20170226
Drawing Study of February - Light and Shadow
Oooineedthis
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JBB: An Artblog!
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20170226
Drawing Study of February - Light and Shadow
Oooineedthis
How I draw kisses!
A quick tutorial/cheat sheet on how I draw kisses!! I’m going to assume you already know how to draw a head and how to angle it, because that’s an entire procedure in itself. I’m going to focus on mainly the lips and also try and tackle some common mistakes when you’re first starting out.
Pursing the lips
So this is boring but crucial. If you don’t purse, their is no real kiss (take notes) bc placing your lips on top of someone else’s is not how you kiss… The most important part are the corners of the mouth, especially from the side view, because that’s what changes the most.
The actual kissing yeee
Let’s start do a basic side view kiss on the lips. And believe it or not, I think this one is the hardest!
Think about which parts of the face are going to be in front of the other! This can take some time to get the hang of, but once you get that down it’s easy. Also, focus on getting the heads at the right distance and angle. A common mistake is drawing them too close.
The Lightning Shape:
Still keeping in mind which part of the line is “Red’s” upper lip and which part is “Blue’s” lower lip, play around with the shape of the lightning. Very subtle changes can have a very strong impact! I usually go by feel, so take your time, but here are some things to look out for:
Details squishing etc.
So yeah once the lightning shape looks good, I usually add details and squish parts of the face that will touch. Which usually includes the noses, but from this angle they won’t squish unless you intend on making nice big noses <3. By now it should look something like this:
You don’t have to add the corners of the mouth! I usually do when I want to show that the character is smiling.
One technique used a lot in anime/manga + other cartoony art styles, is fading lines where two soft-ish objects press hard against each other. The picture above explains it.
Common mistakes
Getting down the crucial kissing part of fanart is hard and you will mess upp SO MANY TIIIIIIMES, but you learn from your mistakes, so don’t be discouraged. There are some things though that I frequently see when people draw kisses that makes it look awkward and stale, many of which I used to do myself. Here are some examples:
Try your best to avoid these. Most of the mistakes have little to do with the lips and more to do with the angle of the head. So getting that down before you move on to the lips is important.
¾ view Kissing
There are not a lot of angles where you actually see the lips meet (or at least not that I can draw…). Depending on how the heads are placed in relation to each other, you may or may not see the lips in a ¾ view. The way I have demonstrated is done in a way that the nose will bump into the other’s upper cheek.
Aaand that’s about it! These things will make more and more sense the more you draw them. At first it can seem very hard with so many things to keep track of, and it is, but practice makes perfect!
Rule of thumb: does the angle and position of the heads make sense? How are the lips going to align? What parts of the face are going to be in front of the other? How much will the lips purse? And finally, what is going to squish?
Thank you for reading! 😘
(☞゚∀゚)☞ now draw kisses
another mini-tutorial translated into a gifset! this time for a stylized hand. read: not photorealistic or 100% accurate, just simple, fast and cartoony. find the video version here - instagram.com/p/BG_4kVEx_Me
I made this list up to help me out with my OC developing so feel free to use it as well! If you wanna join me just tag your stuff #GTKYOC so I can take a peek : ^ ) (might make a blog later and reblog all the stuff in the tag!!) Feel free to add onto this or do your own version too!
Works in progress #illustration #wip #sketch #artnouveau
Thing i learned some time ago! hope you all find it helpful ( perspective grids can be your friend!)
Painting bruises is fun. #gouache #gouachepainting #harleyquinn #harleenquinzel #bruises #blood #wip #workinprogress #dc
Made a #seashell #painting #gouache #gouachepainting
Oh geez, I started another one #painting #gouache #seashell
Such a smol #painting #gouache #rose
Tiny painting? #painting #rose #gouache #gouachepainting
What an edgelord.
Also hi I’m sorta back.
More How To Draw Manga - Vol. 4: Mastering Bishoujo Characters
this might be useful for me later
Fun SU Art Meme: ask your followers to pick a Steven and a Connie and design a Stevonnie outfit based on those!!!
In conclusion, obrounds.
Sorry for the long post (I think it’s most legible in this format but yikes it’s long)
things I forgot to post – two teeny tiny gouache landscape paintings from the last weeks of my drawing II class
thank you both for such nice messages, I’m so glad you like my art…!! hopefully I can help at least a little bit! anon 2) my brush settings can be found here! anon 1) wrinkles can get pretty complex! it depends on the type, weight, thickness, and cut of the fabric, whether the character is in motion, etc; I wish I could get into everything, but it’s a huge subject that I don’t think I could possibly cover…!! but I can at least give you some very very basic tips on building up a dress (and the lace underneath!)
here are some examples of dresses I’ve drawn recently. they might seem complex, but when broken down to their most basic form, they’re actually very simple shapes that follow very similar rules!
are you seeing any patterns between them? while they do differ a bit, they’re by and large made from the same long line that curves into itself and back out. learning where this line goes and how it changes under different circumstances is learned largely through practice and intuition, but there are some steps you can take to begin building a foundation to work from! (or at least to sort of break down the process!)
determine the shape/angle of the dress itself. in this example, I’m using a big poofy dress shown from slightly below!
use this as a guide when adding that curving line from before. think of how the fabric folds, and keep in mind that the direction of the curve (and how harsh it appears) depends on where it falls on the dress and the angle at which it’s being viewed from. in this example, it’s more pronounced on the edges, and is facing different directions on the left and the right sides.
wherever cloth folds, wrinkles appear! wrinkles will be more abundant where the cloth is more compact; in this case, that’s toward the waistline. on a dress line this, a fold will originate at the waistline and radiate downward; this means that on an uninterrupted fold, the line that you draw should (if you were to continue it all the way, which is not always necessary) reach cleanly back to the waist. I added one translucent line to help illustrate this idea!
want to add a lace layer? it’s the same concept!! add your basic curving line underneath, keeping in mind that the cloth above will likely mirror whatever it’s falling over. (not perfectly, but somewhat!) so try to keep it a little consistent!
details are easy now!! you can add any sort of lace pattern you want by just tracing over that first line! I used a basic scallop shape here
want even more lace? just repeat step four as many times as you want underneath your last layer of lace!
once you get the hang of this part, figuring out more complex stuff gets much easier! I’m not great at explaining things, but hopefully you were able to come away with some kind of new information, haha…!! I’m wishing you both the best with your art!!!