This is my First Year Showreel, an accumulation of my favourite projects of the year. Enjoy!Â

Jimmy Eat World
Monterey Bay Aquarium
No title available

Kiana Khansmith
Keni

Origami Around
ojovivo
Sweet Seals For You, Always
Show & Tell
tumblr dot com
RMH
Fieri Frames
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily

blake kathryn
Noah Kahan
Sade Olutola
I'd rather be in outer space 🛸
Cosimo Galluzzi
The Stonewall Inn
seen from United States
seen from United States
seen from Bangladesh
seen from Morocco
seen from Malaysia

seen from Indonesia

seen from Brazil
seen from Australia

seen from Netherlands
seen from United States
seen from United States
seen from Vietnam
seen from Iraq
seen from United States
seen from United States
seen from Norway

seen from Vietnam
seen from Thailand
seen from United States
seen from Australia
@chloeasargent-blog
This is my First Year Showreel, an accumulation of my favourite projects of the year. Enjoy!Â
Here is an example of my sketchbook work. Looking at camera angles and developing characters for my future projects.
An assignment we did during our 1st year was Speed Drawing. Minute drawing of people in situ. Over the summer I took this and developed ‘Rude People at Work’. At work I would unfavourably draw costumers at work as a way to get back at them if they annoyed me. This was a good way to let go of the annoyance I felt during my shifts.
This is part of my year two Professional Practice Module. We have to collaborate with Fashion Media Marketing and Contemporary Media Practice to make a fashion film. The brief we were given was to take a colour from the Union Jack and make it a primary colour throughout the film. We were given White. In the context of the Union Jack this represents the white saltire of St Andrew for Scotland. The Fashion students wanted Ted Baker to be the brand they were representing. This piece is heavily inspired by Dior’s 2012 campaign ‘And Dior Created Woman’ and Wes Anderson’s 2016 H&M campaign ‘Come Together’. They wanted live action with accents of animation throughout, I have visualised this within the animatic by using stock images with the animated section drawn over them. To link the saltire of Scotland the music used is a Scottish band Belle and Sebastian.
Overall I am happy with the pre-production of the this project and are excited for the final outcome.
During the summer I made these colleges from Glamour and Cosmopolitan magazines I accumulated over the year. The purpose of this was to find different colour palettes I could incorporate into my work during the oncoming year.Â
Pissing in the snow
Outside my front door-
Makes a very straight hole.
- Kobayashi Issa
Our hit the ground running project was to find a Haiku that we could record and animate. I chose Issa’s poem as it reminded me of the beat writers of the 50′s. I could easily stylise the poem. I was inspired by the opening scene of Fargo (1996) and Joanna Priestley’s abstract work. The dimensions were purposely portrait to fit a screen of an iphone or ipad.
Animatic for ‘A Response to The Bloody Chamber’ by A. R. Creswick
This is based on the concept of ‘accurate’ memories. Is our most remembered memory accurate? Adapted from my most vivid memory of when I was 14, me and a friend spent our pocket money on cheap energy drink. Drank the whole lot, and played on a tire swing, not long after this I was violently sick into a near by bin. I wanted to experiment with colour and narrative for this piece.Â
‘I Don’t Do Swings’ 2017
Looking at creating character, our assignment was based around the famous task ‘The Flour Sack’. This is so we cannot rely on facial expression, but movement instead. This is my version featuring a cool cat in a small town.
Here is a super quick assignment I wanted to share. Based off my original character, Sid. I have been developing him since my mid-teens. He started off as a badly drawn Daniel Johnston reference. And know he’s my best friend, someone who has been with me throughout my turbulent life.Â
Storyboard for a collaboration with A. R. Creswick. ‘A response to The Bloody Chamber’ which is adapted from The Bloody Chamber and Other Stories by Angela Carter.  This is one of the first books we both read together. There is a lot of sentimental value for this collaboration. After a few phones calls I was told I had full responsibility of the visual language. Though we agreed on the colour palette to be black, white, red and gold. Which is a new venture for me to stray away from garish bright colours. I focused on the image provoking words that I wanted to visually represent.  After roughly sketching thumbnails, I drew up the story board. A problem that I quickly discovered was that as this was also an uni assignment I did not have the time to sketch out the whole poem. It was difficult to decide on the ending sentence as I was not the writer. I can now see the difficulty of adapting literature onto screen.Â
Some quick collages for an upcoming project
Background thumbnails - using polygon lasso tool and the fill bucket tool.
Red lips and tongue series
CHECK OUT MY SHOWREEL
this is a small collective of work from before xmas.