probably the most useful.
Pressure - This is the one that adds the character to your linework. I’ll explain further below.
SelPen - A selection tool. Pretty standard. Since the Lineart layer works in ‘Anchor’ points (which again, I’ll get in to further down below) I don’t really use this one.
SelErs - Selection Erase. Goes hand in hand with the SelPen. I can’t say that I personally use this one much.
Curve & Line - The Curve and the Line tools are the cornerstones of the Linework layer. I’m explain both further down.
The Edit tool, as I mentioned, brings up its own list of sub-tools. And they definitely have their uses. Again, it’s best to play around with them to truly get a grasp of what they do but I’ll just run through them quickly before I get on with the main tutorial.
Select - For selecting anchor points of paths. Honestly, I don’t really use this one too much simply because hovering over a point or path and clicking will select it.
Move/Add - Now this one I use a lot. Moving an anchor will affect the curvature of your line if you’ve used the ‘Curve’ tool, or you can add curves to a straight line by clicking and dragging in between anchor points.
Delete CP/Curve - Kinda speaks for itself. It will delete an achor point in your line. Sometimes this can be useful for making your curves rounder if you’ve added too many points to it.
Deform Path - Again, kinda self explanatory. It will warp your line. I don’t really use this one myself but that’s not to say that it couldn’t have its uses.
Deform Anchor - See above.
Move Path - Instead of moving just an anchor or adjusting the curvature of your line you can move the entire line at once. Can be useful.
Duplicate Path - Does exactly what it says - creates a copy of your line. Haven’t found much use for this simply because I don’t particularly like copy/paste stuff in linework. Faults or differences add character.
Delete Path - deletes a line you’ve drawn independently of other lines on your linework layer. Can be useful as well.
Connect CPs - This is difficult to explain the benefits of. It’s one that should be experimented with. It basically joins lines together. I use it quite often. Just pick this option and drag from one anchor point to another to join them.
Pointed/Rounded - See the diagram below for this one. I find it very useful.
As you can see I used the Curve tool to draw a simple curve (left) and then I used the Pointed/Rounded tool to convert the curve into a point (right) by selecting the tool and then clicking on the anchor point at the height of the curve. I find it very useful. Anyway, back to our swirly-wirly thingy.
Because our swirly-wirly thingy is basically one long curve, I simply select the curve tool and start clicking. Starting at the centre point on one end, I click to add anchor points as I trace the shape of the object. Each point adjusts the curvature from the last point. It’s kinda hard to explain verbally or even visually but try it out and you’ll quickly see how it works.
Once I have a line over whatever I’m inking done I like to adjust the weight to suit my preferences. I like to work with thicker lines because they give more room to play around with weight. So to adjust the weight you click on the Weight tool, select a brush size and then click on your line. If only it were that simple in life.
Once I have a good weight selected I move on to the Pressure tool. The pressure tool gives you two options. Pressure for width and pressure for density. Width is like controlling the weight of the line at individual points and density controls the transparency. I don’t usually use the density option. As with traditional inking I prefer to denote depth, shadow, etc. with weight as you can see in the image above. To adjust the pressure, simply select the pressure tool and then select an anchor point. Click, hold and drag to the left to make the line thinner of more transparent and to the right to make the line thicker and more dense. As you drag, a percentage will appear over the anchor point you’ve selected. This can be useful for keeping things consistent.
That’s all well and good for curved lines but what about straight lines? That’s where the line tool comes in. It works exactly the same way except it won’t add a curvature to your anchor pints. Still very useful though. Especially when combined with the Weight and Pressure tools.
