Interview Vampire Daily

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Cosmic Funnies
Sade Olutola
ojovivo
I'd rather be in outer space 🛸

Discoholic 🪩

ellievsbear
Cosimo Galluzzi
Fai_Ryy
YOU ARE THE REASON
Claire Keane
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TMBGareOK. The Official They Might Be Giants tumblr
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"I'm Dorothy Gale from Kansas"

bliss lane
sheepfilms
🩵 avery cochrane 🩵

if i look back, i am lost
seen from Bangladesh

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@cloud8andahalf
how to stay motivated as a writer
Reread your old writing, especially those scenes you’re most proud of
Write something silly. It doesn’t need to be logical, consistent or included in your story. Write something dumb
Compare your old writing to your new writing. Seeing how much you’ve improved can be very motivating
Explore different storylines, those type of storylines that would never make it into your story, but you’d still like to play around with. Create AUs!
Choose one of your least favorite scenes and rewrite it
Act out your scenes
Read old comments from people praising your work
Create a playlist that reminds you of your wip
Team up with a friend, write AUs for each other's characters
Create playlists for your characters
Draw your ocs/make memes of your ocs
Draw/make memes of your friend's ocs
Don’t push yourself to get back into writing the thing that made you stop writing in the first place, try writing something else!
Write what you wanna write, no matter how cliché it might be. If you want to write it, write it
Take a break, focus on another hobby of yours. Consume other pieces of media, take a walk to clear your head
You don’t have to write in chronological order if it isn’t working for you! Sometimes a scene you aren’t interested in writing can become interesting after you’ve explored other scenes in the story
Read bad reviews of books or TV-shows. You’ll unlock appreciation and motivation for your own writing
Create a new storyline, or a new character! Anything that helps bring something fresh into your story. Could even be a completely new wip!
Not writing every day doesn’t make you a bad writer. Take a break if you feel like you need one
Remind yourself to have fun. Start writing and don’t focus all your attention on following “the rules.” You can get into the nitty-gritty when you’ve familiarized yourself with writing as an art. Or don’t. It’s fiction, you make your own rules
Go to sleep, or take a nap. Sleep deprivation and writing does not go hand in hand
Listen to music that reminds you of your characters/wip
Remember why you started. Know that you deserve to tell the story you want to tell regardless of the skill you possess
good additions from @despairforme:
If you are working on longer projects, don’t stress about making everything perfect. It’s more important to get your story down. It can be intimidating to try to write a whole book flawlessly, and discouraging when you feel like you’re not happy with your writing. Try to put those thoughts aside, and look at it as a rough draft instead.
A lot of people find it hard to start writing. A good idea can be to not be strict with yourself about the first thing you write. If you feel like you should be working on a specific thing - don’t start writing that. Start with something you either want to write, or just something small and “silly”. A warm-up session for your writing could be exactly what you need.
Communicate with friends who have writing as a hobby or profession. If you have friends who also have projects, talk to each other about your process and stories. Here it’s important that you all get equal amount of space. If you and a friend are talking about projects, you should both be allowed to share your stories and get feedback. If it’s a one-way street for one person, then this can reduce motivation to write, rather than add to it.
Use a word-counter. This can be intimidating for some, but it’s also great fun to record your process. Note how many words you write per day, week, or month or whatever time-frame that fit your schedule. This way you can notice if there are patterns in when you’re the most creative/productive. Maybe you write most on Fridays? Maybe Mondays is your favorite? Or maybe you start off each month strongly? This way (if convenient to your everyday life), you can try to fit your schedule so that you’re free to sit down and write when you typically get a burst of inspiration.
Print out / order physical copies of your work. There is something extra special about holding a printed out version of your story. It doesn’t need to be perfect or even something you’re 100% satisfied with. Just holding a collection of your writing and seeing how much work you’ve actually done can be super motivating.
They're Together Again...
“But the question is, Did John Brown fail? He certainly did fail to get out of Harpers Ferry before being beaten down by United States soldiers; he did fail to save his own life, and to lead a liberating army into the mountains of Virginia. But he did not go to Harpers Ferry to save his life.
