Hello, I'm Casey and I might write? We'll see. If I do post anything, please be mindful, it will probably be sloppy and unproofread short stories, poetry with the possibility of dividers. For now, this post is just a test as I get used to tumblr.
Exam week is almost over and so is my writers block!! So the next chapters of Iâm Pushing it Down and Praying will be out soon!! Hang in there bc ACT II is almost over and I promise I will not be taking a two month hiatus again!!
When you can't commit to a show but it interests you enough so you watch the first episode and then watch the last one 3 months later to see a glimpse of what you could have gotten into...
Unfortunately Iâm bi and like older people.
So you will see me staring at a picture of Aaron Hotchner, Emily Prentiss, Jack Abbot, Dana Evans while drooling.
 You figured out really quickly that David was not anything like Bruce.
And you figured this out because he quite literally said no the second that you asked him to finish the experiment.Â
 Most of his reasoning was that he infact was not Batman and was not going to give a child superpowers and make a vigilante out of them.Â
 Which you had countered by saying you didnât want to be a vigilante and that you just wanted him to finish the experiment.Â
 âThe experiment could be fatal!â David said with controlled frustion. âWe didnât do it then, and we arenât doing it now!âÂ
 âThatâs because you had to wait then, but you can do it now! You said it yourself, you had joined the Finoraâs because you wanted more knowledge. Think about the knowledge that youâll gain if you do this!â You argued. âDonât you crave that knowledge?âÂ
 âI canât, Y/N.â David said, running his hand over his face. âIâm a different person now.â
âYou can be a different person later,â You said. âAnd this is my body isnât it?! I didnât have a choice then, but I do have one now! And I want that experiment to be finished.âÂ
  âDo you not understand that you could die?!â David burst out. âDo you not care about the fact that this could lead to your death?â
 âIâm going to die anyway!â You snapped. âWith or without this experiement.âÂ
    David stilled. You swore internally.Â
âWhat do you mean by that?â David said quietly. âWhy would you die?âÂ
    âYou know what? Nevermind.â You were too fueled with anger than to tell David about your depression and everything that was wrong with you.Â
   Instead you turned around, stomping into the room he had given you and jumping on the bed with barely controlled anger.
 David hates himself for saying no to you.Â
Your life has been filled with so many decisions that you werenât allowed to make, but he isnât going to let you make one that could kill you.Â
  David already lost you once, he doesnât want it to happen again.Â
But then again, what did you mean by the fact that you might die either way?Â
 David doesnât want to dwell on your words, but he canât help it. What sort of life did you live in the Wayne Manor that you would say something like that?
  He sighs, slumping back onto the couch and turning the tv on.Â
 âAs of 48 hours ago, my little sister Y/N Wayne has been missing.â Damian Wayneâs voice echoed. âY/N was last seen two days ago, in an abandoned street off of Main, in a grey crewneck and black leggings before the power outage cut out the feed.âÂ
  It takes 0.05 seconds for his head to snap up and horror to fill his eyes.
âOh no,â David breathed. âNo, no, no, no!â
  His eyes darted frantically as he watched the news. The camera panned from Damian to Tim to Damian again. But then, his blood ran cold as a familiar face appeared infront of him.Â
âAre you sure about that?â Ross Finora said. âBecause in Aliyaâs last letter to our mother she clearly stated that she wanted Y/N in our care.âÂ
 âNo she didnât! You bastard!â David slammed the tv remote down hard onto the table, causing it to rattle. âAliya would never want that, ever.âÂ
  If Ross Finora got you- if any Finora got their dirty, filthy hands on you- David was sure that they would spare no moment to exploit you.Â
  And David was sure that either way, even with his brilliant and genius mind, both the Finoraâs and Wayneâs would still track you down.Â
 And you would be defenseless against them.
The thought itself made him shudder.Â
   So David would have to give you your powers, whether he liked it or not.Â
Â
 The briefcase looked ancient to you.Â
  Maybe, it was not that you would ask.Â
One hour prior, just minutes after you had stormed out of the living room of Davidâs house, heâd come running back in, saying that he would give you your powers back.Â
  For a minute you had allowed yourself to be ecstatic, allowed yourself to finally have that slight bit of happiness of having some control over your life.Â
  But that minute went by as quick as it had come when David told you that he was doing this for your own protection.Â
  Protection from the fact that your maternal uncle Ross Finora had entered the picture.Â
Ross Finora, who had killed your great grandma, great uncles and uncle. Ross Finora who was known as the Executioner.Â
  You had watched with sullen eyes as David also told you how the Wayneâs were trying to find you.Â
  You wanted to be happy, after all, werenât you wishing a while ago to try and find you?
