Bernadette O’Sullivan

⁂
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie
dirt enthusiast
h
NASA
trying on a metaphor
Jules of Nature
cherry valley forever

Kaledo Art
will byers stan first human second
almost home
I'd rather be in outer space 🛸

pixel skylines

oozey mess
Lint Roller? I Barely Know Her
noise dept.
he wasn't even looking at me and he found me
Alisa U Zemlji Chuda
occasionally subtle
seen from Indonesia
seen from Italy

seen from United States
seen from Türkiye
seen from Argentina

seen from Argentina
seen from China
seen from Türkiye

seen from United States
seen from United Kingdom
seen from Argentina

seen from United States
seen from Netherlands

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
@cigarendt
Bernadette O’Sullivan
Nicholas Galanin
Anastasia Yarygina
Roma Città Aperta, Roberto Rossellini, dir. (1945)
Buon 25 Aprile!
Goyō Hashiguchi, Scalloping Hair, 1920
Woodblock print
Hashiguchi Goyō produced only 15 woodblock prints during his lifetime
more
Frida Kahlo, 1939
#46. Linda Scott - I’ve Told Every Little Star (1961)
“Poster Design” (1929) by Shujiro Shimomura ☀ Art Deco abstraction with theatrical edge ◆ The clown deconstructed?
Ariel Schlesinger: Untitled (Lighters), 2007
“Ready to Chill” (2020) ∿ Bernard Simunovic
Mosaic pavement of Aion from the House of Aion in Arles, France Roman 2nd century CE Aion represents the Hellenistic and Roman concept of eternal, boundless, and cyclical time, distinguishing him from Chronos, who governs linear and sequential time. He is fundamentally associated with the cosmos, the zodiac, and the continuous, unending renewal of the ages. In classical mythology and art, Aion is often depicted as a majestic, timeless figure turning a great wheel or encircled by the zodiac band, symbolizing the everlasting rotation of the universe, the recurring cycle of the seasons, and absolute celestial harmony.
Wouter Van de Voorde