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Dogs of CHQ
Really nice day
Betty Meyers, the Spiritual Life Director for the International Order of the King’s Daughters and Sons (IOKDS), plays the piano for the meeting of the Central Council in the Ida A. Vanderbeck Chapel on June 20, 2015.
Ellen Williamson, Building Committee Vice Chairman for IOKDS, claps during the service. The governing body of IOKDS meets every other year in Chautauqua.
Photographs by Ruby Wallau/ The Chautauquan Daily 2015
Chautauquans celebrate the graduation of the Chautauqua Literary and Scientific Circle Class of 2015 with a parade and a ceremony where graduates open the Gate of Knowledge with a giant “Read” key to enter a graduation ceremony held in the Hall of Philosophy.
Photographs by Ruby Wallau/ The Chautauquan Daily 2015
1. Samuel Painter, 16, instructs young ballet students during rehearsal for the Student Choreographic Workshop. Painter choreographed an original piece titled “Village of Broken People”, in which 9 student will be participating. "I feel like I really Connected to this piece of music and this choreography,“ Said Painter. "It’s been a really vulnerable experience, but a good one."
2. Samuel Painter, 16, instructs Kali Oliver, 16, during rehearsal for the Student Choreographic Workshop.
3. Kali Oliver, 16, rehearses her solo in Samuel Painter’s original piece "Village of Broken People”.
Really nice day
Chautauqua Movement
By Joanna Grey
In the 1870s the United States was recovering from the scars of the Civil War and was in the midst of great industrial growth. As a result, the middle class had been steadily growing. Through the Lyceum Movement of the 1830s to 1860s, Americans had begun to see the importance of education for all. Up until then education beyond the elementary grades was only available to the wealthy. At one point there were over 3,000 lyceums across the country offering free lectures on subjects from geology to history to philosophy to education. The lyceum movement died with the start of the Civil War but in 1874 John Heyl Vincent, a Methodist circuit preacher and Sunday school agent, and Lewis Miller, a wealthy teacher and inventor, took up its banner and began the Chautauqua Movement on the shores of Lake Chautauqua in New York State.
Vincent and Miller began the Chautauqua Institution as a summer school for Sunday school teachers. At the time Sunday school was a time of instruction for children who worked six days a week. It was taught on Sundays for 4-5 hours by public school teachers. Vincent and Miller saw a need for the professionalization of teaching. Although religious teaching was a part of the curriculum, their intent was educational, not revivalist. A few years later the Chautauqua Institution broadened to include adult education in all areas, including a correspondence course. Thousands of people traveled there every summer to attend classes, concerts, and social activities.
As the Institution’s members and graduates began spreading its ideas, towns and cities across the nation began establishing their own chautauquas, starting what would become known as the circuit chautauqua. One such town was Gainesville. Starting in 1903 the city hosted a two-week chautauqua meeting. In 1906 it began meeting in the Florida Winter Bible Conference Tabernacle, which was located on the site where the Matheson History Museum currently resides.
The Tabernacle with Sweetwater Branch running along the right side. Postcard courtesy of the Matheson History Museum collection.
Interior of the Tabernacle, courtesy of the Matheson History Museum collection
Begun by Reverend Clarence B. Strouse, the yearly Chautauqua offered a variety of lectures, “dramatic readers, musical quartets, singers, magicians, programs of slides, and even horse shows” (Hildreth and Cox, 1981). One of the lecturers was Reverend Sam Jones, a revivalist Methodist minister, who was quoted in the Pensacola Journal as saying,
“I was two days at Gainesville, Fla., Chautauqua. Gainesville is having a phenomenal growth at this time. […] The saloons have been driven out, the moral atmosphere purified and Gainesville realizes she can grow in leaps and bounds without the traffic of liquor in her midst. […] They are now discussing the paving of the streets. The national government has placed its machinery and its experts at the command of the county, and they are now building one mile of good road,” (Pensacola Journal, 3/11/1905).
Pages from the 1911 program, courtesy of the Matheson History Museum collection
Program for the 1930 chautauqua, courtesy of the Matheson History Museum collection
The movement began to die out in the 1930s as higher education for women became more accessible and the influence of radio, movies, and the car culture began to rise. Today the Chautauqua Institution still meets every summer on the shores of Lake Chautauqua and the movement’s influence can still be felt in Gainesville with its legacy of supporting public and higher education for everyone.
Alexander Gavrylyuk performs a piano recital Wednesday evening in the Amphitheater. It is Gavrylyuk’s tenth season performing at Chautauqua.
Photographs by Ruby Wallau/The Chautauquan Daily
On Chautauqua Institution’s 141st birthday Tuesday, the Chautauqua Foundation hosted the Promise Celebration on Bestor Plaza. The kid-friendly celebration incorporated music from the Chautauqua Community Band, food, sidewalk chalk contests and the crowd-pleasing massive Styrofoam letters spelling out “Promise.” The event served to raise awareness of the importance of philanthropy, particularly annual giving, to the Institution’s ability to carry out its mission.
Photographs by Ruby Wallau/ The Chautauquan Daily
Kal Penn, actor and public servant, speaks to a full Amphitheater on the importance of collaberation between the arts and the government on Wednesday, July 29, 2015. (Caitie McMekin | The Chautauquan Daily 2015)
Bye bye. (at Lakeside Chautauqua)
Such a treat getting to stay here - the #Athenaeum is like stepping back in time but having wifi. #Chautauqua #Lifestylist #Travel (at Athenaeum Hotel at Chautauqua Institution)
Really nice day
Chautauqua Opera Apprentices and Studio artists performed at Chautauqua Opera’s Annual Opera Highlights Concert “Vodka & Vino” featuring the Chautauqua Symphony Orchestra in the Amphitheater on Saturday.
Photographs by Ruby Wallau/The Chautauquan Daily 2015