They did it

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#extradirty
art blog(derogatory)

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Monterey Bay Aquarium
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Today's Document
Xuebing Du
Sade Olutola
styofa doing anything
noise dept.
YOU ARE THE REASON
d e v o n

izzy's playlists!

ellievsbear
occasionally subtle
Not today Justin
TVSTRANGERTHINGS
Three Goblin Art

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@chatonxbuginette
They did it
Aziraphale, Walking
I know we talk a lot about Crowley's walk, but may I present:
The careful way Aziraphale walks?
The way he looks so solid and strong?
So sure?
He seems to like his body
And that's so sexy
He seems like he is ten steps ahead, on a particular, calculated path at any point
Anyway, I love the way he holds himself
And Crowley definitely appreciates that too:
Good Omens fanfiction shout out 2024
As we wrap up 2024 I thought I’d post some brief thoughts about the fanfiction I’ve immersed myself in this year. I’ve discovered and read so much by such talented authors this year. Works that have changed me. Works that have touched me deeply. Works that have punched me in the chest. Works that got me a little hot and bothered (if you know what I mean). Works that have made me cry heartily in both joy and sadness. How strange and unreal to experience characters over and over again that can be represented in such different ways. All ways that ring true regardless of the AU they’re presented in. And although I look forward to their canon resolution I can’t wait to read more about all the different lives that they will have and share in fanfiction.
To every single author out there that puts such care and devotion and love into these characters, and into your writing, thank you for sharing your talents and your interpretations and your thoughts. You are all amazing!
And a very big shout out to the following authors who have profoundly changed my soul this year:
@cemeteryangel725 @phoen1xr0se @bellisima-writes @moonyinpisces @gaiaseyes451 @klikandtuna DiminishingReturns (I still don’t know your Tumblr handle), @thenerdalert @riathedreamer and @mrghostrat I could read your words over and over again and never want for anything more. You are treasures! Thank you!
Good Omens S2 Transcripts
Been working on these for a few weeks now, and they're finally done!
I really missed having the Script Book to refer to, especially when writing fic, so I made the next best thing, which is some transcripts (+minor descriptions)
PDFs:
EPISODE ONE
EPISODE TWO
EPISODE THREE
EPISODE FOUR
EPISODE FIVE
EPISODE SIX
UPDATE: Google docs links below:
Episode One
Episode Two
Episode Three
Episode Four
Episode Five
Episode Six
I have a feeling that beneath the little halo on your noble head There lies a thought or two the devil might be interested to know You're like the finish of a novel that I'll finally have to take to bed You fascinate me so
You Fascinate Me So, Blossom Dearie
let me tell you a story…
Don't leave your demon uncuddled
A/N: Crowley wants cuddles, but Aziraphale never stops reading. This calls for drastic measures.
When Crowley had introduced Aziraphale to the marvels of staying in bed all day – all week, all month, not yet all year – long, he’d had a very specific picture in mind: the two of them wrapped around each other, respective noses buried in shades of cream-colored and auburn-tinted hair, eyes merely opening to exchange glances of fond admiration, warmth encompassing them both in a timeless embrace, a fest of never seizing cuddles.
In Crowley’s opinion, this plan should have worked out fine. Not a single obstacle had presented itself to him when he’d set out to tempt the angel into the gentle embrace of warm blankets and soft pillows. What the demon had underestimated at the time, was the power of Aziraphale’s books.
Good Omens filming locations masterpost! ❤ 🐍😊 Part 2
(here to part 1 :))
Here to the map :)
Others in England (cont):
Tadfield Manor (S01E01, S01E02) - Bulstrode, Gerrards Cross
Scene: The Tadfield Manor where the satanic nuns run the hospital in the first episode and Aziraphale and Crowley visit in the second episode
Availability (as of 2024): The manor has been in private hands since 2016 - in 2023 sold again, I didn't find on the internet that it would be available to visit in any form, the manor is not visitble from the public road.
Link on the map
Four Horsemen meeting (S01E05) – Old School Cafe, Longcross Road B386
Scene: The cafe where Four Horsemen meet
Availability (as of 2024): street all day, the cafe Mon-Fri 7:30-15:00, Sat-Sun 8:30-15:00
Link on the map
Heaven middle floors (S01E01, S01E03, S01E04, S01E05) - Weybridge Business Park, Addlestone
Scene: The Heaven middle floors scenes in season 1 were filmed here
Availability (as of 2024): The places can be sort of seen from the street but I don't think that visiting is possible
Link on the map
Pollution by the river (S01E04) – River Wey Navigation, Guildford
Scene: The International Express Man delivers the package to Pollution
(fun fact: this one was the harderst one to pin down the exact location, I only knew bc of an article that the schooting took place by "Wey Navigation" which is a river long 32km (miles), I tried to find a better mention or through google maps comparing place for a long time but couldn't, finally I wrote to the River Way Navigation organization on facebook but they had no record of the shooting. Finally, in one of the photos I noticed that in the background there is a footbridge that I saw a photo of a similar footbridge while searching on a history of Wey Navigation river on the UK National Trust page and fortunately the previous mentioned facebook page knew where it was, WAHOO! :))
Availability (as of 2024): all day
Link on the map
Hogback Wood (S01E01, S01E02, S01E04, S01E05) - Painshill Park, Cobham
Scene: The Hogback Wood where The Them play, seen in several episodes.
