My name is Mahmoud. I live in Gaza with my family, and we are going through a very difficult financial situation. I tried to create a donation link for my family, but I couldn't find someone to help organize and manage the campaign 🥺💔So my friend Ahmed decided to support me by sharing his own family’s donation link, and we agreed to split the donations between our two families.
Right now, we have almost no food, and the cost of living has become unbearable due to the siege, soaring prices, and the closure of all crossings.Everything has doubled in price in an unimaginable way 🥲🥺
We might be forced to flee to southern Gaza after the announcement of a full invasion of Gaza City 💔
The bombing and destruction never stop — not for a single moment. There is no longer any real life in Gaza. We are just struggling to survive, trying to secure the bare minimum: water and food.
Winter is coming, and we have no winter clothing after our home was destroyed and we were displaced multiple times 😭🥲Please, we urgently need financial help to buy food and store some in case the situation worsens.
This is our donation link.
Please remember: donations are shared between two families. So, for the sake of God, help us, my friend. Save our children, my younger siblings, my parents, and even my older siblings — we are all homeless and hungry 🥺🥲💔
My Story: From the Hell of War to the Search for Safety My name is Ahmed, a 20-year-old young man from Gaza. Since the war began, my life ha
My name is Mahmoud. I live in Gaza with my family, and we are going through a very difficult financial situation. I tried to create a donation link for my family, but I couldn't find someone to help organize and manage the campaign 🥺💔So my friend Ahmed decided to support me by sharing his own family’s donation link, and we agreed to split the donations between our two families.
Right now, we have almost no food, and the cost of living has become unbearable due to the siege, soaring prices, and the closure of all crossings.Everything has doubled in price in an unimaginable way 🥲🥺
We might be forced to flee to southern Gaza after the announcement of a full invasion of Gaza City 💔
The bombing and destruction never stop — not for a single moment. There is no longer any real life in Gaza. We are just struggling to survive, trying to secure the bare minimum: water and food.
Winter is coming, and we have no winter clothing after our home was destroyed and we were displaced multiple times 😭🥲Please, we urgently need financial help to buy food and store some in case the situation worsens.
This is our donation link.
Please remember: donations are shared between two families. So, for the sake of God, help us, my friend. Save our children, my younger siblings, my parents, and even my older siblings — we are all homeless and hungry 🥺🥲💔
My Story: From the Hell of War to the Search for Safety My name is Ahmed, a 20-year-old young man from Gaza. Since the war began, my life ha
My name is Mahmoud. I live in Gaza with my family, and we are going through a very difficult financial situation. I tried to create a donation link for my family, but I couldn't find someone to help organize and manage the campaign 🥺💔So my friend Ahmed decided to support me by sharing his own family’s donation link, and we agreed to split the donations between our two families.
Right now, we have almost no food, and the cost of living has become unbearable due to the siege, soaring prices, and the closure of all crossings.Everything has doubled in price in an unimaginable way 🥲🥺
We might be forced to flee to southern Gaza after the announcement of a full invasion of Gaza City 💔
The bombing and destruction never stop — not for a single moment. There is no longer any real life in Gaza. We are just struggling to survive, trying to secure the bare minimum: water and food.
Winter is coming, and we have no winter clothing after our home was destroyed and we were displaced multiple times 😭🥲Please, we urgently need financial help to buy food and store some in case the situation worsens.
This is our donation link.
Please remember: donations are shared between two families. So, for the sake of God, help us, my friend. Save our children, my younger siblings, my parents, and even my older siblings — we are all homeless and hungry 🥺🥲💔
My Story: From the Hell of War to the Search for Safety My name is Ahmed, a 20-year-old young man from Gaza. Since the war began, my life ha
My name is Mohammed, I live in Gaza City and I am 19 years old. I have lived through the full horrors of war — hunger, displacement, fear, relentless bombings, destruction, and so many other painful experiences 🥹😭.I never created a donation link before, and I haven’t received any kind of help throughout this devastating war 🥲💔.
I was so happy when the ceasefire was announced, and I dreamed of starting a small shop to earn a living. But sadly, the war returned — even more violent and destructive than before 😭.Our area has now been declared a dangerous combat zone, and we lost our home — the only shelter we had 💔.
Worst of all, my father was seriously injured: he tragically lost one of his hands and an eye, and he is now completely unable to work or support our family 🥲😭.
Prices have skyrocketed, and we have no source of income. I’m launching this donation campaign now with a broken heart but a little hope 🥲.
Please, for the sake of humanity and for the sake of my family, consider making a donation to help us survive 🙏💔.
I just created the donation link, hoping that someone out there might lend a helping hand.
