[camilicy]

The littlest guy ! Peruvian Brit sir paddington 🐻

[ignisarrow]

I'm obsessed with this Carlisle 😮‍💨

Inspired by new chapter of "Blood on the freesia stalks" by Zillazumi 🩸💫

[ignisarrow]

Inspired by new chapter of fic "Blood on the freesia stalks" by Zillazumi on ao3 🍩☕📎

[ignisarrow]

I'm finally done 😭🚨🚨🚨

[thecollectibles]

Photo studies by Colin Geller

[wolfythewitch]

And heaven and nature sing

[corrodedparadox]

My train was late. AGAIN.

Prints

[polartss]

”genetic” girl WHATEVERRRRR

[nigelgraz]

Letters from your younger self

[mismedleym]

the past lives in you

[gingerbarts]

march, november and july

[lleyksie]

let’s be primitive horses with mama

[cirr0stratus]

do not ask this of me

[mangoslixes]

“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.

Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.

on Sergiu Ciochină

[the-old-masters]

Venice (1877) by William Merritt Chase

[your-art-sanctuary]

May Night (1906) by Willard Metcalf

[timeless-brushstrokes]

The Yerres, Rain (1875) by Gustave Caillebotte