
No title available
Xuebing Du
almost home
Cosimo Galluzzi
trying on a metaphor

❣ Chile in a Photography ❣
Today's Document

pixel skylines
cherry valley forever
d e v o n

Andulka

Kaledo Art

shark vs the universe
AnasAbdin
Three Goblin Art
Cosmic Funnies
will byers stan first human second
Alisa U Zemlji Chuda
Misplaced Lens Cap
$LAYYYTER
seen from India
seen from United States
seen from United States
seen from United Kingdom
seen from France
seen from United States

seen from Mexico
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from Brazil
@citizentools
‘Breaking News’ quite frequently these days. It’s a marketing ploy to convince you that at television station is better at bringing you the news first, as it happens. The problem is, it’s just not true.”
WDRB Explains Why It Thinks ‘Breaking News’ is Broken - TVSpy
If internet civics are good at starting experiments and bad at sustaining projects, can we use civic crowdfunding to start experiments and taxes to sustain projects in the long term? If we’re bad at online deliberation, can some of the tricks of contemporary offline civics, like participatory budgeting, come into play in online spaces? In other words, if we’re moving to a world where online power complements offline power, how do we build and teach a new form of civics that takes advantage of what seems to work best offline and online?
Understanding Digital Civics | DMLcentral
we’ve written about dozens of revolutions that got almost no mainstream media attention – which included Tunisia up to the day before Ben Ali stepped down – and we’ve begun to realize that increasing the supply of media from underrepresented voices isn’t enough: we’ve got to increase demand. Global Voices tries to work on the demand problem using three tools: images, narrative, and human connection. It’s our hope that by giving you glimpses of other parts of the world, by telling compelling stories and by giving you the chance to connect to individual bloggers, you can connect to stories you otherwise might have ignored. But I’m increasingly convinced that there’s another factor we need to consider: participation. When people hear about stories that they connect to emotionally, they want to find ways to be part of them. Confronted by injustice or tragedy that you’re powerless in the face of is an extremely frustrating and alienating prospect. In a participatory age, people look for ways they can help out, and may follow stories more closely when they can.
Four Questions about Civic Media | DMLcentral
The Redistricting Game is unique in having the player actually assume what would seem to be the position of a citizenship villain. Players win points in the game by taking the role of a manipulative redistricting consultant who attempts to game the political system to favor one party’s side and help them consolidate power. Crayton defends casting the player in a role that would seem to be a “bad guy,” because it allows the game’s users to be “in the mind of a person writing new laws or making new districts” to provide more “understanding of how people associated with elected offices veer off the road of accountability and transparency” and to see the fact that initial purposes may not be as corrupt as the ultimate outcome. Besides, he insists, “You can’t know what’s fair unless you know what’s unfair.”
On Gaming, Politics, and Reform | DMLcentral
The simple act of dissent can be powerful: In a society like Ethiopia, where the media is heavily state controlled and censored, the ability to write online may be the only way to criticize the government. In the case of Ethiopia, speaking out often leads to arrest and imprisonment. But the imprisonment of figures like Eskinder Nega, an independent journalist who’s been sentenced to 18 years in prison for “treason”, has called international attention to Ethiopia’s dreadful human rights record. And we’re seeing brave individuals step up and share their voices, like the bloggers behind Zone 9, a new blog dedicated to freedom of speech in Ethiopia. (Zone 8 is the wing of Ethiopia’s most notorious prison, where journalists and political prisoners are held, so Zone 9 is a step beyond that system of control.) Amplifying voices makes them more powerful: The protests in Sidi Bouzid, Tunisia would probably have been snuffed out, like earlier protests in the city of Gafsa. Instead, they spread throughout the country and ultimately took down Ben Ali’s government. Sidi Bouzid’s protests were documented, posted to Facebook, translated and contextualized by activists at Nawaat, and amplified by Al Jazeera, which helped other Tunisians see what was taking place and join in the protest movement. This has lessons for us in the power of documenting grievances and our responses to them, in curating and contextualizing for a wider audience, and in