Wild Strawberries (1957)
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@casual-eschatology
Wild Strawberries (1957)
The Cremator (SpalovaÄ mrtvol), 1969
Directed by Juraj Herz
This is why I hate admitting that Iâm a Gemini.Â
new movie ranking system: how cute was the CGI wolf?Â
if it doesnât have CGI wolves, that doesnât mean itâs subject to other rating systems, that just means it failsÂ
THOR: RAGNAROK - 5/5, perfect score
NARNIA: THE LION, THE WITCH, AND THE WARDROBE - 4.5/5, voiced by a dude who sounds really hot which gets a separate bonus, boosting the ranking by .5
TWILIGHT: THE LAST ONE - 5/5, their hands were giantÂ
THE JUNGLE BOOK - 5/5. lots of personality. look pretty cartoony and not believable, but i like it.
INCEPTION. no wolves. 0/5. a disgrace of a movie.
since some of you havent actually read please accept this spider as payment here it is in its entirety, fresh from 2008
Keep reading
6 ways to turn her on.
Art by
Ed Harrington
this is the most obvious headline iâve ever read
Yet đ
Forests have secrets, itâs practically what theyâre for. To hide things. To separate one world from another.
Catherynne M. Valente, âDeathlessâ (via serpentandstang)
You know of any examples of wintry Solarpunk?
Iâm not sure how all of the logistics would work (Iâm more of a sociology guy than a STEM guy), but I donât see why a colder climate wouldnât be able to take advantage of renewable energy sources â geothermal and perfected solar technology and such.
Aesthetically, youâd probably end up with something very similar to the âNorthern Lights glass igloosâ in Finland:
Maybe connect all the igloos with a tunnel/tube system and have them all link up to a big hub at the center. Maybe the hub has advanced solar panels and sits on a geothermal hot spot, and the energy accumulated there could power the surrounding homes and buildings.Â
People can and should add to this, because my winter solarpunk imagination is a tad limited.Â
Many Norths: Spatial Practice in a Polar Territory (Actar Publishers)Â
Photo by Patrice Halley - Looking for mussels under the ice after the tide has gone out, Kangiqsujuaq, Quebec.
MANY NORTHS
The Conflicting Future for Arctic Settlement and Design
Blaine Brownell reviews âMany Norths: Spatial Practice in a Polar Territoryâ by architects Lola Sheppard and Mason White.
By comparison, the early, âpermanentâ housing typologies imported by the Canadian governmentâsuch as the poorly insulated plywood âmatchbox houseâ and awkward prefabricated rigid frame houseâdemonstrated a wasteful, ineffectual use of resources and a lack of sensitivity to site. The widespread deployment of these structures, in conjunction with governmental policies requiring year-round settlement, represents the use of architecture as a forceful tool of âinternal colonialism.â âIn the end, this meant a tremendous disruption to the Inuit way of life,â said historian P. Whitney Lackenbauer in an interview with the authors. âThe population abruptly shifted from one that had followed a seasonal pattern for centuries to one where, within the span of a single decade, almost all families had moved into permanent settlements.â
âŠ. By interrogating the incongruity of enforced spatial practices in the Canadian Arctic, Many Norths projects unsettling questions onto the domineering enterprises of the industrialized world. Although Sheppard and White refrain from making their own design proposals in the book, they present a clear case for alternative strategies. âThe conditions of the North demand that architects and planners be more inclusive about developmentâs relationship to the environment and cultural practices,â they write. âGiven the economic hardships and highly dispersed communities, the region demands that all spatial practitioners, especially architects, engineers, and planners, consider design within the wider physical, cultural, and logistical context of the Canadian Arctic.â
The Conflicting Future for Arctic Settlement and Design |Â Canadian ArchitectÂ
Many Norths - BldgBlog
The plural nature of this remote territory is the bookâs primary emphasisâthat no one model or description fits despite superficial resemblances, whether they be economic, ecological, climatic, or even military, across massive geographic areas.
âFor better or for worse,â they write in the bookâs opening chapter, âif nothing else [the Norths are] a shifting, multivalent territory: culturally dynamic, environmentally changing, and socially evolving. Digital and physical mobility networks expand, ground conditions change, treelines shift, species hybridize, and cultures remain dynamic and cross-pollinating.â
Exploring these differences, they add, was âthe motivation for this book.â âŠ
There are Mars simulations, remote scientific facilities, schools, military bases, temporary snowmobile routes (snowmobile psychogeography!), and communal utilities corridors. âŠ
Among more than a dozen other subjects, there are discussions with anthropologist Claudio Aporto on âwayfinding techniques and spatial perceptionâ among the Inuit, with âmaster marinerâ Thomas Paterson on the logistics of Arctic shipping, with historian Shelagh Grant on âsovereigntyâ and âsecurityâ in the far north, and with Baffin Island native whale hunter Charlie Qumuatuq on seasonal food webs.
Many Norths - BldgBlog
Otto Dix - paintings
Tiny sees all of the things!
Joseph Tomanek (1889â1974)
Nymphs dancing to Pan`s flute
Oil on canvas