Availability (as of 2024): The entrance to the park is paid (£11 with prebooking online on https://painshill.co.uk/visit-us/ticket-prices-booking/) They open at 10 and close at 16-18 depending on the season. The World Word II crater they shot the main scene at should be in the west-south tip of the park. The whole path there and back is 4km (2,5 miles).
Link on the map
International Express Man's house (S01E04) - Shetland Close, Guildford
Scene: The International Express Man leaves the house to make deliveries
Availability (as of 2024): street all day
Link on the map
Agnes Nutter's village (S01E02) - Weald & Downland Living Museum, Chichester
Scene: The Agnes Nutter's village in episode two. In the map I highlighted which part we see the villagers and Witchfinder Major Pulsifer to through in the show.
Availability (as of 2024): The entrance fee is paid (£15.50 for an adult ticket prebooked online https://www.wealddown.co.uk/), it opens at 10 and closes at 16-17 depending on the month.
Link on the map
Tadfield Air Base (S01E05, S01E06) - RAF Upper Heyford, Bicester
Scene: For the shooting of the Tadfield Air Base the former RAF Upper Heyford was used, by the examining the google maps and screenshots from the series I think that the area labeled as 'Shelter 9' was used.
Availability (as of 2024): The place is no longer used by RAF purposes, there are several companies that use certain areas it but it is not available for public. The Upper Heyford Heritage though organizes (paid - £25.00) tours through the airbase: http://www.upperheyfordheritage.co.uk/home-page/tour-booking/
Link on the map
Soho (S1) – Bovingdon Airfield Studios
Scene: The Aziraphale's bookshop and Soho in season one were built at Bovingdon Airfield Studios
Availability (as of 2024): The studios can be rented but I don't think they are publicly available – the Soho is not there anymore though, it is now build in studios in Scotland.
Link on the map
The motorway on fire (S01E05) - M96 Training Motorway at Fire Service College, Moreton-in-Marsh
Scene: The motorway on fire when Crowley is heading for Tadfield was filmed at M95 Training Motorway at Fire Service College that is usually used for training emergency service professionals
Availability (as of 2024): Not publicly available.
Link on the map
South Africa:
The 1941 church (S01E03) - St. Saviour's Church, Claremont, Cape Town
Scene: The scene in Season 1 where Aziraphale is outsmarted by the Nazis and is saved by Crowley
Availability (as of 2024): Their facebook says Always open
Link on the map
Famine at a fancy restaurant (S01E03) - Mutual Heights building, Cape Town
Scene: The restaurant where we meet Famine for the first time
Availability (as of 2024): It is a building with flats, offices and a reception, not available to public.
Link on the map
Crowley in a cinema (S01E04) - Joseph Stone Auditorium, Cape Town
Scene: Crowley in a cinema (with Neil Gaiman cameo) watching animated rabbits when Hastur interrupts
Availability (as of 2024): Not publicly available as such but they there are presentations and and such happening there https://www.facebook.com/josephstone1968/
Link on the map
Aziraphale dancing gavotte (S01E04) - Casa Labia, Cape Town
Scene: Aziraphale dancing gavotte in a discreet gentlemen's club in Portland Place in the late 1880s was filmed at Casa Labia in Cape Town
Availability (as of 2024): Casa labia is hotel and a restaurant so it can be visited in that way https://www.casalabia.com/
Link on the map
Anathema's child home (S01E02) - Llandudno Rock Villa, Cape Town
Scene: The home which we see Anathema as a child with The Book (in the show it's Malibu, California)
Availability (as of 2024): street all day, the villa itself seems that it can be rented
Link on the map
Eden desert and ep6 time bubble desert (S01E01,S01E06) – Atlantis Dunes, Cape Town
Scene: The Eden desert scenes and the time bubble with Adam and AC were filmed in the Atlantis Dunes at the outskirts of Cape Town
Availability (as of 2024): The Atlantis Dunes – or Witzands Aquifer Conservation Area – is a protected natural area. Biking adventures can be booked through https://atlantisdunes.com/ or also other activities through https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Nature%20reserves/Witzands%20Aquifer%20Nature%20Reserve
Link on the map
The apple tree in the Garden of Eden (S01E01) - Waterfall Valley (formerly Cascade Country Manor), Paarl
Scene: The Eden apple tree with the waterfall in the background was filmed at the retreat Waterfall Valley (then Cascade Country Manor) (the tree was added by the film crew for the scene)
Availability (as of 2024): I am not sure if you can visit the waterfall like that or you have to be a guest in the restreat. The retreat is available for booking: https://www.waterfallvalley.online/
Link on the map
There were other scenes also filmed at South Africa (thought not specified exactly where): Hell was filmed in Cape Town in a former abattoir. The Noah’s Ark scene and the Crucifixion scene were filmed on a windswept plain just outside Cape Town. Also the Meggido scenes. The entire village used for the scene with War causing mayhem in an african village is in fact a set, built on scrubland over a sand mine just outside Cape Town. The French Revolution scene wa shot on a set that had been used twenty-four hours earlier for the scene in Ancient Rome. Famine visiting a burger place with Elvis was shot on a set in Cape Town. Also some scene's in Anathema's cottage with Anathema and Newt.
