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Aqua Utopia|海の底で記憶を紡ぐ
One Nice Bug Per Day
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YOU ARE THE REASON

Love Begins
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Peter Solarz

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@chi-koo
lol
ㅤ ㅤ when someone is sure about keeping a promise when it's hardly possible, there's a good chance it's a lie. ㅤ
The fact that this interaction is their first interaction after he slapped her means so much to me
Assuming from her character, she would have thrown a fit cause she got slapped like duh but she understood that she deserved it for what she said because EunHyuk always looks out for her to the point he quit his studies to help her study and always acting shitty towards him let alone stating that she wasn't her real brother so he had no right over her did deserve a slap.
You could tell that EunHyuk regretted it right after too, and I read somewhere that siblings don't apologise they just go "Do you want something to eat?" Or likewise so he just brings her the food and helps her fix the bandage instead and in Eunyoo's defense, maybe some siblings fix your glasses with teary eyes as an apology.
“Even amidst the hatred and carnage, life is still worth living. It is possible for wonderful encounters and beautiful things to exist.”
howl's moving castle (2004) dir. hayao miyazaki // youth of may (2021) dir. song min-yeop // hayao miyazaki
the thing with youth of may with each of the 4 main characters representing the youth that experienced that historical moment…..removing that specificity makes them like the pocket watch moving from hand to hand so that you don;t know which character will be killed, because *any* of them can be killed–and so each of them being representations is to say there are others besides myunghee who were killed, others besides heetae who had loved ones murdered, others besides sooryeon and soochan who survived after being imprisoned and beaten and witnessing it happening to others. it widens the limits of what characters (literal representation) can do in the story.
the way heetae sincerely doesn’t care about anyone liking him, but really, *really* wants myunghee to like him. and like, even with his friends hyegun and kyungsoo, he’s insouciant and kind of a know it all, but with myunghee he’s serious. he’s still fun loving and jokes around, but he’s not flippant.
and the way he tells her he’s an outcast in his family, that he has no family, but it’s with myunghee’s encouragement that he reaches out to his little brother and it’s that connection later on that allows jungtae to ask his mom to unbind heetae and let him out of their father’s office, and then helps move jungtae to run to myunghee’s rescue when their dad sends someone to assassinate myunghee. she tell heetae “i’ll be your family” and proposes to him, but she helped him find some semblance of family even before that.
another thing i like about the show is heetae’s father–like as in how he’s written, not the character himself. at home he’s a tyrant. he slaps heetae around and eventually straight up tortures him; he belittles and ignores both his wife and jungtae. and so his violence isn’t only confined to his work/position as head of the anti-communist investigation. he’s as violent with citizens as he is with his family. because he’s a violent man ho uses intimidation, pain, fear, and threats as tools of control to access power. he’s Bad, but it’s not an inherent quality. he *chooses* violence because of the position of power it gets him within the military and within the then-current political regime. he’s violent because it benefits him within the system he operates.
the thing i like best about how the show handles him, though, is that by the end he is dwarfed by history, in a way no other character is. in the first 10, maybe even 11, episodes (the drama’s 12 eps long), he looms as the central villain, even when the military comes into gwangu and starts attacking civilians. but about midway through ep11, his power becomes unstable. we see that there are higher ups within the military who are invested in his failure, people he *can’t* intimidate with violence or bribe. within the structure of the military, even as he directs his henchmen to imprison and torture gwangu residents, he’s just some fucking guy. and just like his tyranny was both over citizens and his family, the stripping away of his power happens both in his work/public life and at home–jungtae eavesdrops on him and goes to save myunghee, his wife frees heetae and asks for a divorce. and then parallel becomes a confluence with hyegun. heygun is heetae’s friend, but he’s also one of the student proest leaders. when heetae’s dad captures him and has him tortured for days, and then threatens his family, he remembers something heetae told him–that if he ever gets acpatured all he has to do is mention his name and his dad will probably kill him on the spot. and that’s exactly what hyegun does. when he’s at the end of his rope and refuses to give up any information in the face of his grandmother being threatened, he drops heetae’s name and calls heetae’s dad “abeoji,” making as though since he’s heetae’s friend, he’s close with heetae’s dad. and he laughs in his face while doing this–just like heetae did when his dad tied and beat him up–cause he knows he’s got him. and the minute he acts like he knows him, an operative runs out to let military higher ups know heetae’s dad has been fucking around with a suspected communist spy. and so guilt by association with no evidence, the same things heetae’s dad has been using to torture and violently disrupt other’s lives, comes right back around to him.