   But you werenât happy.Â
You felt disappointed for some reason. You felt the exhaustion of the whole situation in your bones really.Â
  Inside you, there was nothing but seeping darkness.Â
So you let David ramble and ramble and you only moved when he said that you needed to come with him.Â
  Heâd taken you down to the basement of his house, something that you had thought would feel like the Batcave, but somehow turned out to be softer with warm lighting and couches and more spacious than the Batcave.Â
  The basement was still sectioned off but everywhere was light and warm, even the laboratory you were standing in now.Â
 âWhatâs in that?â You asked.
David picked the briefcase off the ground and dusted it off. His thumb finds a scanner and he presses down on it hard.Â
 âIn here, is the blood of the ancient dark entity that lives within the Vortex of the Abyss..â David said. âSo there was this dark mage that went to try and find black energy which is really really dangerous and lethal when it is connected to magic because energy and magic are two big forces that shouldnât collide, right?âÂ
  â....Right,â You said, giving him a look. Nerd.
âAnyways, apparently this dark mage was also related to the Finoraâs? So he went looking for the black and suddenly he ended up in this Abyss that had the strangest creatures and environment, and lots of black energy.â David said, not noticing the look. âAnd then he saw something trying to attack him, so he blasts that thing with magic and that thing splats everywhere and gets on him.âÂ
 âSo thatâs a part of something?â You're horrified.Â
âYeah, but the moral of the story is that the mage died after he put the magic and black energy together. He managed to teleport back to the Finoraâs back in time, because he did blow up a minute after he arrived.â David said.Â
 âAnd youâre going to put that thing inside of me?â You asked.Â
âYup!âÂ
Hey Readers!
I'm slowing getting the batfam x reader curse, please pray for me.
Also I have exams soon so I won't release chapters much. But hey, ACT II only has 5 more chapters before it ends!!! ACT III is almost here!!!!
~Elsya
hey everyone.
Recently Iâve been recieving a lot of asks for money, mainly from people from the Middle East who are in the war.
Iâm sorry about your situation but please donât ask me for money because Iâm broke along with the fact that I am a student.
If I had money to give I would but I donât. And whatâs worse is that I have to change my messages settings now too.
Just today I got a message from an account with the name of Ahmed something who was asking for money and when I chose not to respond got angry at me.
I deleted the convo but I lowkey donât do that pls.
Vice: Have you ever tried to kill yourself?
Faye: I was about to when Strauss called me.
Dellie: My dad tried to kill me once.
The three of them look at eachother.
Vice: Do you guys wanna trauma dump togther?
Faye: Absolutely.
Dellie: Bonding!!!
Vice: Btw, I'm an alcoholic.
Faye: Damn, I've tried to kill myself on multiple occasions!
Dellie: My dad, in general. Oh! Wait! I'm also really body dismorphic!
Vice: This is going to be fun...
@thecrimsonfog, @jjellecubed
YOUâRE ALL I HAVE TO LOSE âą spencer reid x greenaway!reader
summary: after spencer is exposed to anthrax, the hardest part isnât being afraid. itâs knowing you love him for the same reasons youâre furious with him.
genre: angst (with a happy ending!) tags/warnings: reader is elle's sister, inspired by 4x24 amplification so tw for a classic CM near-death experience, reallllly whumpy but thereâs some comfort, reader is very angry and very stressed and very in love, emotionally devastating phone message, lowkey feels like an undisclosed jello ad oops, title from close behind by noah kahan, no use of y/n. 6.3k words. part of a series but can be read as a standalone!
a/n: writerâs block took me out back & shot me approx 57 times over the past month, but i finally resurrected myself hallelujah so i am back with a bang đ„ (a very depressing bang. not the fun kind of bang. my bad). hat-tip to @slut-for-artists for the song rec that inspired the title!
greenaway!reader masterlist đ„
Youâre angry.
Thatâs the only emotion you can process when you first walk into Spencerâs hospital room. Youâre angry, and you shouldnât have to be here, and everything about the place feels wrong. It should be louder. There should be sirens or alarms or shouting, something ugly to match the feeling crawling beneath your ribs, but instead thereâs only the measured beep of the monitor, the low hum of fluorescent light, the soft shuffle of Morgan shifting in the chair on the other side of Spencerâs bed, and the anxious tap-tap-tap of your foot against the linoleum floor.
Thereâs also Spencer.
Spencer, pale against the pillow, is sound asleep in a hospital gown with an IV taped to the back of his hand, a cannula under his nose, and his curls flattened on one side. His mouth is parted slightly, his breathing thin but steady. Better than it could be, according to the doctor. Better than it had been, according to a hollow-eyed Morgan when you first got here. Better than dead, which is apparently the standard you should be grateful heâs surpassing now.
You hate this room. This whole entire fucking day.
Morgan is leaned forward with his elbows on his knees, hands clasped tight enough that his knuckles have gone pale. He looks like heâs aged ten years since this morning.Â
âHe woke up once,â he says quietly. âCouple seconds. Doctor said thatâs good.â
You nod without looking away from Spencer. âGood.â
âHeâs gonna be okay.â
You try to hum some sort of acknowledgement, some half-hearted agreement you donât entirely mean because at this point you canât really know if thatâs true, but no sound comes out. Instead, you reach for Spencerâs hand.