SEASON 2
Most of season 2 has been shot inside the film studio in Bathgate (f.e. the whole Soho has been built there), the Hell in S2 has been shot in an old disused factory (not specififed which one). The shots of the Edinburgh castle have been shot from the top of the The Caledonian hotel.
Edinburgh:
Crowley and Shax in St James's Park (S02E01) – Inverleith Park, Edinburgh
Scene: Crowley and Shax meet to discuss the news in St James's Park – the scene though was actually filmed in Scotland.
Availability (as of 2024): All day
Link on the map
The place where Crowley parks the Bentley (S02E01, S02E02) – Circus Lane, Edinburgh
Scene: The place Crowley goes to to park the Bentley and sleep there
Availability (as of 2024): street all day
Link on the map
AC and Elspeth in Edinburgh (S02E03) - Moray Place, Edinburgh
Scene: Aziraphale, Crowley and Elspeth are taking the first "pickled herring" to be sold, Aziraphale and Crowley are debating good and evil
Availability (as of 2024): street all day
Link on the map
Detective Aziraphale parks the Bentley (S02E03) – Victoria Street, Edinburgh
Scene: Aziraphale arrives in the Bentley and happily goes to investigate
Availability (as of 2024): street all day
Link on the map
The Resurrectionist (S02E03, S02E06) - Cask and Barrel, Edinburgh
Scene: Aziraphale goes to investigate to The Resurrectionist bar (also in Gabriel's memories with Beelzebub) – filmed in the Cask and Barrel bar
Availability (as of 2024): outside all day, inside 12-24, Fri-Sat 12-1
Link on the map
Stirling:
Edinburgh cementery (S02E03) - Old Town Cemetery, Stirling
Scene: The cemetery in episode 3 was filmed at the Stirling cemetery (grave, some gravestones, Gabriel's statue and the crypt has been added by the crew for the shooting)
Availability (as of 2024): all day
Link on the map
AC and Elspeth going through Edinburgh (S02E03) – Broad Street, Stirling
Scene: Aziraphale, Crowley and Elspeth going through Edinburgh while Aziraphale is trying to persuade her that she could do something else
Availability (as of 2024): street all day
Link on the map
Meeting Wee Morag (S02E03) - Mar's Wark, Stirling
Scene: The small corridor behind the gate where Wee Morag is staying
Availability (as of 2024): The front all day, the corridor if not through the gate then hopefully from the other side
Link on the map
Others in Scotland:
AC drinking whiskey with Mr Darlymple and the corridor to Mr Darlymple (S02E03) – Hopetoun House, Queensferry
Scene: Aziraphale and Crowley drinking whisky with Mr Darlymple while he explains why he needs fresh dead bodies also at the house has been filmed the corridor reading to Mr Darlymple
Availability (as of 2024): Hopetoun is visitable, Friday 29 March 2024 to Sunday 29 September 2024 Open 5 days per week (Thursday – Monday) from 11am to 5pm, £13.50 for an adult ticket for House and Grounds (to see both), or £13.50 for Grounds (to see the corridor)
Link on the map
The Windmill Theatre in 1941 (S02E04) - Hippodrome Cinema, Bo'ness
Scene: The theatre that Crowley delivered the broken alcohol to and Aziraphale performed the bullet catch
Availability (as of 2024): You can visit the cinema for a movie or an event https://www.hippodromecinema.co.uk/whats-on/
Link on the map
Soho and more (S2) - The Pyramids Studio, Bathgate
Scene: The S2 Soho has been built in the Bathgate studio, also there were built and shot many other scenes
Availability (as of 2024): It is not available to visit for public
Link on the map
London:
Possibly only streets were filmed and the Bentley was added with VFX.
C on the way to A after A calls him (S02E01) - Wardour Street, London
Scene: Crowley on the way to Aziraphale after Aziraphale calls him (to tell him about Gabriel)
Availability (as of 2024): street all day
Link on the map
C rushing to A after Beelzebub's visit (S02E01) - Regent Street St James's, London
Scene: Crowley rushing to Aziraphale after Beelzebub told with that anyone who will be find helping Gabriel will be dealt with extreme sanctions
Availability (as of 2024): street all day
Link on the map
Whew! This masterpost took me several weeks, hope you enjoyed it and it might help you plan your trip to see the Good Omens places! :) ❤ 🐍😊 Wahoo! :)
stuck with demon
On the Bookshop, the Concept of Home, and Going Too Fast
So, weirdly enough, I want to start with a scene that has very little to do with the actual Bookshop: 1967. We get Crowley planning a heist and being interrupted by an angel clutching a thermos full of holy water and promising that someday, maybe, they could let themselves have the life they want together. And we get that line. You know the one. You go too fast for me.