“The true question is, Did John Brown draw his sword against slavery and thereby lose his life in vain? And to this I answer ten thousand times, No! No man fails, or can fail, who so grandly gives himself and all he has to a righteous cause. No man, who in his hour of extremest need, when on his way to meet an ignominious death, could so forget himself as to stop and kiss a little child, one of the hated race for whom he was about to die, could by any possibility fail.” Frederick Douglass, 30 May 1881, oration on the fourteenth anniversary of the raid on Harpers Ferry Link to the Frederick Douglass speech
You think you can stop the Big Kid topics by blocking the no-no words? You silly billy. Vacuum my beans
I wasn’t scared of murderers or monsters as a kid but I was very scared of: stairs, encephalitis, meningitis, flesh eating bacteria, mushrooms, and mold. what’s your very specific childhood fear
Can I get one of these for hairstyles?
@master-duncan How about these?
(I had a lot of trouble finding women’s hairstyles :/ Also ymmv on hairstyle names…)
for all your description needs.
hey so literally no jokes here i am genuinely asking: can someone teach me how to be descriptive? ten years of fanfiction writing (where people already know what things look like) has not given me that particular skill
alright im tired and procrastinating nanowrimo so @bloodywriter heres some tips:
1: you have five senses, use them
it's not "a dress"; it's a soft, sky blue dress that smells like the lavender soap it was washed in. the soup isn't "okay"; it's tomato red, a little too warm to be comfortable, and it tastes strongly of pepper. As a general rule, if you want to describe something in any meaningful way, use at least two senses. Obviously don't do this for every little thing you come across, but if it needs to be described well? 2 at least, as many as you think it needs at most.
2: remember your readers can't see what you can see
you think it's obvious the path is cobblestone and has off-yellow weeds popping up between the bricks; you can see it in your head! But the reader has no way of knowing that if you don't tell them. Whenever you're wondering what description to add, think, "will they actually know this if i don't say it?" some things are obvious; a fish in a fishbowl will be presumed to be pretty small. But if your fish is actually terribly fat and possibly sick with eyes that look in two opposing directions, the reader won't assume that--you must tell them if you want them to know.
3: tie it in with emotions.
If you want your reader to be creeped out, don't describe the funny way the crow walks and how the sun still peaks out from the clouds and how sparkly the river is. Rather, talk about the crow's unsettling eyes, the cold wind, and the way the trees of the forest creak just a bit too much. If you tie in emotions with surroundings, you'll find yourself spending quite a bit of time describing it, and still move the story.
4: be CAREFUL.
Do they actually need to know the fish is fat and sick? If that is the love interest's favourite pet and it will die later from complications, then yeah. Describe that. Or if it fits the humor of the scene or the characters bond over jokes about the fish, you want to explain why it's so funny. But if it's just... a fish, and it's there, and it literally does not matter in any capacity, then just say it's a fish.
5: use your thesaurus, but do not abuse it or your readers will cry.
This is a general writing tip, i think, but especially for description. I think it's best to make sure your ratio of normal/shorter-to-fancy/longer words is at least 2:1. E.g., you can describe the slime as "sticky, bright green and luminous", but don't call it "mucilaginous, virescently coloured and luminous"--that's just frustrating.
6: when it comes to characters, link it to personality.
The teen's asymetrical haircut, bad black dye job, and homemade communist patches tells you they're probably punk. The girl's neat pink dress and smooth, tied back hair tells you she's probably more femme, and you're not likely to see her playing in the dirt. Description tells about personality very well; just be careful not to fall into racism or ableism (e.g. dark skin to be scary or a prosthetic leg to be pitiful).
7: don't laundry list. Please.
I've been doing it for this post for simplicity, but when you're describing something with a lot of description, don't just dump it in one big paragraph--split it up. E.g, mention the slime's green glow and how it covers nearly everything when they first enter the cave, then talk about how it's cold, sticky, and difficult to scrub off when a character accidentally touches it. If you just dump all the description in one spot, especially with character appearances, it'll look tacky and feel annoying.