His fingers are warm. The plastic hospital bracelet brushes your wrist when you thread your fingers through his, and you feel almost burned by it. Spencer is supposed to have ink smudged on his hands and paper cuts from case files and maybe chalk dust from a man impromptu lecture no one asked him to give. He is not supposed to look fragile under a hospital blanket.
Morgan studies your face for a second, then stands.
âIâm gonna grab some coffee,â he says.
You donât point out the fact that he already has a half-full coffee cup in his hand. You just nod.
At the door, he pauses. âHe was asking about you earlier. Before they brought him here.â
Your grip tightens around Spencerâs hand.
âJust thought you should know,â he says.
Then he leaves, and the room gets even quieter.
You sit there with Spencerâs hand in yours and stare at his face until the anger sharpens again, because anger is a much easier emotion for you to deal with than fear.Â
âYou absolute idiot,â you whisper.
He doesnât answer.
â
You had been with Rossi and Emily when you found out.
The day had already felt a bit off-kilter since it started. Anthrax in a park in Annapolis. Dead civilians, sick children, hypermasculine military personnel taking over the BAU and breathing down everyoneâs necks. Dr. Kimura from the CDC explained the intensity of this strain in a voice so calm it made the information hard to process. The team had swallowed Cipro in a lame attempt at some sense of control, then scattered across the Washington metropolitan area trying to build a profile before the unsub executed another attack.
You went with Reid and Dr. Kimura to the hospital earlier. You noticed the way his inflection turned clinical as he talked about infection rates and symptom onset, the way his eyes stayed focused on the numbers in the patientsâ charts because if he let himself see them as people for too long, heâd feel all of it. You saw the way his focus faltered around Abby, a young woman who just wanted to go on a bike ride around the park and was now experiencing aphasia and severe respiratory distress as she tried to stay alive long enough for a cure to be found. You desperately wanted to touch the back of Spencerâs wrist as you walked beside him in the hallway, but you chose not to, because you were surrounded on all sides by sick people and your relationship did not belong in the middle of it.
You regretted that choice later.
Of all the stupid things to regret, that was the one your brain kept returning to. The touch you hadnât taken. The two seconds of warmth youâd decided could wait.
By early afternoon, you and Emily were with Rossi following a lead away from the rest of the team, chasing down information on Dr. Lawrence Nichols, a disgraced military scientist whoâd been downgraded to working on the flu. Emily was having a tough time with the casual deception a case like this required, so you were talking with her beside the parked SUV when Rossi got a call from Hotch. You watched him out of the corner of your eye as his expression changed and his gaze flicked quickly toward you before it shifted away again.
It was small. Practically nothing. A slight narrowing of his eyes. An almost imperceptible shift.
But still, your stomach went cold.
âWhat?â you asked.
Rossi lifted one finger, still listening to Hotch on the other end.
Your voice came out sharper. âRossi.â
He lowered the phone. âMorgan and Reid went to check out Nicholsâ house.â
You waited.
Rossiâs jaw tightened. âNichols is dead. The house is contaminated with anthrax.â
For a second, your hearing went thin, and the whole street seemed to drop underwater. Emily shifted beside you. A car passed behind the SUV, tires hissing against pavement, and all of it reached you half a second late. Emily said something, but you didnât catch it. Your eyes were fixed on Rossi because you knew there was more coming. Youâve been around the block enough times to know that people always pause before saying the worst part out loud, as if a few seconds of silence can soften the impact of devastation.
âReid discovered the body and the exposure site inside,â Rossi said. âHe sealed himself in before Morgan could enter.â
All at once, heat rushed up the back of your neck. Your hand went tight around the car door handle you hadnât realized you were holding. Somewhere at the edge of your vision, Emily went still.
âIs he in decontamination protocol now? Or is he already at the hospital?âÂ
Rossi didnât answer fast enough, which was an answer in itself.
You turned away from both of them and walked three steps before bending forward, hands braced on your knees as you searched for breath.
Emily approached cautiously.
âIâm fine,â you snapped automatically.
âThatâs not what I asked. I said Hotch wants to talk to you.â
You straightened slowly, smoothed your hands down your blazer, and took the phone from her.
âTell me exactly whatâs going on,â you said too fast as soon as you got the phone up to your ear.
Hotch did. He gave you all the facts he had: Nichols had been dead for days. There was anthrax spilled in the lab and the AC was blasting it through the house. Definitely a homicide, and whoever killed Nichols was likely responsible for the recent attacks. Reid had gone inside and accidentally stumbled upon the scene, shutting Morgan out before he could follow him inside. Kimura and the CDC team were on their way with protective equipment and a decon shower, but Reid was refusing to leave, instead insisting on working the profile from inside since he was already exposed.Â
Already exposed.