This one line of dialogue went a very long way to cementing the fanon perception of their roles in the relationship as we've largely been shown them - Crowley gently pushes and gives Aziraphale space to slowly feel comfortable setting his own boundaries or adjusting his worldview. And I’m not saying this is wrong - it’s definitely what we're primed to expect in their pattern - but I do think it ignores a fairly common variation of their pattern. See, sometimes, Aziraphale is actually the faster of the two of them - he's just not quite as flashy about it.
Crowley very rarely actually does any pushing without getting some kind of signal from Aziraphale first. Aziraphale, whether consciously or otherwise, quite frequently is the player making the first move on their metaphorical chess board. We see that he's the first to push for them to work together in the story of Job. We see that he's the first to invite Crowley to socialize together in Rome. We see as early as the Globe that Aziraphale has discovered and weaponized how to ask Crowley for things with a simple look and that Crowley has gotten very good at reading those asks. We actually see this dynamic in real time as Aziraphale drops signals to Crowley on how he should form his deception of the angels in the Book of Job. Even the Arrangement itself is something Crowley doesn't push for until he knows explicitly that Aziraphale isn't happy with the terms of his work. In other words, Aziraphale sets a cue, Crowley picks up on it and adapts.
So what does this have to do with the Bookshop?
Well. The Bookshop is a prime example of Aziraphale getting there faster. Because the bookshop, whether he knows it at the time or not, is absolutely a nest.
Nesting is behavior typically associated with birds, but is actually something lots of animals do. Even humans exhibit this behavior to some degree. It’s functionally gathering a bunch of stuff to create a safe, comfortable place, typically constructed for the purpose of raising children or attracting a mate. In other words: the creation of a home.
Because the Bookshop is their home. It is their safe space and sanctuary. It is a space for them to meet and just Exist without worrying about being seen. A home base where they can just Be themselves. It’s a constant in a world ever shifting around them. It’s a place for them to come back to. A place that will always be waiting for them both. And a place that they both have to be able to check in on each other. This is why the Bookshop burning hit as hard as it did. Their home was destroyed in fire and flame. And they both know it. Every expression and shift in tone when they talk about it speaks to the gravity of that loss - even if it was only temporary. And I think it was always intended to be just that on some level from the very start.
So timeline wise the closest scene we know about to Aziraphale starting his plans for the shop is the scene at the Globe. This takes place in 1601 and features the two of them being very conscious of being seen and the potential consequences thereof. They pick going to the Globe expecting it to be busy enough to blend into the crowd and Aziraphale's objection re the Arrangement has shifted onto the idea of Hell destroying Crowley.
It is less than a century later that Aziraphale buys the land that will eventually become the bookshop. In 1630 he purchases the land with his own money. That’s his money. Money that he made mostly the human way. Although this space would eventually become an embassy to Heaven it was made via earthly means. It’s his, not Heaven’s. Less than 30 years after we first see them express concern for how dangerous it would be to be seen Aziraphale starts making a space for them to retreat to.
And he does it slowly. He spends decades slowly buying up the land in the area. In fact, it’s nearly 200 years before the Bookshop will be ready to open. By the time we hit the Bastille, he’s clearly decided on a bookshop and has clearly told Crowley all about it. They’re comfortable with each other and already trust each other to a frankly absurd degree. Aziraphale risks discorporation on the sure thing that Crowley will know he’s in danger and come save him just because he wants to see him. In other words, by the time they’re at the point where they’re making elaborate excuses to see each other, Aziraphale is less than a decade away from naming the home he has been carefully making for himself A.Z. Fell and Co.
The and Co is important here for obvious reasons. We all know there’s only one person that it could be referring to. Even as Aziraphale is still denying that they are friends, he is plastering the idea that they are a unit all over the front door of his home long before even he realizes that what he is feeling for Crowley is love.
This is part of why the conversation about ‘our car, our bookshop’ comes much easier to Aziraphale. And it is an easier jump for him to make. He's the one that brings it up and he does it quite casually. He's testing the waters a bit, but is confident the conversation will go his way. Of course we have a car. Just as we have a bookshop.
The thing is I don't think Crowley ever really got that memo on a conscious level. We can see his relationship to the shop shift in the way he moves around the shop shifts over time. The earliest we see him in the shop itself is 1941. It's night time which gives the whole thing a bit of clandestine air, which is fitting for where they're at on the timeline. He stays mostly in one spot in his shots here, sort of hovering about the shop not getting too close to Aziraphale but not drifting out on his own either. He also stays as close to sitting normally as we tend to see Crowley ever sit and his glasses stay on. Which that's not to say he doesn't relax at all. He takes off his hat and make himself comfortable and, most telling, doesn't bother with fixing his glasses when they slip off his nose. He's comfortable and familiar here but it's in a strained sort of distant way. There's trust there, for sure, but he is clearly a visitor in this space.
The next we see of Crowley in the shop is the mid 2000s. It's still night time. His glasses stay on until he's drunk and the he takes them off of his own accord. He moves about the shop, touching various objects and leaning against various pillars and shelves and furniture. He's more comfortable here, but he still he needs a bit of alcohol in his system to get there.
We then see him briefly in the daytime after they realize they have lost the Anti-Christ. The glasses stay on here and alcohol is notably present. And then we do not see him in the shop again until it is burning. All and all most our shots of the bookshop from season one are Aziraphale alone moving about his space. We know Crowley's there enough that his smell lingers in the place, but we don't actually see that much of it beyond those first tom scenes.
