Please like and reblog so I can convince my wife to let me draw more Bleach stuff~
noise dept.
$LAYYYTER

Kiana Khansmith
I'd rather be in outer space 🛸
KIROKAZE

oozey mess
Cosmic Funnies
untitled
hello vonnie
NASA

Product Placement
taylor price
tumblr dot com
Monterey Bay Aquarium
Noah Kahan

if i look back, i am lost
EXPECTATIONS
h
Jules of Nature
RMH
seen from Spain

seen from Türkiye
seen from Iraq

seen from United Kingdom

seen from Türkiye

seen from United States

seen from Türkiye

seen from United States
seen from Singapore
seen from Türkiye
seen from Russia

seen from United States
seen from Czechia

seen from Malaysia

seen from Singapore
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@captainonyon
Please like and reblog so I can convince my wife to let me draw more Bleach stuff~
what’s sad is that the first person to fry an ant with a magnifying glass was probably just trying to look
You’re welcome 🧄
If I spend more than two minutes thinking about Endwalker and the themes of depression, suicidal ideation and hope; walking towards a new tomorrow all the while asking why, because the dark sludge of depression is drowning you and everything is pain, yet never stopping because the walk itself is proof of a spark of hope, I start crying, actually.
Oh good, now I have a cheat sheet for Uncensored Nate
I’ve narrowed it down to these three top reasons OP should be allowed to commit arson
Walking around with this sheet in hand and pointedly taking it out and methodically searching through it every time I want to say something
This is killing me.
Excuse me, sir, has to be my favorite of the list
Dragon like cloud over Mount Fuji at sunrise. By touyoui, Nov 2024.
fun behaviors to give dragons that aren't feline/canine based
cause as much as i love dragons purring and roaring i wish there was just more variety in how they would act
clacking their teeth together to show contentedness/happiness (budgies)
using tails as a defensive weapon in a whip like fashion (iguana)
twitching to express that they're not a threat to members of their species (hognose snake)
feeling calm when eyes are hooded/covered (birds of prey)
head bobbing as a threat display (anoles/bearded dragons)
flattening neck or sides to appear bigger (snakes/lizards)
mantling over food to protect it from hatchmates (birds of prey)
wiggling neck as a courting maneuver (budgies)
audibly grinding teeth as a warning (macaques)
maintained eye contact as a challenge (gorillas)
pounding wings against sides as a threat (gorillas)
slapping other dragons with their claws when their personal bubble is invaded (seals)
hoards used as a site to impress mates (birds of paradise)
snorting when undergoing heightened stress (horses)
making repeated loud noises with surroundings to establish territory (woodpeckers)
loud constant arguments with other dragons when roosting (bats)
building lairs that cause a domino effect of change in the land around them (beavers)
slapping their tails against the ground/water as a warning (beavers)
wiggling tail tip to attract prey (various animals)
wiggling tail tip as a warning (snakes)
plucking or scraping off scales as a sign of stress (parrots)
raising spines/frills as a response to danger and carrying on with their usual business as they believe they're protected (lionfish)
and im not saying canine and feline behaviors are wrong or bad to give a dragon (people wouldn't write dragons with those behaviors if they weren't fun in the first place!) but i feel for creatures that are mythological giant winged lizards that you can do more and get experimental with it. often the more unfamiliar behavior the more dragony the dragon feels
“I don’t know what my goals are, no. Thanks for asking.”
wolf & bunny: a love story
a list of 100+ buildings to put in your fantasy town
academy
adventurer's guild
alchemist
apiary
apothecary
aquarium
armory
art gallery
bakery
bank
barber
barracks
bathhouse
blacksmith
boathouse
book store
bookbinder
botanical garden
brothel
butcher
carpenter
cartographer
casino
castle
cobbler
coffee shop
council chamber
court house
crypt for the noble family
If there was a theme in Hades 1, I think it was Change. As in the idea that people can change, either for good or bad.
Achilles went from being a violent hot-headed in life, to becoming a more mellow, mature mentor archetype in death.
Sisyphus who was a bastard in life, after years of punishment did eventually change for the better. Becoming a nicer person overall.
Thesseus is implied to have been a better person in life. but the time in Elysium made him the lovable prima donna he is now. By Contrast Asterion has become a noble warrior who seeks to deliver justice and to fight a worthy opponent for the fun of it, rather than a monstrous creature who ate people.