Those words had a sharp, horrible finality to them.Â
âWhat do you mean, heâs refusing to leave? Youâre his boss, Hotch. Make him leave.â
Hotchâs voice stayed even, but there was strain under it. âHe believes there may be an antidote or identifying information on the partner inside the house. Heâs continuing to work the scene until one or both of those things are located.â
You pinched the skin between your brows. âGet him on this call for me.â
Emily turned fully toward you then. Rossi was watching with the careful stillness of someone standing near a live wire. Hotch said nothing.
You swallowed hard. âHotch, transfer me to Reidâs phone, now. I think we all know he wonât answer if I call him myself, and I need to talk some sense into him.â
âHeâs working.â
âHotch. Please.â
The silence that followed was very, very loaded.
Then Hotch said, âGive me a minute.â
You lowered the phone a little and stared at nothing for a second. Your chest felt too tight, your blood too loud, every part of your body braced for impact. Emily came to stand beside you, but she didnât try to touch you, and you appreciated that more than you could say.
âHeâs going to do everything he can to find the cure and track down the unsub and get out of there,â she said.
âI know.â
âHeâs Reid. If thereâs something in that house to find, heâll find it.â
âI know.â
And you did know. That was the problem. You knew him so well there was no room to be surprised. Spencer would knowingly stay in a room full of anthrax because people were dying and he had a chance to stop it. He would put his lungs and brain and life on the line to prevent the person responsible for the prior attacks and Nicholsâ death from taking any more lives. Youâd expect nothing less from Spencer Reid, and right now, you hated him for it.
A muffled voice came through the phone before you could fully catch your breath.
When you lifted it back to your ear, you heard movement first. Then Spencer.
âHi.â
He sounded too normal.
You gripped the phone so hard your fingers hurt. âDo not hi me right now, Spencer Reid.â
A tiny pause. Then, softer, âOkay.â
âAre you symptomatic?â
âNot really.â
âSpencer,â you said.
âIâm okay right now,â he said, before you could ask again. âKimuraâs team is coming in soon. Weâre currently in a limited window where Iâm still useful and the scene is still viable.â
âOh, goodie. Well, as long as youâre useful, everythingâs just fine then,â you bit out.
âSweetheart,â he said softly, âyou know what I mean.â
Emily looked away. Rossi did too, like they were granting you privacy by pretending not to hear the sharpness in your voice.
Spencer was quiet for a second. You pictured him inside Nicholsâ house, phone held close, hair falling in his face. You pictured powder on the floor, sealed doors. You pictured him alone in there.
âI found a second workspace,â he said. âThereâs a bunch of notebooks filled with different handwriting, so it definitely doesnât belong to Nichols. Whoever this desk belongs to is probably our unsub.â
You wanted to scream.
Instead, you leaned your forehead against the SUV door and forced yourself to breathe through your nose. âYou need to go to the hospital.â
âI will.â
âNow, Spence.â
He paused. âIâll go as soon as I can.â
Your throat tightened.Â
âYou do realize youâre a person too, right?â you asked. âNot just a brain with a badge and a duty to uphold.â
Despite everything, you heard the faintest breath of a laugh. âIâm aware.â
âGreat. Then act like it.â
âI am acting like it,â he said, and there it was, his signature stubbornness. âLeaving now wouldnât make me safer in any meaningful way if we still canât identify the unsub and still donât have an antidote for the strain. If I can figure it out from in here, thereâs a chance we can save the patients at the hospital, and me.â
You pressed your free hand over your eyes.
âDonât do that,â you said.
âDo what?â
âMake sense.â
His quiet inhale caught slightly. Maybe from the anthrax, or maybe from you. It was hard to tell.
âIâm sorry,â he said quietly.
âBut youâre still staying.â
âFor now,â he said.
You sighed softly and rubbed your temple with your free hand. âYouâre so frustrating.â
âI know.â
âAnd arrogant.â
âI can be, on occasion.â
âAnd so ungodly, unbelievably stupid.â
âWell, technically, Iâm quantifiably a genius, although I donât believeââ
âSpencer.â
âI know youâre angry with me,â he said quietly.
âYou have no idea how much.â
âWell, I think I have some idea. I know you.â
âNo, you really donât.â You looked down at your boots. âBecause if you did, youâd be walking out of that house right now.â
His voice went softer. âIf I thought walking out was the thing most likely to get me back to you, I would. I promise you, I would.â
That took every bit of air out of you.
Spencer didnât rush to fill the silence. He just let the words sit there, awful and sincere and completely unfair.
Then he said, âIâm not trying to scare you.â
âWell, youâre doing a damn good job for someone who isnât trying,â you replied. You blinked hard, furious at your body for even considering tears when rage was so much more useful.