Season 2 couldn't be more different in this regard.
Crowley moves in and out of the bookshop as it suits him. At one point he wanders off in the middle of Aziraphale zoning out in a memory without bothering to shake Aziraphale out of it. We even get him doing what is functionally a bird courtship dance right here in the middle of the shop. Aziraphale in turn takes active steps to get Crowley into the shop whether it's leaving him to watch it while he's gone or suggesting that Crowley likes waiting in the shop for him - a thing Crowley does not outright deny beyond objecting to Gabriel's presence there.
And we get a lot of Crowley in the shop this season- both with and without Aziraphale. And regardless of Aziraphale's presence, Crowley's behavior doesn't really shift too much. He's moving around the shop far more that we've ever seen him historically and he spends half that time sprawling on the furniture like it's his.
And, of course, nearly every time we see him enter the Bookshop to engage with Aziraphale, the glasses come off.
He lets his face stay exposed in the shop, even eventually in front of Gabriel. The only other place we've ever seen him take his sunglasses off by his own choice are in his own flat or when he's trying to make a point about his own nature. Even when he's engaging with Hell, so long as he's not grabbed unexpectedly, he has them on. Crowley wears them around people well before sunglasses had technically even been invented. But not here. Not anymore. Not in this story that is framing the bookshop as a literal safe haven.
Even the palette for the Bookshop this season speaks volumes. Now Season 1 in general is a little grayer than Season 2 (this is in part because of the general aesthetics of when they were made and in part because of the difference in tone between the two seasons) and it's very very noticeable in the shop itself. Here's some side by sides of similar areas of the shops between two seasons, I bet you could guess which was which based on the colors themselves.
The palette season 1 suits Aziraphale just fine. It's more neutral tones like he tends to favor on himself. It's still cozy but in a dusty sort of way. The palette of season 2 is warmer. Less white and more orange to the point where even the pillars holding up the bookshop are more vibrant. There's more natural light and we see it more often during the day. It's a warm, shared, space now. They both get plenty of use out of it.
And Crowley now looks like he fits there too. The shift in his palette makes him feel in conversation with the bookshop in a way his season 1 red can't quite mesh with the more washed out palette. I won't repost all these images I was going feral over last night but you can find a lot of shots of him in the shop windows here that really show the ways he works with the colors of the shop.
So why hasn't Crowley moved in officially if he's practically done so already?
Because this is their whole problem in a nutshell. It's a prime example of the way their pattern doesn't work anymore. It's not built for a world like this. Its built for a world where they have to hide and make excuses. And while being free of that is objectively good it also means they have none of that to hide behind anymore. Subtext doesn't have to be subtext anymore and that can be as scary as it can be exciting. Freedom from things like Heaven and Hell can be hard when that's all you've ever known. This is all new territory for them. The meaning of what home can be to them shifts a lot in a space where they can more or less do as they like.
Aziraphale doesn't need to be indirect about what he wants anymore but can't quite figure out how to be more direct in the asking. He's ready but can't quite parse how to say that out loud. Or why he would even need to when he's been saying it quietly for more than a century. He built a shop full of human knowledge into a safe haven for the demon that fell for asking questions. He invited Crowley into the shop on day one, just like everything else he loves. He's already left the door open for Crowley to come and go as he pleases and as far as he's concerned Crowley has already half moved in anyway. From his perspective he's already set a large blinking neon sign up that says 'this is your home too'.
Crowley, for his part, can't read this cue. Not without thinking about going to fast or starting a battle with his own sense of self worth. He's been in keep them alive mode for so long I'm not even sure he really knows how to let himself have needs outside of that on any conscious sort of level. There's nowhere to push if you don't have an endgame. And even if he did have one the last explicit boundary he had established by Aziraphale was telling him to slow down.
But I do think they both realize this. Crowley grumbles about what's the point from the start of his first scene and of course eventually does take a shot at expressing his wants. Aziraphale's fixation on the Ball comes into play here too. He says they allow humans to realize they have misunderstood each other and that they're actually in love. Which is just flat out their whole problem summarized for us nice and neatly.
They're not understanding each other. They haven't had the conversations they need to have. But they are trying. They still trying, even if they don't understand the ways each other is doing so. And at the end of this season even as they are separated again, the nest still stands. And, maybe the next time we get to see them, they'll decide it's in good hands right now and start building another nest together in in South Downs, but, no matter what, the shop is still home. And even if it is a place they have lost each other twice, there is no doubt in my mind that it is a place they will find each other again.
𝘖𝘩 𝘈𝘻𝘪𝘳𝘢𝘱𝘩𝘢𝘭𝘦…
His World in Her Hands His skin crawled with the wrongness of it all. His eyes stung from the holiest of holy light, and every fibre of his being was telling him he was in the wrong place, that he shouldn’t be here, that this was wrong and forbidden. But She stood there waiting for him, and he had not been vaporized into nothingness, so he must’ve been permitted to be here just this once.
The weight of the angel he bore in his arms was nothing compared to the sinking weight of his stomach. His nerves were on edge as he approached Her, exceedingly careful not to drag his angel’s battered wings across the floor.
