Stefan Chiuaru

Currently traveling around the world working from cruise ships to contracts on land, involved with technical work in broadcasting and also videography. I have graduated at the university of Glamorgan in Cardiff, South Wales in 2012 and BA(Hons) Media Arts degree at the University of Art and Design ,,George Enescu'', Iasi, Romania in 2010. [email protected] [phone]

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Video test using a Go Pro 3+ Black Edition in the Carpathian mountains in Romania. 

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Three screen Experimental Video Installation

A three-channel video art installation which has both experimentation and performance.Each screen is a container that has different body parts and represented by a series of feelings such as relaxation, depression, anger or frustration. All of the archived emotions and movement interact with each other into as one.

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Photography - Black and white / colour

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Video object installation 2010

Description

I tried to recompose a relationship between the technical object (obsolete), TV ,,Philips’’ and the dialogue with the photodigital image, sound that does not exist, timeless, self-expression in memory, the unmistakable absence of usefulness, the restoration of a new artistic valence.

On the noise there is a subtitle taken from movies and TV commercials, eliminating the sound and the clear image instantly creating an absurd message from the text.

Video object installation – contains the chair and TV, surrounded by a colorful electrical wiring that regains a new personality, dropped out of everyday use (ready made) on the screen which will be televised an image out of circulation of mass media, does nothing more than an appeal to the media impact on the course of the postmodern world.

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Interior/ Inside I - II – photographic installation 2010

Black & white + color photographs

Wooden drawers –  black, installed on two panels 100 x 200 cm   

Obiect installation – metal support, wood, foto 180 x 30  2010

Description

I propose a obiectural building designed for a specific place, resulting in an interactive space the impact of visual memory, the archived documents into the paper drawers (black and white photo images + color), a place for a planned impact with the public, an exhibition hall or any other place for showing this project. The work consists of 20 drawers that contain photographs that represent portraits, decommissioned human habitats, the relation between light and objects around the landscape, early and ephemeral human sequences that remain in our memory only through documents and movies.

The present installation aims to archive an artistic emotion, the drawers, being the classic depository of our memory, capturing the relation between human – environment, including mirrors that reflect the image of the person interacting with the artistic object. These images were photographed in unconventional spaces, abandoned places by human beeings, bearing feelings and memories of our fellows. Often the work site during the event are machines designed and abolished the rule, then, remaining testimonies preserved in photographs, films, video tapes and digital. For a given space, which is in interactive relationships, work site are designed in a public challenge to the receiver, which is why we have designed a plant with drawers, storage memory in which the speed of propagation of the artist must redefine the timeless image. A store, preserve photographic paper in a series of drawers, items arranged in a cinematic sequence, interactive action participate by the reconstitution of a personal imaging repositories in order to stir the human conscience. Subject drawer, supported by a metal sculpture is reminiscent of a volume designed to be a three-dimensional space, a minimal combination of photography and the subject itself in direct relation with the image, film, a challenge consists of a series of attitudes and personal experience.