âListen to me,â you said. âFind what you need to find, and then you get the hell out. No extra detours or noble self-sacrificing bullshit. Got it?â
âIâll be careful,â he said.
There was more noise on his end now. Another voice. Hotch, maybe, through the sealed door closing him inside.Â
âI have to go,â Spencer said, pausing before he added: âI love you.â
You dug your fingernails into your palm.
âDonât say it like that,â you whispered.
âLike what?â
âLike youâre only saying it in case itâs the last thing I hear from you.â
He took a shaky breath. âIâm saying it because itâs true,â he said firmly. âAnd because I want to say it. Thatâs all, okay? I love you.â
You swallowed, and when you spoke again, your voice was steadier than you felt. âI love you too. Stop being a hero and get back to me.â
âI will.â
The line clicked dead a second later.
You kept the phone against your ear long after there was nothing left to hear.
â
The next time Spencer let himself think about you, really think about you, he was sitting on the floor with poison in the air and sweat cooling at the back of his neck.
By then, his body had started showing signs of distress. The cough had come first, small enough that he tried to classify it as irritation from the environment, from dust, from the pollen in the garden outside. Then came the ache behind his eyes, the heat under his skin, the faint tremor in his hand that he could ignore if he kept it busy, if he kept turning pages, pulling drawers open, reading notes, forcing pieces of Dr. Nicholsâ life into order.
He was aware of each symptom with miserable precision. He knew exactly what they meant. He also knew the unsub was still out there with a larger attack planned, so his personal awareness changed nothing. His body could be evidence later. Right now, he had work to do.
Still, there came a point when he had to step back and admit how serious things had gotten.
Garciaâs voice shook through the phone when he asked her to record a message for his mother. She tried to be brave about it. He could hear the effort it took, could picture her sitting at her desk with all that color and joy around her while despair leaked through anyway.Â
He recorded his message to Diana as steadily as he could.
He said all the things a son should say when heâs trying very hard to say goodbye without sounding like heâs saying goodbye. He kept his voice gentle. He tried not to cough in the middle of it. He nearly failed once, clearing his throat to get the urge to pass. When he finished, Garcia was silent for a few seconds.
âOkay,â she said finally, and he could hear the tears in her voice. âOkay, I got it.â
Spencer swallowed. He was covered in a sheen of sweat. His throat hurt. Everything hurt, actually, in a diffuse, widespread way he disliked for its lack of specificity. âGarcia?â
âYeah, boy wonder?â
He closed his eyes.
He had been trying not to ask. He had been trying to tell himself that the message to his mother was already indulgent enough, that he did not have the right to take more time away from the case for something that served no immediate operational purpose. But the thought of you never getting to hear his voice again if this went badly kept pressing against the inside of his ribs until it became impossible to ignore.
âCan you, uh, record one more message for me?â
Garcia inhaled sharply.
âOh,â she whispered, understanding immediately. âOf course. Yeah, of course I can.â
Spencer opened his eyes and looked around the room. Papers were spread across the floor in front of him, Dr. Nicholsâ handwriting scrawled across margins and folders and binders. Somewhere outside, people were moving around in protective suits, building a perimeter, preparing to come in as soon as they could. Out in the field somewhere, you were trying to work despite your fury and fear. He knew that with the same certainty he knew his own name, the same certainty with which he could recite the periodic table in order by atomic number. You were angry because you were scared. You were scared because you loved him. That thought â that you loved him â probably should have brought some comfort; instead, it made his chest ache worse than the cough did.
âReady whenever you are,â Garcia said, softly enough that it almost didnât sound like her.
Spencer tried to take a breath deep enough to steady himself. It caught halfway down. He turned aside, coughed hard into his elbow, and waited for the room to stop tilting.
Then he looked down at his hands, at the pale dust along his cuffs, at the pulse ticking too fast beneath his skin, and began.
âHi,â he said simply, because every other possible opening sounded wrong â either too formal, or too casual, or too final. He let out a breath that was almost a laugh and tried again. âYouâre going to hate this. I know that. Youâre probably already furious with me, and youâve got every right to be, so if this message makes you even more furious, Iâm sorry.
âI just need you to know that I wasnât trying to be a martyr. I know youâll think thatâs what it was, some ânoble self-sacrificing bullshitâ like you called it earlier, but thatâs not what this is for me.â He paused, eyes stinging. âI keep thinking if I find the right thing fast enough, if I can connect the dots, then maybe we can stop the next attack and everyone at the hospital would have a chance. Maybe I would, too.
âAnd I keep thinking about you. I donât know if that helps or makes it worse, but Iâve been thinking about you a lot. I thought about you being mad at me, and about the way you mustâve been rolling your eyes when we were on the phone earlier, and about your apartment, and the coffee you pretend to like when I make it too sweet, and the way you look at me when you think Iâm not paying attention.â
A cough broke through him. He bent forward, eyes squeezed shut, one hand braced against the floor. It took too long to stop. When he lifted the phone again, his voice had gone hoarse around the edges.