I think it would be better for everyone if I were to be left alone in the future. Don't you?
20k+ fic recs: adult omens edition
here are some of my favourite long mature & explicit fics that have been getting me through this Trying Time (general & teen recs here) these brighten my day and warm my heart. thank you, authors, for all of your wonderful work!
fics are listed in order of increasing word count, WIPs at the end as I know they’re not for everyone.
take care and happy reading x
Complete
A Bushel and a Peck - @thehoyden (20k)
Sometimes, a family is a demonic nanny, an angelic cook, and a kid who isn’t actually the Antichrist.
Or: Crowley helps Aziraphale secure a different position at the Dowling Estate.
That this could be the kingdom - @bestoftheseekwill (21k)
I have lived my whole life with a wrecked heart. Fr. Aziraphale Fell’s present mirrors his past, as long ago roommate, classmate, and former friend Anthony Crowley reappears in his life in an unexpected and disarming way, challenging Aziraphale’s choices, and bringing him back to the breaking point, when he made a decision he couldn’t take back. It isn’t temptation, it’s revelation.
The 21st Century, In Which They Finally Work It Out - @fieldbears (22k)
This is light speed in comparison to the last few centuries of their relationship, but Crowley is barely holding on to his patience.
Good Neighbours, Good Fences (and Other Misunderstandings) - @out-there-tmblr (28k)
The first time Crowley meets his downstairs neighbour, Aziraphale is breaking into his flat. He’s not what Crowley imagined in a burglar – he’s fussy, old-fashioned, and surprisingly adorable. Crowley is intrigued, Aziraphale is ready to share a good wine… and possibly more. (Human neighbours AU.)
Doubt Thou The Stars Are Fire - @princip1914 (31k)
“But how,” Aziraphale gasped, agonized and close to tears. “How can you be sure. Crowley, dear, you got thrown out of heaven for questioning everything. How can you be sure about this?”
Crowley loves and Aziraphale doubts. God intercedes. A groundhog day kind of situation ensues wherein Aziraphale has to fall in love with Crowley over and over again as a human until he gets the point. Highlights include: delivering medical care in rural Louisiana, stargazing in Vegas, strangers on a train, and teaching middle school.
Petrichor & Parchment - @MrsNoggin (33k)
“Mr. Crowley, I presume?” Aziraphale asked in lieu of an introduction, which was not forthcoming. The guy hadn’t even removed his sunglasses. Oh God, he had a tattoo on his face. Aziraphale wasn’t one to judge, but… what kind of gardener had a snake tattoo on his face?
Coffee, Wine, Textbooks - @shaniacbergara (42k)
They’re professors. They’re ridiculous. What more could you want?
Try Me Once More - @Mackaley (42k)
“Actually, can you do me a favor? No tempting. No sins. Just a way for us to spend some time together while I finish what I need to do.”
Aziraphale considered it and then nodded. “Well, I don’t see why not.”
“Can you pretend to be my wife?”
Or, 9 Times They Get Married + 2 Times It Was Actually Real.
Acts of Service - seekwill (52k)
After receiving direct instruction from God, village reverend Aziraphale leaves his countryside congregation to serve the underserved and in-need at an urban church in London, a transition made all the more complicated by the mysterious and handsome Crowley, who always seems to appear when Aziraphale least expects him.
with all your delights - @weatheredlaw (62k)
Crowley laughed. “I thought you’d have realized by now. I am no ordinary king.”
“No,” Aziraphale said. “You certainly are not.”
or: aziraphale is sent as a gift to the southern king to smooth over trade negotiations. they both find themselves in over their heads.
The Serpet and the Lady series - @summerofspock (66k)
Aziraphale was thankful Crowley was nowhere to be seen. He would never let Aziraphale live this down. Bestowing a kiss upon the winner of a tourney? Crowley would surely mock him for years to come. Medieval AU.
Golden Handcuffs - seekwill (70k)
Far from any city, near the Scottish coast, Tadfield College has a celebrated history, an unrivaled academic reputation, and two departments at war. When the Biology and English departments are forced to share a building, Senior Lecturer and botanist Anthony Crowley finds himself drawn into the orbit of the polite but strange English professor, Dr. Aziraphale Fell. As the new term begins, two academics navigate the politics of both their offices and academia, and try to solve the puzzle of one another. (The sequel contains the most captivating ineffable bureaucracy I’ve ever read.)
Barriers, and the Breaking Thereof - @cardinaldaughter (71k)
Ezra Fell has long been comfortable in his loneliness. He’s content to simply run the Soho Public Library and otherwise keep to himself. However, when a handsome stranger bursts in one evening with a baby, frantic and in need of help, Ezra finds those carefully constructed barriers he’s long maintained begin to crack.
Perhaps it’s time to let them fall.
Style and Substance - @Cabernet_Woebegone (89k)
Aziraphale is having difficulty running his restaurant, and it isn’t helping that he believes the place across the street is trying to sabotage him.
To his surprise, chef Crowley comes to him on friendly terms. Together they come up with an arrangement that could benefit them both.
Car Trouble - @summerofspock (103k)
Aziraphale’s car breaks down so he takes it to the first mechanic he can find. From there, his mundane life changes drastically as he finds himself befriending the man fixing his car.