Even Orpheus can be convinced that, altough he failed to properly credit Eurydice in life, he can start now.
The point is, even after Death is not too late for them to change. and that change is possible. And every character you interacts changes, even if in small ways. Even Chaos, a Primordial being who struggles to related with anything outside their realm can change and develop a desire to become closer with Nyx, they can change to wish to socialize.
And this is important because it is what is at the root of Hades and what makes HIM the villain of the story: He stubbornly believes people cannot change. that everyone is the same and that they will never get better.
He puts Sisyphus through a punishment that assumes he will ever be the cruel person he was in life. He refuses to believe that the Achilles of old would remain under his service if there wasnt a bonding contract forcing him to.
And most importantly: he believes it is impossible for Olympus and the Underworld to make peace. that his impression of the Olympians, with all their flaws and pettyness and drama, is not only entirely accurate, but that they can never be more than that. Just as he himself can never be more than the strict ruler of the underworld, forever trapped in his kingdom.
It is Zagreus, who through constant battles and trials, going from the meek weakling he is at the start, to someone who can actually push through the underworld's defense and actually reach the surface to, finally, besting Hades and managing the gargantuan task of escaping the underworld; something believed impossible; when Hades whole world is shattered. And when Zagreus manages to succeed on that again and again, a second impossible thing happens. Something believed to be equally as impossible as someone managing to overcome the Underworld: Hades Gives Up.
He let's Zagreus go. Not because out of the kindness of his heart, but because he finally understood he can't stop him and whatever happens, it is outside his control. THAT is when Zagreus trully defeats Hades, because it forces Hades to consider a different alternative, to change.
And that doesnt erase the things Hades did. The abuse or the cruelty. That happened and there is a chance that will always be there and that it might be too late for He and Zagreus to have the father/son dynamic they should have had. But he has finally made the decision of trying to change, which will be slow and painful, but never too late.
I am obsessed with this idea
Disability Writing Guides
Collecting all of these in one convenient place! If you have any requests, questions, comments, and especially concerns about what/how I’m writing these, please let me know!
Writing Chronic Pain
Writing Deaf Characters
Writing Disability and the Idea of Cure
Writing Wheelchair Users
General Disability Etiquette for Writers
Overused Disability Tropes
Writing Blind/Low Vision Characters
Writing Facial Difference
Writing Seizures
Writing Visible vs. Invisible Disabilities
Writing Disability and Eugenics
Asks!
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
I have a friend who is an editor, and gets submissions of mostly poetry and short stories.
I have had a glimpse into her slush pile, and let me tell you, the contents were unbelievable and immediately disabused me of the notion that reading through submissions is in any way glamorous. People have the nerve to submit unhinged paranoid ramblings, fetish porn, and a seemingly endless supply of poems about masturbation.
I no longer feel like my fiction is somehow an imposition on the people who read it. It may be forgettable, but at least it isn't typeset to look like sperm.
Do not be afraid to submit your work. Your competition is not only worse than you think, it's worse than you ever imagined.
Do these three things to get to the top of the slush pile:
The place has a style sheet. Use it. They say they want your MS in 16.5 point Papyrus italic with 0.8 inch margins all around, guess what you're doing before you send it off? Save As, reformat, send it. In the absence of a specific guide: Courier 12 pt (Times New Roman if you must), double spaced, align left, tab 0.5 at each new paragraph.
Check the word count. Don't submit novellas to 2500 word short story venues. BTW, you format the MS in that old style above because the question isn't literal words. Courier 12pt double spaced gives you 250 words per page for typesetting purposes. 2500 words is 10 ms pages, 5000 is 20 pages, etc.
Don't send your romance to Analog or your war story to Harlequin. If it's a cross-genre story, be sure there's enough of what the publication is focused on to interest them, but breaking through is hard if that's not something they usually do.