âI wanted more time with you,â he said. âI wanted more ordinary days. Thatâsâ thatâs what I keep coming back to, which is strange, because technically, ordinary days are the least remarkable kind, but I think those are the ones Iâll miss the most. You at my desk stealing pens, and you pretending not to smile when I say something you think is ridiculous, and you falling asleep before the end of a movie and denying it in the morning.Â
âAnd if youâre hearing this, I know youâre going to want to do the thing where you decide this proves some terrible theory youâve always had about what happens when you let people matter too much, butâŠâ
His eyes burned. Because of the fever, maybe. Heartbreak, definitely.
âDonât do that. Please, please donât do that. Donât let this be the reason you shut everyone out. I know it took a lot for you to let me in, and I know asking this is unfair, and I hate that I canât say it to you in person, but I need you to keep letting people love you. You have to let them stay.â
He coughed again, violent enough this time to make his whole chest seize.Â
âThe team loves you,â he said. âYou know that. Garcia will smother you with affection and care packages. Morgan will check on you constantly and wonât even pretend to act cool about it. JJ will know when youâre lying about being fine before you can finish a sentence, so donât try. Emily will sit beside you casually and pretend she isnât worried, because she knows you hate being handled.â A faint, broken smile pulled at his mouth. âRossi will feed you, so get ready to eat a lot of pasta. Hotch will give you space and somehow still make sure youâre never truly alone.â
He swallowed hard.
âAnd Elle⊠Call her. Please. She was there once when you needed her. Let her be there for you again.â
The words felt intrusive, maybe, as if he was reaching into parts of your life he had no right to touch. But if this was all he got, if this recording became the last shape his love ever took, he needed it to be honest.
âI donât want you to be alone,â he said, voice breaking. âI donât want you to decide that losing me means you were right to keep the door locked. I canât bear it, so please, do this for me.â
He pressed his thumb into the crease of his palm until the tremor in it settled.
âI love you. I know you know that. I know I say it all the time now, probably too much, and if I get out of here you can complain about that for the rest of our lives and I wonât argue with you. But if I donât,â he said, forcing himself through it, âthen I need you to know that loving you was never something I regretted. Not for one second. And being loved by you was⊠it was the best thing that ever happened to me.â
A sound came suddenly from outside the room. Movement. Voices. The heavy plastic rustle of protective equipment. He looked up and saw shapes gathering beyond the doorway, bright orange suits and face shields and Dr. Kimuraâs focused eyes as her team entered the house.
He looked back down at the phone. There was so much more he wanted to say. There would always be so much more. That was the terrible thing about loving you â no matter what he said, it could never be enough to cover it.
âI have to go,â he said. âIâm going to try very hard to make sure you never have to hear this.â
Then, quieter:
âI love you. I really, really love you. Keep letting people in, okay?â
Garcia made a tiny broken sound through the phone, then cut the recording and the call before he could hear her cry.
You remember standing with your arms folded so tightly across your chest that your shoulders started to ache. You remember Emily offering you water and you pretending not to hear her. You remember Rossi telling you to sit down, not as an order, but in that low, paternal way of his that made you want to be even more difficult on principle. You remember staring at your phone until your eyes burned, as if your fear could force Spencerâs name to appear on the screen.
Mostly, you remember waiting.
When Hotch finally called, his voice was steady. They had Brown. The attack on the Metro had been stopped. Reid and Kimuraâs team found what they needed. Reid was out of the house and had been decontaminated. Paramedics had transported him to the hospital where the treatment was being prepared, and Kimura was hopeful, and they would know more soon.Â
âIs he conscious?â you asked.
âLast we heard, yes,â Hotch said, and the words scraped through you. âMorgan is on the way to Walter Reed now to see whatâs going on.â
You wanted to ask if Spencer had asked for you, but you didnât. It felt too naked, somehow. Too pathetic. So you just said, âIâm on my way,â and Hotch didnât waste anyoneâs time pretending he could stop you.
Garcia found you before you made it out of the building.
She looked wrecked. Her mascara had smudged at the corners, and she had one hand wrapped around a cup of coffee she clearly hadnât touched. She stopped in front of you like she wanted to hug you, then thought better of it, although it looked like that decision pained her immensely.
âHe really, really loves you,â she said quietly.
The words were so abrupt, so earnest, that for a second you could only stare at her.
âI know,â you said.
Garcia nodded too fast. âI know you know. I justââ Her mouth trembled, and she pressed it together. âI just needed to make sure. I wanted you to hear it.â
Something about her face made your chest tighten. There was more to it â something she wasnât saying, something she was holding back. You could see it in the way she looked at you, nervous and guilty and gentle all at once.
But Penelope Garcia, for all her usual glitter and gossip and inability to mind her own business, could keep a secret when it really mattered.
