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Aqua Utopia|海の底で記憶を紡ぐ
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"I'm Dorothy Gale from Kansas"
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Joanna I of Castile & Philip the Handsome
The crisis of jealousy burst out shortly after Juana’s arrival in Flanders.
Already in July of 1504 Mojica had gone to Castile to inform Isabella and Ferdinand of the grave things that had happened ever since the Princess came back, and which the ambassador did not write about in his letters because they were very delicate and secret. And even though Philip had behaved very well, Juana did not want to see or talk to the Spanish ambassadors anymore.
In August, the Kings wrote to them, complaining about the lack of love between their daughter and son-in-law.
Here are some of the violent scenes that occurred between the spouses, and which were related by the ambassador to Ferdinand and Isabella:
Since the Princess did not want company of anyone else but her slaves, who had become sick due to being overworked, and, in spite of the prohibition on her physicians’s part, Juana continued taking a lot of baths and washing her head. Philip ordered her to dismiss her slaves and use the women whom he had chosen, threatening that he would not come to see her until she complied.
Juana got annoyed, refused to obey, and dismissed the messenger who had informed her, threatening him with death.
The Prince had to come personally to remove the slaves because, besides, the Princess had marked them on their faces; she opposed him and spoke to him insolently. Only when he threatened he would not sleep with her anymore did the Princess agree to dismiss the slaves, although not without punching one of them when she was about to leave.
As soon as Philip abandoned the bedchamber, Juana summoned one of them again, and after another violent scene, the Prince himself left.
Later he wrote to Fuensalida to inform him that he had resolved to lock all of Juana’s doors, except one, because he was afraid she would try to run off to a monastery, and from there to Spain - and that he would not allow any Spaniard to see her and would send her slaves and almoner back to Spain.
The Spanish ambassadors begged him to not do this without thinking it over, but he replied he was not going to cede as far as the slaves were concerned.
The ambassadors went to see the Princess, and to convince her she should resolve that problem. Juana responded harshly that they should not speak to her about anything, except what her parents told them to.
Philip ordered the children to be brought and begged Juana sweetly to be reasonable, but it did not have any effect on her and she insisted on having her slaves back.
Then, annoyed, Philip told her she was going to be locked away, and no Spaniard would be able to see her. She locked herself up in her rooms, refused to eat, and asked Philip to come. He, however, refused to go, in spite of the ambassadors’s pleas.
He returned at night, sick and with one of his feet hurt. He retired to a chamber that was situated below the one in which his wife resided.
When Juana sensed he was there, she started hitting the floor with a stick or stone, calling him. She spent the entire night doing this, saying from time to time:
‘Answer me, I want to know if you are there…’
And, at the same time, she began scratching the floorboards with a knife.
The next day she said if they wanted her to take food, then her children and ladies should be brought to her. Philip became desperate, had all the doors opened for her, and said she could go wherever she wanted. He was going to Flanders, to not to have to see her anymore until she complied with his wishes.
Shortly afterwards, the Princess wrote him a long letter, apparently very reasonable, given that, according to Fuensalida, Philip believed he would find her obedient at his return. In the end, in the month of November, the Prince sent the slaves, and some other of Juana’s servants, back to Spain. He believed that after separating them from Juana, they would live in greater harmony.
Although the ambassador wrote to King Ferdinand:
‘The Prince would like to do with the Princess all that we tell him on your behalf, or even more, because we have always found him ready to please her, if she wanted, but she does not want to let him (please herself) or to do what she ought to… It is a pity to see him when he speaks of the Princess…’
The ambassador firmly believed their relationship was such, that if God did not miraculously take Juana’s obsession (over her husband) away, and did not give Philip a different character, it would be impossible for them to live in harmony, and with such lack of it at home, how would they be able to rule well over so many kingdoms?
Source:
Correspondencia de Gutierre Gomez de Fuensalida, embajador en Alemania, Flandes é Inglaterra (1496-1509), el duque de Berwick y de Alba, conde de Siruela, pp. 32-34
dedicated to @thenameismg and @everythingieverloved - thank you for proofreading it for me and fixing my mistakes!
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Mixtec gold ring with a feline’s head flanked by two snakes, dated to c. 1200-1521. Found in Mexico. Source: British Museum.
the medicis do not run. we will fight until our last breath.
WOMEN’S HISTORY ☪ FANNU BINT ’UMAR (? – April 1147)
Fannu bint Umar was the daughter of Umar ibn Yintan of the Almoravid dynasty. In March 1147, `Abd al Mu’min, a member of the Almohad movement, invaded Marrakesh with the aim of overthrowing the Almoravids. The Almohad movement had been founded by Abu Abd Allah Muhammad ibn Tumart, who had proclaimed the Mahdi some twenty years before, and aimed at overthrowing the Almoravids on the grounds that they were insufficiently religious, too tolerant of Jews and Christians, and sponsored the Maliki school of Islamic jurisprudence instead of the Ẓāhirī school. In response to the invasion, Fannu dressed herself as a man and defended the Almoravid Palace from `Abd al Mu’min’s siege. She was eventually killed during the siege, after which the palace finally fell. The Almohads eventually conquered all of the Maghreb and what remained of Al-Andalus and never lost their religious zeal, but were doomed to slowly their lose all of the territories to rival dynasties, such as the Muslim Marinids and Christian Houses of Ivrea and Barcelona.
24th November* 1635 - birth of Françoise d'Aubigné *sometimes dated as the 27th or 28th
Thirst, William-Adolphe Bouguereau
Medium: oil,canvas
https://www.wikiart.org/en/william-adolphe-bouguereau/thirst-1886
Botticelli c. 1481-1482, Arnold Genthe c. 1920s
Court mantua, mid-18th century
From the Fashion Museum, Bath on Twitter
Knitting machine, William-Adolphe Bouguereau
Medium: oil,canvas
https://www.wikiart.org/en/william-adolphe-bouguereau/knitting-machine-1884
I realize this is a cast iron gate but I’m choosing to believe it’s a magic protection ritual
Morwenna Chynoweth + toying with her bracelet
edith cushing + butterflies
This whole movie is completely ciphered around butterflies and moths: Edith is the fragile butterfly of daylight, and Lucille a powerful, ugly moth of the dark. – Guillermo del Toro
We talked a lot about who the main characters were, what symbolic elements they represented. Lucille is a creature of the house and that presents immediately a stark contrast with the world of Edith, the world of Buffalo. Allerdale is bleak, stark, winter, snow, blues and cyans, a world barren, a world of starvation, of nothing. The world of Buffalo is the opposite – modern, the world where the industrial revolution is in full bloom, a world of prosperity, and Edith personifies that, she is abundance, the cornucopia, wealth, golds, yellows, rich tones. Edith is the Sun and Lucille is the Moon. Edith is the butterfly, the canary in the mine. Lucille is the moth. There was no other way to obtain this mixture of frailty and strength that represents the very soul of the character. The longer Edith stays in the house, the more she fades, and she loses her bright sunny colors and becomes this sort of captive butterfly. But she never loses her inner strength – so her wings, the sleeves of her clothes, are bold, expressive. – Kate Hawley
(requested by anonymous)
Jean-Baptiste Bertrand, Ophelia, detail