The Celluloid Factory

A blog for "classic" animation (pre-1980s). No kink/nsfw-centric main blogs please! Read the about for more info, Doc! Main blog: kernelkittens

[celluloidfunfactory]

So about Tumblr...

As you probably already know, the NSFW content ban officially took place yesterday. Again, the new rules theoretically shouldn’t affect this blog. Tumblr did put out a new announcement trying to explain the new rules. Unfortunately, I felt this apology failed to address some of the less specific parts of the new rules and wasn’t really an apology for anything.

I’ve lost all hope in this site, and as a result will be leaving it indefinitely. This blog, as well as all of my other blogs, are on indefinite hiatus until further notice.

In the meantime, you can follow me on Twitter (https://twitter.com/popkornkat) for far, far more general ramblings with no specific theme. I’ve teased the idea of a version of this blog on Twitter, but major changes would be necessitated by the very nature of that site (less photos per post, less text per post, less content overall). If I do come up with a solution, you’ll see it on my Twitter first.

I understand a lot of you will be disappointed by this move. I didn’t want to leave Tumblr because I didn’t want to lose the 1090+ people who follow this blog. Unfortunately, I’m not holding out hope for Tumblr fixing their image filtering issues.

Once again, I’d like to sincerely thank you for the support you’ve given this blog. I’m glad I can share my interests with you all.

Let me finish off this post with a fitting image:

[celluloidfunfactory]

So about this blog...

As you probably already know, Tumblr’s NSFW content ban takes place tomorrow. Now, since this blog is SFW, the new rules theoretically shouldn’t affect it. Unfortunately, Tumblr’s automated flagging system already incorrectly targeted a few reblogs, though those posts appear to be no longer flagged.

A lot of people have suggested migrating to another website. Unfortunately, three big issues are preventing me from doing so: the lack of a suitable platform, the lack of technical know-how to migrate the content, and the content theft issues that would inevitably arise from exporting every single reblog onto another site. If I were to create a new version of this blog on another site, I’d have no choice but to start from scratch.

What I plan to do is continue to post classic animation stuff on my Twitter (https://twitter.com/popkornkat). Of course, that has its drawbacks thanks to the limitations of this service—less images per post and less text to communicate in. I may create a new Twitter for this blog sometime down the line--if that happens, I’ll let you all know.

Aside from this blog, I probably won’t be too active on Tumblr. I’m sorry to everyone who’s choosing to stay on the site, but I need to choose my time wisely.

Thanks for all the support you’ve given my cartoon blog, and may we meet again!

--Poppy J. Kat

[oldshows]

Hello my ragtime gal!

[raphies]

Hair-Raising Hare (1946)

[disneytoonland]

Mickey’s Good Deed 1932

[disneytoonland]

The Clock Watcher 1945

[pi-la]

my two moods

[felixkeepswalking]

Favorite Silent Animation #1 - The Pet  (1921)

Winsor McCay is often considered the father of animation.  He may not have made the world’s first animated film, but his film Gertie the Dinosaur (1914) was certainly the first major animated hit, and probably the most famous animated film of this era.  McCay was already hugely successful for his beautiful and inventive comic strips, such as Little Nemo in Slumberland.  McCay turned some of his comic strip ideas into clever animated short films, like How a Mosquito Operates (1912) and The Flying House (1921).  

All of McCay’s films are carefully and beautifully drawn, and they set a new standard for quality in the animation genre.  But my favorite McCay animated short is The Pet.  Based on an idea which first appeared in a 1905 Dream of the Rarebit Fiend strip, a woman finds a cute puppy-like creature on her doorstep.  At first he’s adorable and inquisitive, crawling into bed and exploring the house.  And then he begins to eat.  First food, then dishes, then, well, everything in sight.  He grows and grows, until he is a monster wreaking destruction on the city.  McCay so perfectly captures that surrealism of a nightmare, and yet this odd, calamitous creature remains adorable throughout, and there’s something so pleasing about watching him scoop up everything around him with his huge, shovel-like mouth.

[adventurelandia]

Polar Trappers (1938)

[oldshows]

[adventurelandia]

Donald’s Double Trouble (1946)

[kernelkittens]

Tumblr’s management has done goofed AGAIN! The new content rules don’t affect me but here are some places you can find me in case the service is nuked completely/I never use this site again:

Twitter: popkornkat

Instagram: thatyellowkat

Refsheet.net: popkornkat

Discord: ask me

[kernelkittens]

Tumblr’s management has done goofed AGAIN! The new content rules don’t affect me but here are some places you can find me in case the service is nuked completely/I never use this site again:

Twitter: popkornkat

Instagram: thatyellowkat

Refsheet.net: popkornkat

Discord: ask me

[celluloidfunfactory]

edit: it seems they might? one post was flagged and that’s a bad sign

[celluloidfunfactory]

aaaand it begins. a completely sfw post was just flagged (ftr, it was of the 1959 UPA movie “1001 Arabian Nights”)

if anyone has any alternatives please let me know

[kernelkittens]

Tumblr’s management has done goofed AGAIN! The new content rules don’t affect me but here are some places you can find me in case the service is nuked completely/I never use this site again:

Twitter: popkornkat

Instagram: thatyellowkat

Refsheet.net: popkornkat

Discord: ask me

[the-disney-elite]

Original animation model sheet for the Aracuan Bird from the Blame It On The Samba segment from Walt Disney’s Melody Time (1948).

[animation-appreciation-education]

1001 Arabian Nights

78 in x of animated feature film history Release: Dec. 1st, 1959 Country: USA Director: Jack Kinney

“This film is a loose adaptation of the Arab folktale of ‘Aladdin’ from One Thousand and One Nights, albeit with the addition of UPA’s star cartoon character Mr. Magoo to the story as Aladdin’s uncle, ‘Abdul Azziz Magoo.’

The film was originally directed by Pete Burness, who was the series director on the popular series of Mr. Magoo theatrical cartoons produced for Columbia by UPA between 1949 and 1959. Disagreements with producer and UPA owner Stephen Bosustow led to Burness resigning and Bosustow recruiting Jack Kinney, the director of many of Disney’s Donald Duck cartoons, as the film’s new director. The voice of Magoo in the short cartoons, Jim Backus, reprises his role in the feature, with Katheryn Grant, the singer/actress wife of Bing Crosby, as the voice of Princess Yasminda. Dwayne Hickman, from TV’s The Bob Cummings Show and The Many Loves of Dobie Gillis, was the voice of Aladdin.

1001 Arabian Nights was the first full-length feature produced by UPA, a studio which had revolutionized animation during the 1950s by incorporating design and limited animation. The film was not a box-office success, and was UPA’s final release through Columbia, which had ended its distribution for the UPA short subjects in favor of lower-cost Loopy De Loop cartoons from Hanna-Barbera Productions. Following the film’s release, Bosustow sold UPA to Henry G. Saperstein.”

(source)

1001 Arabian Nights is available on YouTube in Spanish.