So you let her.
You just reached for her hand, squeezed once, and pushed through the doors to the parking lot.
â
Now, as you sit in an ungodly stiff chair next to his hospital bed, Spencerâs fingers move against yours.
Itâs small. Barely anything. An involuntary twitch, maybe. But itâs enough of a movement to assume it could mean something bigger if youâre desperate enough, and apparently you are, because you go still so suddenly Morgan looks up from the cup of red Jell-O heâs been eating with a plastic spoon.
âReid?â Morgan says.
Spencerâs brow furrows.
For a second, nothing happens. Then his eyes open slowly, heavy and unfocused at first. He blinks up at the ceiling like heâs trying very hard to decipher what type of room the ceiling belongs to.
Morgan moves, relief breaking over his face. âHey, kid.â
Spencerâs gaze shifts toward him. It takes effort. Everything about his movements right now looks like it takes effort.
His voice comes out rough. âAre you eating Jell-O?â
Morgan cracks a wide grin. âMan, you almost die from a bioweapon and this is what you wake up concerned about?â
Spencer blinks slowly. âIs there any more Jell-O?â
Your laugh escapes before you can stop it. Itâs small and wet and humiliating, and Spencerâs eyes move immediately toward the sound.
The drowsy confusion in his face shifts, turning into something so relieved and so sorry that all the air you just got back leaves you again.
âHi,â he says.
You swallow. âHi.â
Morgan looks between the two of you for half a second, then pushes himself out of his chair. âIâm gonna go tell Dr. Kimura that Sleeping Beauty here is awake,â he says. âAnd apparently find more Jell-O.â
Spencerâs mouth twitches faintly. âGreen, if they have it.â
âYouâre lucky Iâm pretty much obligated to be nice to you right now,â Morgan tells him sarcastically, but his hand lands on Spencerâs shoulder for a second before he leaves, firm and warm and full of things heâll probably never say out loud.
Then the door closes behind him and the room is quiet again, but it isnât the same quiet as before, because Spencerâs awake now. His eyes are open. His fingers are caught between yours, weak but there, his thumb making the smallest attempt to move against your skin.
Thereâs too many feelings to parse through. Relief, first. Relief so enormous it can barely fit inside your body, but somehow it does, pressing against the anger and terror and frustration you also feel, against all the miserable little aftershocks of the day.Â
For a moment, you just look at him.
He looks terrible. Pale, sweaty, hair mussed, lips dry, throat probably raw from coughing and whatever else his body has been through. He also looks alive.
You want to kiss him.
You want to hit him.
You settle for tightening your hold on his hand and saying, very evenly, âIâm so mad at you.â
Spencer closes his eyes for a second.
âI know.â
âNo, you donât,â you say. âYou really, truly do not. I possess levels of anger right now that are previously unrecorded in modern psychiatry.â
His mouth curves faintly, but it fades almost immediately. âIâm sorry.â
âYou should be.â
Spencer looks at you for a long second, too tired to dress the truth up into anything gentle. âIâm sorry for what it did to you,â he says. His voice is rough and low, dragged out of a throat that still isnât ready to cooperate. âIâm sorry I didnât call sooner, and Iâm sorry that when I did, I couldnât tell you what you wanted to hear.â He pauses, breathing carefully. âBut if I had left before we found what we needed, people could have died.â
You stare at the bed rail.
You know the exact reason behind the choice he made, because youâve made choices with the same bones. Spencerâs been on the other side of this with you before. Not with anthrax in your lungs, obviously, but in basements and alleys and warehouses and too many places where you put the job before your own safety without a second thought.Â
You hate that. You hate him a little for making it impossible to be purely angry.
âI know,â you say, voice quieter now. âI know youâre right. Or close enough to right that I canât even enjoy being mad at you properly.â
Spencer gives you a weak, exhausted almost-smile. âIâm sorry for that too.â
You look back at him, and the sight of him ruins you all over again.
âYou could have died, Spencer,â you manage to say in a hoarse whisper.
His expression changes. The humor disappears, what little there was of it. His fingers tighten around yours with visible effort.
Your voice shakes, and that irritates you enough to make your eyes burn. âI know you. I know you werenât actually trying to be some self-sacrificing hero, even though you have a very irritating talent for landing there by accident. I know I probably wouldâve done the same thing, which is frustrating because it makes my moral high ground very unstable.â You inhale, careful and shaky. âBut I was so scared, Spencer. I was so scared I couldnât pretend to be normal about it.â
He looks at you like that sentence hurts him worse than anything else.
âI thought about that too much,â he says.
You frown. âAbout what?â
âYou. Being scared.â His eyes drift down to your joined hands. âI thought about you being angry, and about you pretending you werenât afraid because Rossi and Emily were there. I kept thinkingâŠâ His brow creases faintly, concentration pulling through the haze. âI kept thinking if I could just find the answer, then maybe Iâd get back to you before anyone else could see your fear. I knew youâd hate it if they could.â
You let out a breath that breaks in the middle. Your free hand lifts before you really decide to move, fingers hovering near his face. He watches you do it, quiet and trusting, and that almost makes it worse.