My name is Mohammed. I am 18 years old and live in Gaza City. I am still at the beginning of my life, dreaming of a better future. My father
I am a father of two children 👨👧👦 from Gaza 🇵🇸, currently living through extremely difficult humanitarian conditions after losing my home due to the war 💔, and I am now displaced far from my original place of residence.
Life here is filled with daily challenges 😔, especially when it comes to providing basic needs such as food 🍞, water 💧, and care for my children.
My children are everything I have in this life ❤️, and I am doing my best to provide them with the minimum level of safety and food, but the current situation is very hard, and sometimes I cannot even provide them with a proper meal during the day 🍽️.
I also want to be able to provide my children with their school needs 🎒, such as supplies, stationery ✏️, and basic materials that help them continue their education despite the difficult conditions 📚.
I am only writing this because I have reached a point where I can no longer manage on my own 😞. Therefore, I am asking for help from anyone who is able to support, even with a small amount 💵, as it may help feed my children or ease part of our suffering.
Every contribution, no matter how small, makes a big difference in our lives 🌱. And if you are unable to help financially, sharing this post 📢 could reach someone who can, and that would also be a great support for us.
I still believe there are kind hearts 🤍 that can help in times of need.
Thank you to everyone who read this post 🙏, and thank you to everyone who helps or shares the message.🥹👨👩👧👦
A Servant route for Kiara continuing her arc from CCC, set during the Epic of Remnant.
-- | --
Chapter 13: An injury during the impromptu rescue mission that interrupted her first real Rayshift exercise with Kiara does nothing to assuage Ritsuka's anxiety about her chances in the next Singularity. Kiara offers to demonstrate her significant abilities as a healer: but despite the arrangement of mutual cooperation they've come to, the prospect of putting her life directly in this particular Servant's hands is very intimidating.
Kiara clarifies a very important point about her Master.
Ritsuka shifts around a bit on the muslin sheet covering the steel workbench, and hisses through her teeth when it jostles her rib, lightning spots appearing in the corner of her vision. That was dumb, she knows better. Maybe she's a little nervous. She knows this isn't really the same as having Jack surgically remove shrapnel from her back: a brave face can only take you so far.
Behind her, she hears the rustle of fabric and the spinning echo of Kiara's mandalas taking shape. A moment later, an expert typist's clicking on some musically crystalline mechanical keyboard.
"You're really not going to call someone to keep an eye on you? Goodness, are you... feeling bashful?"
Ritsuka blinks. "What? No, that's silly. It's just my body. Practically everybody in Chaldea has seen me naked already, so this much is nothing. I contacted Da Vinci and everything, I just figured... I mean, you're already being watched. We both know that. No need to rub it in."
It is a little chilly with her shirt off, though.
"Oh... oh my! And you seem so modest and restrained! But you're a healthy and energetic young lady, aren't you, Ritsuka? Even I would be affected, hearing something like that. Ahh, so many people..."
"Well... yeah. I produce a pretty steady supply of od, but that's not always going to be enough on its own. And on Rayshifts, I need to be observed constantly to confirm my existence, so that means going to the bathroom, bathing, or whenever I'm injured and my clothes need to be removed for medical treatment." Mash gripping her shoulders, talking to her, keeping her hazy attention, keeping her awake, while a sword cuts open her bloody uniform. "Sort of like this." She shrugs. "It was a little rough at first, but I'm pretty used to it by now."
She realizes the sounds behind her have briefly gone quiet.
"...I see."
For some reason. All of the hairs on her body stand up.
I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.
I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:
the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and
the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.
Okay. Point 1. The frog-boiling.
Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.
In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!
And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”
That did not happen. There is no ceiling. The frog is soup.
Point 2. The complete and utter mundanity of all of this.
It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.
The vibe with “Saki” is different.
It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.
There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.
So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.
The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.
Do you get??? why I’m so fascinated??? Are you not a little enraptured???
Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????
I have so many questions... How does one SUSPECT a manga character isn't wearing underwear? Like, sure, boobs are front and center amd you can see them get bigger panel by panel but how does this work for panties? Are there just that many upskirt shots?
Also how do you keep a manga about Mahjong going for 18 years, what??
Touching the ears is a big no no 💢 even tho those things are like billboards on the sides of his head and very tempting 😒 and now look at who doesn’t have a hand and isn’t Shockwave… and you’d think Starscream would’ve known better by now but.. well it’s Starscream
Go to @cestacruz @cestacruz-personal - Tumblr Blog | Tumgag
vaporwave
theartofmadeline
pixelskylines
germansingergirl
kianamaiart