That's basically what every single editors' panel at every con I've ever been to has boiled down to. And invariably, someone tries to get up and argue with them, not realizing it's not a discussion.
Bonus tip: Don't be in any way cute in your cover letter. Just the facts/Luke Skywalker's message to Jabba the Hut in ROTJ.
Enclosed/attached is my story <Title> for your publication <Magazine>. It is x (rounded to the nearest 500) words. I can be reached at <email> (that you check regularly and isn't likely to dump things into spam) and <phone>.
(If submitting a hard copy: The manuscript is disposable. A SASE is enclosed for your response./A SASE is included for return of the manuscript and your response.)
Thank you for your consideration.
If submitting a novella length piece or greater, a brief and complete summary is appropriate.
In the midst of an interstellar revolt against an evil galactic Empire, vital weapon plans fall into the hands of a farm boy on the edges of the galaxy. With the help of an aging warrior from the Old Republic, and a smuggler with a dark past and his imposing alien copilot, the four set out to deliver them to the rebel forces but are instead flung into a rescue mission to save the beautiful princess who stole the plans as worlds are destroyed by the might of the Empire's weapon, the Death Star.
Captured by the Death Star on route to deliver the plans, they manage to escape the base with the princess, the old warrior sacrificing himself to make this possible. As the Death Star approaches the rebel base, they use the captured plans to stage a desperate final stand. In a fierce space battle of single-pilot ships over the surface of the moon-sized weapon, the farm boy manages to make the critical shot with an unexpected assist from the smuggler, destroying it.
Never under any circumstance put a cliffhanger into a query letter summary. There is no faster way to get the entire MS binned than doing that.
Happy writing.
PS "Top of the slush pile" means into the top 25% of manuscripts received. Three quarters of the submissions don't take the trouble to do even those three basic steps.
Now, that still means 25/100 submissions or 250/1000 submissions, but it still improves your odds and forms the basis for starting a relationship with the publisher for the next piece you send them.
PPS This is obviously about prose. Poetry certainly has its own submission rules, and I know none of them. If you're writing poetry, find out what they are.
@silverhand's reply is right on.
I don’t know where this came from but I NEEDED it
Image ID: blue text on a cream background which reads “Nine types of rest. 1) time away 2) permission to not be helpful 3) something “unproductive” 4) connection to art and nature 5) solitude to recharge 6) a break from responsibility 7) stillness to decompress 8) safe space 9) alone time at home”. End ID.
Misread “decompress” as “decompose” and didn’t notice anything wrong at first. Like, yeah, that checks out, it’s ROTTING TIME.
to succeed in adult friendship you must remember the key tenets of child friendship:
Play Toys
Play Pretend
Snack Time
successful examples from my travels:
my SO and i have a projector. our cool neighbors have a vast dvd collection. fundamentally these are toys. we have those neighbors over for movie nights. Play Toys. more broadly shared hobbies fall into this category but it's extra fun if there's Equipment to admire and share.
ttrpgs are obvious but invaluable examples of Play Pretend. HOWEVER your options are not limited to this. i started a local writing group and this is also Play Pretend bc we all talk about our stories together. there are many such creative endeavors in this world.
having someone over for a meal is Snack Time. if you make a lil thing of it and eat at the table and make it nice with dessert and a fancy beverage to share it feels very grown up. and you will feel impressed with yourself for it. but it scratches the same itch as trading fruit snacks and suchlike.
of course these can be mixed and matched. most activities are enhanced by Snack Time if your friend targets enjoy breaking bread together.
and one begets the other. if you Play Pretend with someone for long enough they may eventually tell you about Toys they have and if you want to play too they'll probably let you. if they're nice.
life can be lonely when we live in separate boxes and worry about money all the time. this is what makes friendships hard, not growing older. but the antidote to isolation is connection, and the oldest wisdom we ever learn: share your toys. share your games. share your snacks.