You brush his hair back from his forehead, and his eyes close.
The simple trust of it dismantles you a little. You had spent the whole day imagining him behind sealed doors, breathing poisoned air, making logical arguments while his body betrayed him by degrees. Now heâs here, under your hand, alive and exhausted and still somehow trying to be gentle with you when heâs the one in the hospital bed.
âI love you,â you say. âAnd I genuinely hate you right now.â
Spencerâs eyes open again, slow and soft. âThat seems pretty fair.â
Your laugh comes out wet. You look away, but he squeezes your hand before you can get far.
âI love you too,â he says. âAnd I know it doesnât make it better, but I was trying to make sure I could get back to you. That was the point. I know it looked like I was choosing the work over everything else, but I wasnât. The work was my way out.â
You turn back toward him.
He looks exhausted by the length of his own words, breaths a little uneven, but his eyes stay on yours.Â
âI know,â you whisper, because you do. âI know, Spence.â
You lean forward carefully, giving him time to shift away if he needs to, but he doesnât. He tilts his face up the smallest amount, and you press your mouth to his.
The kiss is soft by necessity. Thereâs no heat in it, not really â not the kind the two of you are used to. His lips are chapped and warm and careful beneath yours, and for one long, holy second, all you can focus on is that you get to do this again. You get to kiss him in a hospital bed and hate the reason for it, but you still have him here to kiss. You get the fragile press of his mouth, the weak squeeze of his fingers around yours, the proof that his body is still a living thing and not a memory youâll spend the rest of your life surviving. It isnât enough to undo the day, but it gives your fear and love somewhere to go. Itâs a promise made with whatever energy he has left.
When you pull back, your forehead rests near his temple.
âYou scared the hell out of me,â you murmur.
âI know.
âIf you ever do that again, I will murder you myself.â
âI know.â
âYouâre impossible.â
âI know.â
You pull back enough to glare at him. âNormally youâd argue with at least one of those.â
His tired smile is tiny and perfect. âIâm conserving my energy.â
The door opens after a soft knock, and Dr. Kimura steps in with Morgan hovering behind her, a green Jell-O cup in one hand and a fresh coffee in the other.
âLook who I found,â Morgan says.
Spencer nods at Dr. Kimura before his gaze flicks to the Jell-O. âIs that for me?â
Morgan chuckles. âYeah, kid, itâs for you.â
You wipe quickly under one eye with your thumb and try to regain whatever dignity you can scrape off the floor.
Kimura checks Spencer over. Vitals, pupils, lungs, cognitive questions he answers with enough impressive precision to make Kimuraâs eyebrows lift. Morgan stays near the doorway, and you donât let go of Spencerâs hand the entire time.
Eventually, the room settles again.
Morgan leaves the Jell-O on the tray and tells Spencer not to be a pain in the ass to you or any of the nurses. Dr. Kimura tells him heâs on the mend but needs a lot of rest, and Spencer nods, probably because he knows you wouldnât give him a choice anyway.
Once itâs just the two of you alone in the room again, your anger has gone a bit quieter. Itâs still there, and knowing you, itâll probably stay there for a while, tucked stubbornly behind your ribs, ever-present but currently overshadowed by disgusting amounts of relief and love.
Spencerâs eyes are already slipping closed.
âSleep,â you say.
âWill you stay?â
You sit back and wrap both hands around his. âYeah, genius, Iâll stay. Obviously.â
The corner of his mouth turns up into a crooked, sleepy smile. âGood.â
It takes less than a minute for him to fall asleep again.
This time, watching him sleep doesnât feel like waiting for the floor to disappear beneath you. His breathing is still rougher than youâd like, and his face is still too pale, but the monitor keeps a steady rhythm. Alive. Alive. Alive. His fingers are warm under yours, and thereâs a green Jell-O cup sitting unopened on the tray because, apparently, even near-death experiences cannot kill Spencer Reidâs bizarre snack preferences. You know heâll ask for a spoon as soon as heâs awake again and his appetite comes back.
You do not know about the recording.
You do not know that somewhere, locked carefully behind Garciaâs cyberdefenses, there is a version of his voice trying to love you through the worst possible outcome. You do not know that he spent the better part of what mightâve been his last hour on earth trying to make sure you would be okay.Â
But maybe itâs better you donât know.
You donât need the version of him that said goodbye. You need this one: alive, stubborn, fever-warm, breathing steadily with Jell-O waiting untouched beside him.
His fingers twitch against yours again in sleep.
You keep holding on. You hold on, and you stay.
á°.á
this fic is part of the greenaway!reader universe/series! you can read more about this pairing here â„ïž
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