charulata

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[charulata]

The essay appears in Cite 98. The issue explores the intersections of finance and design. You can purchase the Cite 98 at local bookstores, including Brazos

This article is about something very near and dear to me, and I was so glad I got to photograph for it last fall. Click link to see more.

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another one from Marfa 

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Marfa, TX

#marfa #mediumformat #120 #mamiya #squareformat

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long overdue update

outtake from Evens FW15 lookbook

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“He had named the [cooking] dishes after some event which had taken place on the day they had been shown to him, and he spoke of the sauce of the lightning that struck the tree, and of the sauce of the grey horse that died.”

-Isak Dinesen “Out of Africa

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Visting Kate’s studio earlier this week

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“It connects to some odd three-dimensional sense I’ve always had, a spatial confidence of knowing here things are at all times, of being able to move around a stage without looking, always knowing where the audience is, or in this case, the camera.”

-Kim Gordon, “Girl in a Band”

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Savannah oak trees & spanish moss 💖 #35mm #Kodak #portra

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autumn leaves

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[hanselfrombasel-blog]

ballad of sexual dependency slide show by nan goldin, ny 1981

via creatures of comfort blog

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website

[hanselfrombasel-blog]

hansel’s monday morning inspiration…

cy twombly peonies, 1980

[nicoonmars]

Markus Kummer

[newyorker]

Charlotte Dumas has a knack for getting close to animals—she’s photographed tigers, wolves, service dogs, and strays. Her close-range portraits tend to show otherwise intimidating animals in tender moments. Her latest project, commissioned by the Corcoran Gallery, looks inside the stables at the Arlington National Cemetery, in Virginia. Dumas photographed the service horses, who pull caissons in military funerals after a day’s work, resting in their stalls. “The bond between mankind and animals, and the extensive history that it accompanies, is my great interest.” says Dumas.

[newyorker]

Click-through for a slideshow, and more from Maria Lokke on Dumas’s exhibit, Anima: http://nyr.kr/13tGizZ

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stills from La Chinoise by Jean Luc Godard

via ihearthotdogs

[crashinglybeautiful]

I want what we all want,” said Carl. “To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.

Jonathan Lethem, You Don’t Love Me Yet (via crashinglybeautiful)