~~
I hope these help! If you want more i'll gladly add some, but these are just off the top of my head for right now.
this definitely helps thank you so much! my biggest problem is absolutely the fact that i know what it looks like inside my head but i don’t have the words to describe it
i have a family of characters that I use in multiple settings I just call them my test characters and there’s a lot of them. They didn’t start as test characters and were actually fanfiction ocs at one point but basically I needed practice in a modern setting and I liked these characters and they became test characters. Either way modern setting when I started doing that was like...2015 and I started following these characters through their storyline as they moved past that year. Meaning that I was writing these characters in the future at one point. And I always start each section with the month and year this little bit takes place. I just opened one of the files and saw 2020 as the year and just let out the longest sigh. Cause I remember thinking ‘i don’t know what’ll happen in the future but it can’t be too crazy may as well try and be positive’ And like.... no there’s no way anything I wrote for that year could be close to what really happened.
My collection of clothing references for writing.
Ya know what , I’m adding. Here are more useful references that I use;
i know i’ve probably seen and reblogged this before, but. *gasps and clutches post to chest*
I always found the 7 act structure helped me a lot more than the 3 acts.
Link right here
Naming a South Asian Character
“I need a name for a South Asian character”
We’re going to need a little more information than that…
Please see the following maps of South Asia:
Image description: Two maps of South Asia. The top map depicts the South Asian region, including Afghanistan with color-coding of different regions by 8 color-coded language groups. The bottom depicts the official state/ province/ languages and scripts for countries in the South Asian region, excluding Afghanistan. See end of post for detailed image description under the cut.
(Links: Top Map, Bottom Map)
That’s a lot of languages, right?
Names in South Asian cultures are primarily dictated by religion and language. While there’s some overlap between cultures, we can make an educated guess of someone’s ethnicity & religion based on their name. For example:
Simran Dhillon … is a Punjabi Sikh.
Priyanka Ghosh … is a Bengali Hindu
Maya Srinivasan … is a Tamilian Hindu.
Harsh Patel … is a Gujarati Hindu.
Amin Usmani … is a Muslim from a traditionally Urdu speaking community.
Teresa Fernandes … is a Goan Christian.
Behind the Name is a good place to start looking as they state the specific language the name is from. As for religion, there are more factors to consider.
Sikhs
Sikh first names are gender neutral. The 10th Sikh guru designated Singh (meaning lion, for men) and Kaur (meaning heir to the throne, for women) as Sikh surnames. These surnames were designed to be equalizers within Sikh communities. However, many Sikhs keep their Punjabi surnames (many of these surnames are now primarily associated with Sikhs) and use Singh and Kaur as a middle name (eg. Ranjit Kaur Shergill, Amrit Singh Cheema). More devout Sikhs use only Singh and Kaur or use the same format legally but do not share their surnames.
Sikh first names are derived from gurbani (Sikh holy texts), so they are often uniform across cultures. Most Sikhs who aren’t Punjabi use Singh & Kaur or cultural surnames in the same format. The latter is usually seen among Afghan & Delhiite Sikh communities. While most changed their surnames to Singh & Kaur, some families still kept the surnames they had before they converted from Islam and Hinduism (eg. Harpreet Singh Laghmani, Jasleen Kaur Kapoor).
If you’re stuck on a surname for a Sikh character, Singh for men and Kaur for women is the safest way to go regardless of ethnicity.
Good resources for Sikh names can be found here:
https://www.sikhs.org/names.htm
http://www.sikhwomen.com/SikhNames/
Christians
South Asian Christians naming conventions depend largely on who brought Christianity to the region and when. For example, Christianity was largely brought to Goa by Portuguese Catholics so you’ll see Portuguese surnames, while many Christians in the Seven Sister States didn’t change their names. South Asian Christians will also often have Christian first names, either in Portuguese or in English.
Hindus, Jains, castes and gotras
Hinduism is the majority religion in India and the South Asian region overall. A key thing that many newcomers overlook when writing about Hindus is that rather like feudal Europe, a person’s last name can also tell you what their family used to do because of the caste system. Both Hindus and Jains employ gotras (or lineage systems) designed to keep people from the same patrilineal line from marrying each other. Thus, if your Hindu character is a Vaishya (tradesman/ merchant class), but you have chosen a last name for them related to farming, or if your Kshatriya (warrior) character has a last name that means bureaucrat, you’ve made a mistake. Most Hindus and Jains will have last names derived from Sanskrit, or a language with Sanskrit roots.