learning to use broadcast media to create broader audiences and build popular movements. Small acts can build a coherent, influential whole: Ushahidi began as a project designed to ensure that stories of individual Kenyans affected by post-election violence didn’t go unheard. It’s turned into something even more powerful – a platform that tells stories through pointillism, turning small, individual reports into a broader picture. Sometimes, the state is listening: Ipaidabribe is a crowdsourcing platform designed to document bribery in India. As with Ushahidi installations, it’s designed to give a picture of a broad phenomenon through individual reports. But sometimes those individual reports can lead to action: recently, a Bangalore-based software engineer was shaken down for a bribe when bringing an expensive kayak into India from the US. He used the platform to post a report, and the customs official was censured and suspended. It’s not always possible for people to post signed reports, as this engineer did, nor is it always possible to verify anonymous reports. But creating spaces where people can post about mistreatment and demand government response is a way of using extra-governmental systems to pressure the state. We can propose interventions and converge on solutions: My colleague Yochai Benkler has been conducting extensive research on the success of the anti-SOPA/PIPA movement in the US, and offers the idea that what made the movement so powerful was the fact that lots of actors were able to propose possible protest actions. Movement actors voted by amplifying proposals they liked and ignoring (or criticizing) others. The success of protests like the Wikipedia blackout came about after a long process of convergence on paths forward.
What Ancient Greek Rhetoric Might Teach Us About New Civics | DMLcentral
Attention as a providable resource
Here are five ways we can give attention as aid:
1. We can marshal the attention of the broadcast media
2. We can donate the attention of our own audience via social media
3. We can pressure the new gatekeepers
4. We can ride pre-existing waves of attention
5. We can donate our visual and storytelling skills
Good online communities die primarily by refusing to defend themselves. Somewhere in the vastness of the Internet, it is happening even now. It was once a well-kept garden of intelligent discussion, where knowledgeable and interested folk came, attracted by the high quality of speech they saw ongoing. But into this garden comes a fool, and the level of discussion drops a little—or more than a little, if the fool is very prolific in their posting. (It is worse if the fool is just articulate enough that the former inhabitants of the garden feel obliged to respond, and correct misapprehensions—for then the fool dominates conversations.)
Well-Kept Gardens Die By Pacifism - Less Wrong
The book describes newsgames that can persuade, inform, and titillate; make information interactive; recreate a historical event; put news content into a puzzle; teach journalism; and build a community. Wired magazine’s game Cutthroat Capitalism, for example, explains the economics of Somali piracy by putting the player in command of a pirate ship, offering choices for hostage negotiation strategies. And Powerful Robot’s game September 12th offers a model for a short, quickly produced, and widely distributed editorial newsgame.
Newsgames | The MIT Press
According to "Newsgames: Journalism at Play," written by newsgame innovators Ian Bogost, Simon Ferrari, and Bobby Schweizer, the authors define newsgames as “a term that names a broad body of work produced at the intersection of videogames and journalism.” [3] This includes a number of subcategories that dive into different ways to incorporate gaming elements into journalistic work, whether they be long-form documentary news games (JFK Reloaded), games that simulate real-world systems (Sweatshop or Darfur is Dying), interactive infographics (Budget Hero), or quiz/puzzle-based games (Scoople).
Newsgame - Wikipedia, the free encyclopedia
[Netflix] announced on Facebook that customers had watched four billion hours of streaming video in the first three months of the year. As Peter Kafka pointed out in AllThingsD, Richard Greenfield of BTIG Research calculated that eye-popping number would make it the most-watched cable television network. Except it isn’t on cable, isn’t on television and isn’t a network.
More Cracks In TV’s Business Model - NYTimes.com
The second screen experience slowly replaced the first — I barely looked up at the television. CBS’s reverent, almost whispered coverage took a back seat as I programmed my version of the Masters. The function that would have allowed me to throw the Internet coverage to my big-screen television was not enabled, but that’s only a matter of time. Change often comes very slowly, but then happens all at once.
