Edie Campbell, photographed by Tim Walker and styled by Jacob K for Vogue Italia December 2015
Stranger Things
dirt enthusiast
todays bird
YOU ARE THE REASON
he wasn't even looking at me and he found me
Peter Solarz

Love Begins

祝日 / Permanent Vacation
No title available

#extradirty

@theartofmadeline

roma★

Discoholic 🪩

Origami Around
Misplaced Lens Cap
occasionally subtle

No title available

blake kathryn

Kaledo Art
ojovivo

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@celestehoja
Edie Campbell, photographed by Tim Walker and styled by Jacob K for Vogue Italia December 2015
hands in various paintings by luca giordano 🥀
lizzardbird
Artist: null hypothesis _ Title: From the novel “Under the Oak Tree” “Fanart for a Korean novel “Under the Oak Tree” with inspiration from Inge Prader’s recreation of Gustav Klimt’s “Beethoven Frieze”” Wonderful piece…
“all this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with ‘winning or losing this game of chess. “ marcel duchamp
Asters and Dahlia - Ole Kandelin ,1945.
Finnish, 1920 - 1947
Oil on canvas,30 x 23 cm.
To Have the Apprentice in the Sun, 1914, Marcel Duchamp
Medium: pencil,ink,musicpaper
Carl Otto Hultén, (1916 - 2015) Swedish artist
African Canvas
Margaret Courtney-Clarke
Zinaida Serebryakova - Apples, 1910
The Chorus, William Hogarth
Medium: lithography,paper
Study for Hypocrites (illustration for Divine Comedy by Dante Alighieri/Inferno, Canto 23), after Francisco Goya after John Flaxman, 2015
Acrylics on paper, 29.5 x 41.7 cm
“Là giù trovammo una gente dipinta che giva intorno assai con lenti passi, piangendo e nel sembiante stanca e vinta.
Elli avean cappe con cappucci bassi dinanzi a li occhi, fatte de la taglia che in Clugnì; per li monaci fassi.
Di fuor dorate son, sì ch'elli abbaglia; ma dentro tutte piombo, e gravi tanto, che Federigo le mettea di paglia.”
***
“We found, down there, a people painted bright. Their tread, as round they went, was very slow, weeping, worn down and seemingly defeated.
They all wore robes with hoods hung low, that hid their eyes, tailored – in cut – to match those worn by monks who thrive in Benedictine Cluny.
So gilded outwardly, they dazed the eye. Within, these robes were all of lead – so heavy those capes that melt in torture would seem mere straw.”
(trans. R. Kirkpatrick)
My piece for @castielzine! Hugely inspired by Adolf Hirémy-Hirschl’s Souls on the Banks of the Acheron
Allegory of Martyrdom (2013) - Denis Forkas Kostromitin