WIPs
our touching, our stories; earthy and holy both - @mortuarybees (14k)
A series of ficlets about Human!AU Crowley and Aziraphale.
(look I know it’s shorter than what I said but I need more people to scream about this fic with me)(they’re both trans and it just *clenches fist* gets me)
In Any Way, Shape, or Form (Parts 3 & 4) - @zehwulf (20k)
In a post-series universe, Aziraphale and Crowley are in an established (post-Armaggedon’t) sex-favorable asexual relationship. Featuring: buckets of softness, explorations of gender presentation and gender identity, soppy gift giving, low-key and also high-key discussions of asexuality, highly detailed descriptions of non-sexual physical intimacy, somehow so much lingerie, and both awkward and non-awkward sex (apparently)
Leave the Light On - @killerqueer & @VentureTrain (44k)
Azra’s life is turned upside down when his partner of two years breaks up with him, seemingly out of nowhere, and kicks him out of their shared flat. Well, Gabriel’s flat. Left to start over on his own, he ends up living above the bookshop and below his incredibly rude landlord, who seems to insist on having incredibly loud intercourse at all times of day. Meanwhile, in a moment of loneliness, he finds himself doing something he has never considered, and calls a phone sex line. Oh, and he might just be falling in love with the operator.
icing on the cake - @Etheostoma (56k)
Anthony Crowley’s bakery is top in Soho and quickly becoming well-renowned throughout all of London. When Crowley hires the soft-spoken, cherubic Aziraphale as his main decorator, it doesn’t take long before the two men realize that there may just be something to the idea that opposites attract…
Or, the bakery AU that no one actually asked for.
Shotgun Wedding: sometimes a first date requires paperwork - @charlottemadison42 (78k)
There are rules about these things. Rules that exist for very good reasons, to protect everyone involved. And if the rules say no dating, they mean no dating. But then, Crowley loves a loophole….Aziraphale pretends he doesn’t. But he has a talent for working within the letter of the law to get what he wants. Between the two of them, they’ll find a way. (A human AU in which Crowley parents teens and Aziraphale teaches teens, and they both do it very well. Extremely soft, cinematic, and sometimes serious. They just really really like each other.)
Alright, so I know I haven’t been posting Good Omens stuff a lot lately because I’ve been busy with other things, but I need you all to know about one of my FAVORITE fics that I’ve been keeping up with -
Shotgun Wedding by @charlottemadison42
This fic has consumed and comforted me, and I was lucky enough to leech off of charlottemadison’s incredible brain for my fic - On The Same Page - so if you read that and liked it, I guarantee you you will LOVE Shotgun Wedding.
another older commission redraw! This one was for chapter 7 of @charlottemadison42's super gorgeous fic, Shotgun Wedding!
(you can read it here! ♡)
the fact that aziraphale grabbed and held crowley’s hand (not Canon canon but canon) on the bus after the almost armageddon is contextually one of the funniest parts about the show bc here we have this demon who has been absolutely head over heels for the angel for 6000yrs, and an angel who has been pointedly ignoring the significance of their relationship for 6000yrs, but two minutes after deciding he doesn’t care what heaven thinks anymore, the angel is like Heck Ya it’s Hand Holding TIME & anthony“I go to fast for u apparently” crowley is like UH?
Have that almost canon (canon) scene again because, why not??
Slow-mo gif by @senator-organa 💕💕
“At least we know whose fault it is!”
I’ve seen several posts discussing how Hell overestimates Crowley. And lots of posts on how Aziraphale and Crowley don’t actually do anything to save the world, that they’re just kind of there.
On that tangent, personally I think the other characters don’t actually do all that much more. Aziraphale and Crowley aren’t the only characters who seem to do less than you’d expect in the end. Anathema comes to England expecting she’ll have to save the world. In the end, all she really needed to do was be there, lose the book so Aziraphale can read it, and take Newt to the airbase so he can break the computers. Even the Antichrist doesn’t defeat the horsemen by himself, he’s got his friends with him who do it. And while Adam defeats Satan by refusing to accept him as his dad, he didn’t think he could do it alone. He needed reassurance and support. The end of the world is stopped by many small contributions, not one big heroic act. That’s part of the charm, I think.
But, I’m rambling away. I was going to write about how Crowley is or maybe is not overestimated by Hell, and how Aziraphale is looked at by Heaven in turn.
A common fandom opinion seems that they’re both rather bad at their respective jobs. But, their superiors don’t seem to think so, and that’s interesting to me.
Hell gives Crowley a commendation for the Spanish Inquisition, although he had nothing to do with it, and is completely horrified by it (at least in the book, but you can just as well see it for the show). They also commend him on the French Revolution in the show, and accept his claim that he started the second World War. They like his M25 scheme. Not everyone understands it, demons like Hastur don’t agree with Crowley’s methods (and personally just don’t like him), but you get the idea that they do indeed think he’s doing a somewhat good job. They give him the very important Antichrist delivery job, too (when two Dukes of Hell were up there anyway and could have completed the job). Hastur, while admittedly not the sharpest tool in the shed, for a moment actually believes Crowley’s Dark Council bluff. He wonders if maybe Crowley is more than he seems. Hastur hates Crowley, but he doesn’t think him incompetent.