A note on middle names: in South India, Hindus will often use the father’s first name for the child’s middle name.
For what it is worth, South Asia is hardly the only region to have these particular features. Japanese society until the end of the Edo era was heavily segregated by caste, and to this day, many families with samurai last names occupy relative positions of privilege compared to other castes, even though the Japanese caste system ended with the Meiji Restoration.
A note of caution: Baby name websites tend to be inaccurate for Hindu names, often confusing Farsi and Arabic-derived Urdu names with the more traditional Sanskrit-derived names. Behind the Name is by far the most accurate website, but it doesn’t hurt to check multiple sources. For Hindu and Jain surnames associated with different castes, regions and gotras, Wikipedia is surprisingly thorough.
Muslims
Islam is the majority religion in Pakistan and Bangladesh as well as the second largest religion in India, but the differing ethnicities and arrival periods of Muslims in South Asia over the course of history can have a significant impact on a character’s name. For example, think of when your character’s family will have arrived in South Asia or converted to Islam:
During the Delhi Sultanate, when Hindustani would have been spoken?
Under the Mughals when Persian was more common?
Are they from Bangladesh and thus speak Bengali?
Do they have ancestors from Afghanistan or Swat Valley, and thus have Pashto last names?
Does the family speak Urdu?
All of these will impact what their name might reasonably be. As a general rule, Muslims will have last names that are in Farsi/ Persian, Urdu, Arabic and Bengali. Bangladeshi Muslims may have Hindu names (both first and last) as well.
Buddhists
When discussing Buddhists in South Asia, we are primarily talking about Nepal and Sri Lanka. The majority languages in these countries are Nepali and Sinhala, respectively. Both languages are part of the Indo-Aryan language family, and like many Indo-Aryan languages, show heavy Sanskrit influence.
Others
Don’t forget that India also has a large number of lesser known minority religions, including Judaism, Zoroastrianism, Tibetan Buddhism and a host of indigenous religions.
Judaism: There are a number of historical Jewish enclaves in India, as the result of specific waves of migration. Like South Asian Muslim names, Jewish last names will vary depending on the ethnicity and arrival period for each particular wave of Jewish diaspora.
Zoroastrianism: People who practice Zoroastrianism are likely to have Farsi last names.
Tibetan Buddhism: Tibetan Buddhists will obviously have Tibetan names and are often a part of the Tibetan diaspora who entered India as refugees during the Chinese government’s invasion of Tibet.
In Conclusion
An in-depth coverage of name etymology in South Asia would probably be the size of an encyclopaedia. The above is hardly exhaustive; we haven’t scratched the surface of the ethnic and linguistic variations in any of the South Asian countries displayed on the maps above. We hope, however, that it motivates you to research carefully and appreciate the cultural diversity South Asia has to offer. Just like in any setting where issues of lineage are plainly displayed by a person’s name, names in South Asia tell stories about where a person is from, what language they speak, and what their ancestors might have done, even if this has little bearing on the character themselves. It may seem a little elaborate to try and imagine the ancestors of your character before you even decide who your character is, but the reality is that most South Asians know these things instinctively, and whether or not you do your due diligence will be part of how we judge your work.
Name a thing to fight over, and South Asians have probably fought over it at one point or another, whether it be religion, ethnicity, language, or caste. However, one thing many South Asians have in common is pride in our individual origins. Respecting this love of identity will be invaluable as you plan your story.
At the end of the day, there is no substitute for actually talking to people who share your character’s background. We will always recommend having someone from the community you’re writing about check your naming.
