
Love Begins
let's talk about Bridgerton tea, my ask is open

#extradirty
Doug Jones
Noah Kahan
occasionally subtle
tumblr dot com
Lint Roller? I Barely Know Her
NASA
almost home
★
todays bird
macklin celebrini has autism
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EXPECTATIONS
Claire Keane
🪼

bliss lane
Fieri Frames
PUT YOUR BEARD IN MY MOUTH
seen from South Africa
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seen from Malaysia
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seen from Colombia
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@castlesinthe-sky
Lingerie shopping spree is my dream right about now
https://www.instagram.com/frachella/
source
soft and kind
August 10, 1926 Journals of Anais Nin 1923-1927 [volume 3]
why are you all so mean. it will not heal you
Madison Julius Cawein, “Apart”
Eduard Gübelin. Ethiopia, Lalibela, 1960-1970.
Ph. Eduardo Soteras
Ph. Bete Giyorgis
Ph. Sean Gallup
The small town of Lalibela in Ethiopia is home to one of the most extraordinary sacred sites in the world. Its eleven churches were carved directly out of solid volcanic rock. This dusty, rural town only gained access to electricity relatively recently, and it still has no paved roads. Originally called Roha, the town was later named after King Lalibela of the Zagwe dynasty, who ruled the Ethiopian Empire from 1181 to 1221. During his reign, this remarkable complex of eleven churches was created. What you see in these photographs is not a group of buildings made from stone blocks. Each church was carved from a single mass of rock, with no joints, bricks, or mortar. The builders first cut a deep trench around the future church, separating it from the surrounding bedrock. They then worked from the top down, carving the exterior before gradually hollowing out the interior. Once the doors and windows had been opened, workers entered the rock itself and carved out rooms, columns, passages, and sanctuaries from within. That is why these churches are described as monolithic: each one was shaped from a single piece of stone rather than assembled from separate materials.
This method required extraordinary technical knowledge, precision, patience and skill. Even more remarkable was the vision and courage behind the idea itself. The overall concept, the architectural design, and the artistic details and ornamentation are achievements in their own right.
As archaeologists have described it:
"As one approaches, the first feeling is often confusion and disbelief, followed by a deep sense of awe before such an extraordinary achievement. It is a monument to determination, strength, perseverance, and profound faith: first in human ability, and then in something ancient, sublime, and still unknown."