Moray
Tríptico, cianotipo
occasionally subtle
h

roma★
PUT YOUR BEARD IN MY MOUTH
EXPECTATIONS
Sade Olutola
sheepfilms

Love Begins
NASA
Lint Roller? I Barely Know Her

Product Placement
ojovivo
official daine visual archive
todays bird
Keni

tannertan36
hello vonnie
Xuebing Du

Kiana Khansmith
cherry valley forever
seen from India

seen from Germany

seen from Bolivia

seen from United Kingdom
seen from Bangladesh
seen from Brazil

seen from Türkiye
seen from Iceland

seen from United States
seen from Vietnam

seen from Russia

seen from Italy
seen from Spain

seen from Algeria
seen from Italy
seen from United States

seen from Malaysia

seen from Türkiye
seen from Jordan
seen from South Africa
@cesar-augusto-ramirez
Moray
Tríptico, cianotipo
S+C x100pre 💖
S/T, 2021
@cesar.aug.ram
"No me arrepiento de este amor"
"I don't regret this love"
2021
@cesar.aug.ram
"No me arrepiento de este amor", 2021
@cesar.aug.ram
Untitled (Panorama), 2018
ig: @cesar.aug.ram
No me arrepiento de este amor Aunque me cueste el corazón Amar es un milagro y yo te amé Como nunca jamás lo imaginé
Tiendo a arrancarme de tu piel De tu recuerdo, de tu ayer Yo siento que la vida se nos va Y que el día de hoy, no volverá
ig: @cesar.aug.ram
estuvo lindo
Algunas fotos que me recuerdan al 2016
Some photos that remind me of 2016
Hey guys! I finally finished my website! You can check it out here: cesaraugustoramirez.hotglue.me!!!
Este 25 de mayo participo en mi primera exposición colectiva completamente virtual. Gracias a ABRIR Galería y a Gonzalo por la confianza en mi trabajo y a todos los otros artistas.
En la foto: S/T (panorama), 2018
1/1
Como militar
Como padre
La institución de fondo
Polaroid transfer
ig: cesar.aug.ram
Adiós a las armas (A farewell to arms)
Installation. 2.70 x 11.40 meters. 2019.
ig: cesar.aug.ram
This project aims to create a visual contrast between two subjects taking “the military” as an axis through the appro- priation and resignification of photographs from the Chorril- los Military Academy and my own point of view about issues such as LGBT rights, gender roles, urban tribes, and identity and family relationships. Control systems and the army life- style are at odds with self-expression, gender deconstruc- tion and the chaos of the Peruvian “underground” scene. Thus, a reconciliation is not sought but rather a questioning through the visual clash between these two opposites.