– Mods SK and Marika
Keep reading
LETS TALK ABOUT SPARRING
I’ve read a lot of fics, have seen many shows, and have watched many movies that are completely inaccurate when it comes to sparring. NOW, i know it’s fiction, and I greatly enjoy it nonetheless, but I would like to share a few things with you, as a person who trains in Historical European Martial Arts (HEMA). There are a few general things in this, as well as stuff more focused to a certain european weapon. (this is all Historical European stuff, obviously if you’re writing for a different region, this probably won’t apply that much.)
SPARRING
-you don’t practice with real sharp swords. Never. It’s incredibly dangerous, especially since sparring is trying to practice your killing/injuring skills. In older times, you would use wood, maybe wrapped in leather or canvas to practice. Today, you use weighted nylon swords/weapons, and you usually wear a mask while doing so. Steel is and was an option, but the blade will be completely dull, and the tip will be bent over itself.
-It’s practically impossible to knock someone off their feet while sparring, unless you are hooking your foot or weapon behind their leg. It’s hard to push back and cause someone to fall, since they can just retreat back a bit.
-YOU. DON’T. SPEND. HOURS. SPARRING. ESPECIALLY WITHOUT A BREAK. It’s exhausting, the most people usually go is 10 minutes before they have a break. During Training, you only spar for about 2-5 minutes before stopping and having a rest.
-You try your hardest never to cross your feet. It’s dangerous and it unbalances you. Your opponent can take advantage of you easily.
-Usually, you want to strike your opponent with the last ¼ of your blade, basically just the tip and a little below. That’s the sharpest point, and you get the most force behind it.
-Swords aren’t super heavy. Stop the giant, huge, I-can-barely-lift-this trope. Longswords are usually 3lbs. It’s not heavy when you pick it up. However, it gets heavy when you’re holding it up above your head for a while. Swords were not made to be heavy, especially since you would have to hold them up in battle for sometimes hours.
-It’s incredibly hard to engage in witty banter and such. You are constantly moving and trying to strike your opponent. Since it’s fiction, you can do what you want, but just know that trying to have a conversation while sparring is like trying to have one while running. It tires you out even more, and usually just comes out breathless and wheezy.
-Swords are not lightsabers. You cannot try and hurt someone with just any part of your blade. It will just annoy your opponent. Now, for sparring, you will want to focus on hitting your opponent with the edge of your blade, and you won’t really ever be trying to hit someone with the flat of your blade.
-In sparring, you will get hit. And get bruises. I count five from just 2 days ago. (Also reminder that bruises don’t form for 1-3 days.) If you happened to get a hard thrust to the ribs, they will probably fracture. It happens. I haven’t had it personally, but those who’ve trained longer have. The worst injury I’ve gotten is a bruise on my chest that didn’t fade for nearly a month.
I will be focusing on using a one handed sword in this next bit, specifically a Scottish Regimental Broadsword. A basic sword to build off of.
-FOOTWORK. It’s not a super complicated series of perfectly planned out steps. It just isn’t. With Regimental Broadsword (which is what I will focus on, since it’s what I’ve trained with most), you have to have a good base (rear-weighted stance, front foot pointed at your opponent, back foot turned sideways), and then once you have that, you just have to move around and try not to get hit.
-Slipping. (Continuation of footwork). With a rear-weighted stance, the goal is to be able to move the front foot anywhere. You should actually be able to keep your front foot an inch off the ground without having to adjust your back foot. Slipping is when this comes in handy. If your opponent takes a swing at your front leg, you should be able to just slip it back to go next to your other foot, and swing your sword up to get your opponents head. Slipping is really important.
-Advance and Retreat (other continuation of footwork). While moving forward or back, you always want to feel the ground with a heel-toe movement, so you can tell if there are rocks or branches and such. Advancing, you want to move your front leg first. Retreating, your back leg.
-Traversing (last continuation of footwork)(maybe). Transversing is basically advancing in on your opponent in a circular motion. You’re trying to get close and personal. Reminder to not cross your feet. You will loose balance and probably end up getting whacked with a sword. Traversing is a spiral motion sort of. Your opponent can avoid getting trapped If they do it as well.
I will probably come back and add more soon, because there’s more I know, but can’t remember at the moment.
how does being punched in the face feel like
literally i just wanna know
It depends on where you get hit
Cheek: a round dull pain that clocks your entire head in a different direction. It’s painful and throbs but the main effect of a punch to the cheek is how jarring it is. You feel it in your mouth, your teeth. And no matter how you position that punch the knuckles will always hit the jaw and cheek bones adding a frame of sharp pain in which the redness will be painted.
Temple: getting hit on the temple pushes your head to the side rather than turning it. It’s disorienting because it leaves you very off balance. It essentially feels like a bad pressure headache, like when you have a sinus infection on a plane, but in one spot and on the outside. It’s sharp in the middle and radiates outward and even after the initial impact it pulses like an earthquake epicenter. It easily causes long lasting headaches and is the most likely of these examples to cause a concussion.
Eye: this is a weird one. The fist doesn’t fit within the eye socket so either the knuckles on the brow and cheeks bones protect the actual eye or they don’t. The former option gives a full spreading pain below the eye which results in the classic black eye look and a sharp pain on your brow similar to hitting your shin on the couch. The latter option, well bad things can happen when a hard fast object makes direct contact with your eye but for the sake of this it feels like a vacuum bc the concave shape is being covered and pressurized. The eye feels pushed back and pulled forward all at once. It doesn’t necessarily hurt that bad for that long unless the punch was meant to do damage. I’m fortunate to say I don’t know what it would feel like then.
Nose: remember that prank kids used to pull where they’d line up their hands with their nose, push them in one direction and crack a knuckle at the same time to pretend to break their nose? Yeah that’s what it looks like when someone punches you from the side in the nose, except it’s someone else’s hand and your nose makes the sound instead of their knuckle. It’s just like breaking any bone where you hear it and feel the action if it being done but that moment of shock blankets you for a split second until all the pain comes rushing back. It’s sharp and needlelike and can give you black eyes just to add insult to injury. If you get hit in the nose from the front it’s like the uncomfortableness of when you have to sneeze but can’t. Except that feeling took all the steroids and is now using your face as a punching bag to express its roid rage. It crackles outward like static electricity under your skin, your eyesight gets fuzzy and you can’t tell if it’s because you’re tearing up, it’s hard to open your eyes, or you’re momentarily stunned and blinded. Just know it’s all three. I find that this one knocks the wind out of you the most. Gotta remind yourself to breathe just don’t try to do it through your nose.
If you really want to know what this feels like I’d suggest joining a mixed martial arts because they’ll teach you correct form and power distribution and you can spar with pads and actually hit each other.
I’d also recommend learning what it feels like to punch someone in the face. It’s much more fun and pretty damn cathartic when they deserve it.
i was just being stupid but these descriptions are actually so well written i could feel them lmao bless
Well, thanks for “being stupid,” because this is a great ref for writers.
I did this last year and it did help me see how much I wrote in a year. So I’m doing it again. Happy 2021! 2020 was rough, but I know when I was out of work for the shutdown for about 3 months I was either playing animal crossing or writing so I got some things written this year (of course nothing finished!). So approximate writing stats for 2020. (Though I have a more accurate idea of how much I wrote since I did the post last year, but there are still things I worked on that weren’t created in the last two years and I don’t have a way to figure out the numbers, but I’ve marked those areas with an asterisk just to point out it’s inaccurate.) Total Documents: 45 (38 Fanfic, 7 original) Total Pages: 1,290 (1,190 fanfic, 100 original) Total Words: 696,930 (643,376 fanfic, 53,554 original) Fanfic Topic/Fandoms: 8 (under the cut again) Original Stories: 4 (1 new this year, 3 were added to, all three of the ones I added to should have an asterisk because there were documents I couldn’t accurately count those stories are ranging from 3-11 years old)
Fanfic topics by number, again this section should just be called what I was obsessed with in 2020. If there’s nothing that says otherwise just assume they’re all new documents to 2020.
Adventure Zone: 17 documents (13 new), 824 pages, 448,602 words RWBY: 7 documents, 113 pages, 60,520 words The Magicians: 5 documents (4 new), 136 pages, 72,152 words Cats (Musical): 3 documents (2 new), 79 pages, 41,537 words (please don’t question this) Legend of Zelda*: 3 documents (2 new), 25 pages, 13,753 words. Super Smash Brothers: 1 document, 8 pages, 4,329 words Percy Jackson*: 1 document, 3 pages, 1,621 words Disney Descendants: 1 document (2019 document), 2 pages, 862 words
...I think I could just say I wrote TAZ fanfic for 2020. Going by page count its roughly 64% of what I wrote. Nice.
i do enjoy doing my little stat thing that I started doing last year. I don’t enjoy my word program crashing 20 times as I try to figure out page counts and word counts because i have more than one document open at a time
Fantasy Wardrobe: Fabrics
We often call clothes silk when they are satin, velvet where they are velveteen or we have no clue what we’re on about. So today let’s look at fabrics.
Laying down the law
Many renaissance/mediaeval societies governed over who could wear what. By adding these laws you had a layer of depth to your world.
Women and men could only be dressed n clothes benefiting their position
Female servants or their daughters could not wear veils costing more than twelve pence
Knightly families could not wear cloth of gold or sable fur or velvets
The wife or daughter of a labourer were not to wear clothes beyond a certain price or a girdle garnished with silver
Cloth of gold and purple silk only worn by the royal family. This goes for ermine.
The importation of silk and lace foreigners was prohibited when the kingdom produced those textiles.
Peasant Clothing (Beggars to Merchant classes)
Wool: This was the staple of much of the clothes owned by peasants. It was in supply and it wasn’t as costly as most fabrics when undyed. It was also warm.
Linen: Forget about softness. Peasant linen was made of coarser weaves and flax. It was heavier than noble linen.
Cotton: A lightweight fabric used in hotter climates. It was softer than the linen and airier.
Fustian: heavy cloth woven from cotton, for menswear.
Leather: Leather was used for boots and shoes rather than killer jackets.
Nobility & Royalty
Cloth of Gold: Cloth made from woven threads of gold (very expensive)
Cloth of silver: cloth made from woven silver strands (very expensive)
Samite: a rich silk fabric woven with gold and silver threads
Tulle: A netting sort of material
Brocade: rich silk fabric with raised patterns sewn on it.
Cambresine: fine, lightweight linen
Cambric: thin white cotton or linen
Cypress: gauze made of cotton or silk
Damask: like brocade but the patterns are flat
Delaine : light wool/mixed wool and cotton
Lawn: sheer plain-woven cotton or linen
Sarsenet: fine and soft silk
Sateen: glossy cotton or wool
Satin: closely woven silk, shiny
Taffeta: Thickly woven silk
Velvet : piled fabric of silk, cotton or synthetic material
Velvetine: cotton with silk pile
Saxony: fine, delicate woollen fabric
Alençon Lace: intricate floral lace with three-dimensional corded detail sewn onto a fine tulle backing
Chantilly Lace: lightest of lace
Charmeuse: smooth, flowing, silk, cotton,
Chiffon: sheer and lightweight fabric
Crepe de Chine: thicker, lightly textured silk
Dupioni: crisp lusturous silk
Organza: sheer and lightweight fabric of very fine weave silk
Georgette: sheer fabric of silk
Guipure Lace: heavier lace
Designs
Embroidery: Patterns sewn on the fabric by thread
Appliqué: decorative fabric, often lace or floral motifs, sewn onto the main material
Embellishment: details such as beads, crystals, sequins, pearls
Trim: a line of material or fur that finishes off a hem or cuff.
Piping: a cord lining the fabric creating a ribbed look.
Colours
Here are the colours that you will catch your people wearing. Keep in mind that dyes had to be sourced and could be very expensive.
Peasant: brown, red or gray.
Nobility: Gold, silver, crimson or scarlet, deep indigo blue, violet colors and even deep black and pure white colors
Royalty: Purple
Furs
Mink: Soft and lightweight, silkly and glossy furs
Fox: Long, lustrous, colourful and easy to dye.
Ermine: White fur streaked with black (ONLY FOR ROYALTY)
Sable: long, luxurious, dense but light.
Wolf: thick, tough, warm but has a bad smell
Vair: fur from a red squirrel really only used for trimming.