Here’s an example of one my drawings. It’s Dark Empress Kitana from Mortal Kombat. The one in red is the pencils which if converted to black would probably make a pretty good linework layer. I’m a firm believer in taking the time to clean up your sketch/pencils layer because it will dictate your entire drawing. The one below in black was done using Sai’s linework layer feature. Although not entirely. As much as I love Sai’s linework layer, it can look a little too clean which is not great when you’re drawing people. Although, it’s all art so it’s all up to personal preferences and personal style. There’s no wrong way to do it. For me though, I prefer to do skin, facial features, hair, etc. by hand using Sai’s Pencil tool on a normal layer and reserve the Linework Layer for architecture, clothing or any non-organic substances. I inked Kitana’s eyes and eyebrows freehand ( or as freehand as you can be with Sai’s amazing stabilisers) but everything else such as her armour or her fan weapon thingy was done using the Curve and Line tools on the Linework Layer. I hope this tutorial has been useful. Or if not useful - then at least encouring to try out Sai’s linework layer. It’s such a robust feature that I don’t see get much attention and I can’t even begin to describe how much time it saves me or how much I adore it. If you have any questions (because I’m well aware how unsuited I am to writing tutorials - this is so damn rambly - sorry!) then feel free to drop me an ask here at keithbyrneart. P.S, sorry about my handwriting in the stills. It’s gotten a lot messier these days.
I’ve been doing a lot of movement studies lately to finally get the “full figures and dynamic poses give me headache” problem out of my way. These are in large part referenced from invaluable motion sequences by Eadweard Muybridge.
Of course I imagine it’s Corvo training, because it makes my life more beautiful.
Cheers <3
+40 Pixel Art Tutorials
A growing collection of animated Pixel Art Tutorials by Pedro Medeiros (@saint11) of Studio Miniboss (they previously worked on TowerFall and are currently working on Celeste and Skytorn)
All +40 Pixel Art Tutorials can be found on blog.studiominiboss.com/pixelart (10 Pixel Art Tutorials are posted below)
:D !
have fun deciphering these hieroglyphics
ever wanted to do some stuff? like, different stuff? tired of having to scroll through your huge ref tag? LOOK NO FURTHER!! Have a masterpost of LITERALLY EVERYTHING which took me 5 hours to make so reblog it
Art:
Painting tutorial
Female/male arms
Kneeling + Sitting ref
Dragon head view tutorial
SAI brushes 86786
Drawing expressions
Sai Brushes 1
NGE colour palette 1
100+ colour palletes
Avoiding same face
Face contours/highlighting
free art MyPaint
Body anatomy help 1
How to shift images using blur in PS
Drawing clothe folding
How to draw ice
Colour palette 1
Colour palette 2
SAI brush settings 2
SAI/PS pixel brushes
Warm/Cool gray
Flower crown tutorial
Skin colour palette
Pink colour sheet
How to draw butts&thighs
The male torso
Drawing glowing stuff in SAI
Drawing horse/animal legs on humans
Drawing clouds
Muscular male with bow stock photos
Pastel colours
Drawing grass fields in SAI
Expressions&Legs
All about the human body
20+ colour palettes
Colour conversion
Kissing ref
Creature design
Colour meanings
Creating expression
Tutorial masterpost (100+)
Lineart
Canine
How to colour
Pose studies
Feline comparisons
How to draw penis
Leaf pressing
100+ anatomy references
How to draw folds
SAI brushes 3
Sitting poses
Colour palette 4
Cloud painting
How to draw 3D rooms
Colour info
Colouring ref
Hair tutorial
Clothing ref
Bodies and poses
SAI brushes 5
Colour scheme designer
Folding ref
Heads&Angles
Paint tool SAI masterpost
Drawing ref masterpost (10+)
Hair+Fur
How to draw faces
SAI brushes 4
Anatomy of mutant humans
What should I draw?
Free art software
pastel colour ref
Mass art ref
Soft SAI brushes
ways to draw stuff
SAI brush settings
baseball cap ref
Penis ref
Drawing human wings
Cool free art software
Huge art ref
Colour blender
2 SAI brushes
Photoshop for free
Emotions vocab sheet
Degrees of emotion
HOW TO DRAW ANYTHING
A mouth-watering fuck-ton of potentially useful links.
Reblogging for future use… maybe… probably… Y’know, if I ever get around to actually doing anything.
!!! AL ARTISTS GOTTA REBLOG DIS!