Hell is shit, yes, but Hell also respect Crowley’s work. Or at least what they think Crowley works on. Crowley has rather successfully tricked Hell into thinking he’s actually more competent at demoning than he really is. He is clever enough to hide his weaknesses (like his rather undemonic moral code, his dislike of killing or his friendship with an angel), and he’s learned to play the system to his benefits.
I first thought Heaven thinks rather more lowly of Aziraphale, because of how patronising they treat him. They look down on him. They ignore his input. They bully him. They invade his personal space, they treat him without respect. It’s easy to assume they also think he’s incompetent.
But. That doesn’t seem to be the case.
Firstly, there’s the deleted bookshop opening scene where they wanted to give him a medal. Were they trying to get him replaced because they thought he sucks at his job? Was it actually a promotion for a job done well? It’s hard to tell.
Or maybe, and I think that’s my point, were they trying to replace him with someone they trust more?
Heaven doesn’t trust Aziraphale. Over their power play it’s hard to spot, but they don’t. And it doesn’t start once they get suspicious about his comments regarding the Antichrist. It’s there from the start.
Gabriel and Sandalphon show up in the bookshop well before they start to actually investigate Aziraphale’s contact to Crowley and involvement in Armageddon. They walk into his shop, shout about pornography, and corner Aziraphale in the backroom. They keep him between them, like in a particular nasty cross examination. Sandalphon blocks the doorway. Gabriel casually reminds Aziraphale of Sandalphon’s happy smiting of entire cities. They are there to threaten him. You don’t threaten people you think are incompetent and stupid. You threaten people you’re worried you might not have under control.
They are belittling and don’t take him seriously when he comes to talk to them about the opposition having possibly lost track of Adam, but once he’s gone, they start thinking. This isn’t the behaviour of superiors who think their underling is daft. They think Aziraphale dangerous enough to worry he could be up to something. They don’t know what, but they’re quick to get suspicious.
Michael considers the thought Aziraphale might work for Hell, as a double agent. Micheal, Uriel and Sandalphon again go to threaten Aziraphale, practically on his home turf. Hell sends Hastur and Ligur to collect Crowley (and threatens him rather badly in the book). In the show, three Archangels come to gang up on Aziraphale. They want to scare him. So shortly before the battle, three high ranking angels presumably have important things to do. They wouldn’t bother with Aziraphale if they didn’t think him worth some concern.
And then at the airbase, Adam stops Armageddon. Aziraphale and Crowley haven’t actually done anything to stop it yet. Their part comes in supporting Adam in stopping Satan. But that is later. At this point, all they did was go there. Yes, they conspired to stop the apocalypse, but they didn’t actually stop it. That was all the human characters.
But true to form, neither Gabriel nor Beelzebub think humans can do much of anything, and Gabriel naturally assumes it’s Aziraphale (and Crowley’s) doing. “At least we know whose fault it is!” And later, when they try to execute Aziraphale: “With one act of treason, you averted the War.”
By seemingly surviving their executions, Aziraphale and Crowley scare Heaven and Hell, sure. But it’s not scaring them out of the blue. Both Heaven and Hell were thinking they are more dangerous than they probably are already before that, and this might be why they buy it like this.
Crowley has a long history of surprising Hell with his schemes (not near all of which are actually his, but they don’t know that). Aziraphale has, somehow, made the Archangels suspicious of him already before they had actual reasons to be suspicious, and then a whole platoon of angels plus the quartermaster watch him jump down to Earth without body to possess a human. To Heaven and Hell, their final coup doesn’t completely come out of the blue.
On the contrary, with hindsight they’ll probably be even more wary. Imagine Hastur’s face when he connects the dots between Crowley being immune to Holy Water and his plant mister bluff. For all Hastur knows, Crowley had actual Holy Water in the mister. Imagine the hysterical screaming that follows the realisation. Imagine Sandalphon’s face when he realises he punched an angel in the gut who later breathed Hellfire at him. For all they can tell, Crowley and Aziraphale have been going easy on them.
The very interesting thing about Aziraphale and Crowley is that I do think they’re bad at their jobs… but they’re bad on purpose, which kind of means they are, in fact, very good.
Good enough that they can slack off and do nothing while also giving the impression of being very industrious.
Not to mention Crowley’s methods are, in fact, very effective, and while we see little of it, Aziraphale is capable of matching Crowley every step when it comes to influencing humans.
Honestly, I think we get the impression that the Archangels consider Aziraphale an ineffective, bumbling idiot… because that’s what they want Aziraphale to think. The amount of gas-lighting going on there is unbelievable.
They constantly keep him guessing, they criticize him every step of the way, but under a fake friendliness that makes Aziraphale unable to see them for what they actually are. They’re only just watching out for him. It’s his fault they’re not satisfied (except sometimes they are, which means it is possible to do good in their eyes, it’s just that Aziraphale is usually falling short).
I don’t think they have a particularly high opinion of him - the cut bookshop scene makes the Earth position look like something undesirable - but I do think they are aware that he knows Earth and humans much better than they do.