More Cracks In TV’s Business Model - NYTimes.com
Watching the Masters golf tournament on the ipad via their app, entirely distracted from the actual cable broadcast of the Masters.
That’s where The Walking Dead excels, as they put the time and resources into building a community around the show and encourage and promote online conversations during the premier of new episodes.... [by]... Promoting a “two screen experience” which allows users to interact live with the show via snap polls, trivia questions, and ranking zombie kills on the “gore gauge” using their laptops, phones or tablets. Encouraging live tweeting during the show and giving viewers hashtags to comment on key plot points. Heavy social media presence with interactive games and app, including “Dead Yourself” which makes your Facebook profile photo look like a zombie After the premier of a new episode there is a live talk show, called Talking Dead, which has cast members, writers, and other entertainers to discuss the show, read social media comments and viewer email, and take questions from the audience. ... the show averaged more viewers in the key 18-49 year old demographic than any other show on television. I’m sure we’ll see other shows try to replicate this model, it will be interesting to see what works and what doesn’t.... [In contrast, while watching House of Cards on my own, via Netflix streaming] I found myself wanting to tweet something about the show and it’s flagrant violations of many FEC regulations, but then I remembered that I was likely the only one in my social media circle that was watching that episode at that time. Unlike watching The Walking Dead, I wasn’t part of a bigger audience I could connect with — I was just some guy watching TV alone in his basement .
What Zombies and Corrupt Congressmen Can Teach Us About TVBeekeeper Group – Washington, DC, Public Affairs, Community Building | Build the Hive. Manage the Buzz.
Using broadcast to create a time-based community.
Conde Nast-owned social news website Reddit has launched a weekly TV news programme in the US based on recommendations made by users of its bookmarking service. Reddit and US public service broadcaster PBS have developed the Yourweek show to focus on popular stories bookmarked on the Reddit front page each week. The TV programme will take recommendations from users of the site to cover politics, arts, international events, science, technology, social, sports, and pop culture. "Whereas traditional television new stories end once the show airs, YourWeek - like Reddit - will just be the beginning," wrote Alexis Ohanian, co-founder of Reddit on the aggregator's blog. "Throughout the week you'll be able to share your thoughts on yourweek.reddit and follow up with content you think was missed or corrections that should be made." [PBS pulled the plug a few months later.]
Social news aggregator Reddit launches TV show - Yourweek | Media news | Journalism.co.uk
Reddit just launched its first original video series, and it's based on the popular Explain Like I'm Five subreddit.... Google ponied up the cash for the series (Reddit won't say how much) and it debuted on YouTube. The material for the segment was borrowed from the subbreddit, the Reddit-approved DonorsChoice organization sponsored the series, and the blog-world is, naturally, really, really excited about the whole thing.
Reddit Has an Adorable New TV Show, and It Wants You to Make More | Motherboard
Murphy noted, “When some huge catastrophic weather event happens in the TV show, if you've been playing along in the game, something the player has done actually put those events into motion. And you have that extra additive experience. In the pilot, which some people saw, there's a little gadget that Nolan and Irisa have when they're opening up the Ark. If you're just watching the show, you're like, ‘Oh, cool little gadget.’ If you've actually played the game, that gadget has enormous significance from the game play that's been going on from when we do the initial launch with the Trion game when Nolan and Irisa's characters actually appear in the game.”
Defiance: Combining a TV Series and Game Into One World - IGN
Defiance What is it: A MMOFPS that capitalizes on "transmedia synergy" to create the first MMO-TV show crossover. The creators promise a sci-fi post-apocalyptic world with dynamic events that can be affected by the events on the show (and vice-versa). Why it's worth watching: Not only is this from Trion Worlds, which has build up a solid reputation in the MMO community with RIFT, but the premise is downright intriguing. It's just something that's never been done before in this space, and whether or not the whole MMO-TV connection will pan out in the long run, it'll be pretty cool to see how it starts.