and back to how he’s dwarfed by history–ultimately he’s just a bit player. he taunts heetae by telling him he’s an oprhan with no family, and heetae tells him *he’s* the one with no family, cause no one would choose to be family with him. this is confirmed when his wife asks for a divorce and jungtae defies him and essentially chooses heetae over him after he’s shot by one of his henchmen, but it resonates even more with the ending. it’s myunghee who’s murdered, but she’s the one who is loved and remembered. heetae remembers her, myungsoo, sooryun, jungtae, and kyungsoo all remember her. heetae reads her words 41 years after her murder and he writes her a responding letter *41 years after her murder*. heetae spends 41 years remembering her, missing her; 41 years being saved by her because the world refuses to give him a death he looks for because her last wish was for him to be able to live even with the pain of her loss. her life is taken within the violence of the history she lived in, but she isn’t dwarfed by that history.
Every year I get older I feel more and more like old lady Sophie from Howls Moving Castle
The funniest hyperfixations have gotta be the ones where you watch something and go "this thing is cute. I like it. not sure if Id call it a favorite of mine but its definitely enjoyable at least" and then cut to a month later and its completely overtaken your life
eeeehehehe
Not much of a romance (as a genre) reader. Romance as a subplot in a fantasy book on the other hand tho..................I'm definitely there.
love the people pointing out the similarities between the Crows and the zumra gangs but I feel like mentioning the biggest difference I noticed while reading is ultimately the crows wanted to work together for their own goals while the zumra absolutely did not
I love how Do Hyun Su went "care to stay for a cup of tea?" only to lock Moo Jin up in his basement afterward
I am just sitting here a little bit in awe because Gyeongseong Creature just delivered some of the smartest character writing I have seen in ages.
We’ve been shown consistently through this narrative that Tae-Sang is a survivor and he strongly believes in doing whatever he must to get by. We also know he values loyalty and cares deeply for the handful of people he considers part of his little found family, and that he’s determinedly built himself a place to belong in this world and more afraid of the possibility of losing it, and his people, than he admits.
Maeda came to him loaded with knives ready not only to lie to him about Chae-Ok being dead, but also to expose the fact that every single member of his found family has betrayed him under duress. She expected this revelation to shatter him, isolate and alienate him, and bring him to heel. And for just a moment, looking at his devastated face, we fear that her plan has worked. But no, he looks her right in the eye and says fuck you, bitch, they only betrayed me because they had to, because people like you forced them to choose between that and survival. He understands they did what they had to do and he has already forgiven them. His devastation is not for what they did to him, but for what they were forced to do and how it must have hurt, humiliated, and shamed them.
It was a gorgeous moment of deep characterization, where we could see all the things we understood about Tae-Sang coming together and adding up to his resilience in the face of Maeda’s attempt to break him, and I will never forget it.
the "creature" in gyeongseong creature was a clever way to represent violences committed against women during japanese colonial occupation in korea.
land and women are always linked when it comes to colonialism because the land is stolen and destroyed, and so are the bodies of women, appropriated in a similar way by masculine occupation forces. it's a large topic, well-researched if you're really interested.
anyway. the fact that the parasite was tested on women was a clever euphemism for sexual violence. it avoided traumatic (and exploitative) depictions of physical brutality towards female bodies, although it conveyed this strong metaphor.
it also extends the representation of brutality to a people, a land, a culture.
choosing a woman to be the person who incarnates the results of suffering caused by colonialism was definitely the best choice made by the creators of this show. it links all the stories of colonized peoples together through this one feature that you can be sure to always find in accounts of occupation: the exploitation of women and their bodies.
my aesthetic is haein ripping hyunwoo's clothes off to check his wounds while he sits there blushing like a victorian era bride
baekhong being domestic is my kryptonite
QUEEN OF TEARS 눈물의 여왕 (2024)
Queen of Tears text posts, 4/? (Parts 1, 2, and 3)
casting director for queen of tears: alright we need a man who is going to ugly cry for 16 episodes straight
kim soo hyun: